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Drama . Action . Crime

Grace has left her life as an undercover cop to be a better mother to her daughter. She's recently separated from Tom and with the arrival of her estranged mother, she's got plenty of drama at home. Grace's new job as a handler for an FBI task force has her investigating corporate espionage in San Francisco. But when her undercover operative, Sarah, goes missing, Grace is forced to go back undercover to save her. That's when she meets Ethan the owner of the security consultancy Sarah investigated before disappearing. Grace looks to gain Ethan's trust to learn what happened to Sarah, but Ethan has his own agenda. His close friend and business partner was murdered the night Sarah vanished. He's determined to find who's responsible—creating a dangerous game of cat and mouse. As Grace gets closer to Ethan, her feelings grow. But can she trust him?

Status: Running
TV Channel: Audience Network
  • Mary McNamara

    Rogue is pretty terrible, a moody, broody jumble of clichéd characters, pregnant pauses and sex scenes that border on the pornographic.

    Los Angeles Times Full Review
  • David Wiegand

    The performances run the gamut from woeful to out-and-out terrible, but in some cases, you can't blame the actors because no one is sufficiently talented to deliver the lines of creator Matthew Parkhill's script with even minimal credibility.

    San Francisco Chronicle Full Review
  • Tom Gliatto

    Thandie Newton is intimidatingly fierce.... The problem is everyone else. [8 Apr 2013, p.45]

    People Weekly Full Review
  • Tirdad Derakhshani

    Over-boiled, over-violent, and overly abundant with sex scenes, Rogue is sure to click with hardcore cop-thriller fans who care less about plotting and characterization than the bang . . . bang . . . bang.

    Philadelphia Inquirer Full Review
  • Tim Goodman

    There’s something plodding and portentous about Rogue, as if it were trying especially hard to be taken seriously, to have the ballast needed to compete with other serious cable dramas.

    The Hollywood Reporter Full Review
  • Brian Lowry

    Other than having an African-American woman as the protagonist, though, this feels like any number of similar movies and series, where cops must decide how far they’ll go (do cocaine? Shoot a guy the boss has tied up?) to protect their cover and get the job done. More fundamentally, the show’s naughty bits feel particularly gratuitous.

    Variety Full Review
  • Ed Bark

    None of this really clicks.

    Uncle Barky Full Review
  • Matt Roush

    Rogue has all the attributes of pay cable--rough language, extreme violence and no-kidding graphic sexuality and nudity--but little of its depth and nuance.

    TV Guide Magazine Full Review
  • Bruce Miller

    Frequently, the mixed signals cross and Rogue seems unhinged. Stick with it, though, and you'll be rewarded with some nice moments that justify an unwieldy script.

    Sioux City Journal Full Review
  • Rob Owen

    Rogue starts to become a little more intriguing [by the second episode], but the show only gets to that point after the clichéd set-up and almost two hours spent with a self-destructive lead character.

    Pittsburgh Post-Gazette Full Review
  • Darren Franich

    Rogue is trash, but thanks to Newton, it's delightful trash. [5 Apr 2013, p.62]

    Entertainment Weekly Full Review
  • Gail Pennington

    When Thandie Newton is on screen in Rogue, it's tough to look away.... Other than Newton, though, Rogue is a disappointment in the early going, more tedious than thrilling.

    St. Louis Post-Dispatch Full Review
  • Chuck Barney

    Rogue does a nice job of methodically building an unsettling mood.

    San Jose Mercury News/Contra Costa Times Full Review
  • Glenn Garvin

    An intriguing crime drama.

    Miami Herald Full Review
Episode Guide For Show: Rogue