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Drama . Romance . Comedy

Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved. Six New Yorkers juggle love, friendship, and the keenly challenging specter of adulthood. Sam Wexler is a struggling writer who's having a particularly bad day. When a young boy gets separated from his family on the subway, Sam makes the questionable decision to bring the child back to his apartment and thus begins a rewarding, yet complicated, friendship. Sam's life revolves around his friends-Annie, whose self-image keeps her from commitment; Charlie and Mary Catherine, a couple whose possible move to Los Angeles tests their relationship; and Mississippi, a cabaret singer who catches Sam's eye.

Actors: Bram Barouh , Malin Akerman , Richard Jenkins , Dana Barron , Jakob Appelman , Michael Algieri , Tony Hale , Zoe Kazan , Kate Mara , Malin Åkerman , Josh Radnor , Pablo Schreiber
Directors: Josh Radnor
Country: USA
Release: 2011-03-03
More Info:
  • Roger Moore

    Less mopey and downbeat than TV star Zach Braff's "Garden State." But it succeeds in many of the same sweet ways and is similar enough to warrant labeling Radnor "Zach Braff: The Next Generation."

    Orlando Sentinel Full Review
  • Mick LaSalle

    It's an observant and heartfelt film, with turns of dialogue that show that writer-director Josh Radnor really can write.

    San Francisco Chronicle Full Review
  • Elvis Mitchell

    Radnor is an overprotective first-time director, and the final effect is like watching a film with elbow pads, a helmet and training wheels.

    Movieline Full Review
  • Kirk Honeycutt

    It might even live up to that title: When it ends, you wouldn't mind a bit more, please.

    The Hollywood Reporter Full Review
  • Peter Rainer

    The happy endings in "HTYMP," as sweet as they are to experience, seem more engineered than inevitable.

    Christian Science Monitor Full Review
  • Noel Murray

    HappyThankYouMorePlease has a different vibe than "Garden State" or "HIMYM." It's more like a late-'80s/early-'90s Woody Allen film, after Allen stopped separating his comedy and drama.

    The A.V. Club Full Review
  • Bill Goodykoontz

    There is a sweetness to Radnor's character and to his film. What there is not is a sense of urgency, of a desire to find out what happens next.

    Arizona Republic Full Review
  • Ray Greene

    The script is intermittently literate and frequently funny, the young cast (headed by Radnor) is highly appealing.

    Boxoffice Magazine Full Review
  • Lisa Schwarzbaum

    With very little modification, the relationship woes of the six chirpy young New Yorkers in this self-absorbed indie could be reworked into episodes of TV's "How I Met Your Mother."

    Entertainment Weekly Full Review
  • Mark Jenkins

    This is among the better Allen knockoffs of recent years, even if a few of its riffs seem hazardously off-key.

    NPR Full Review
  • Wesley Morris

    The movie is generic and shallow in its glimpse of the love and sex lives of a handful of young New Yorkers.

    Boston Globe Full Review
  • Michael Phillips

    The cast is not the limitation here. The limitation, and I found it to be a drag on this aggressively audience-pleasing indie, relates directly to its premise.

    Chicago Tribune Full Review
  • Andrea Gronvall


    Chicago Reader Full Review
  • Elizabeth Weitzman

    That other actors - especially Akerman and Tony Hale, wonderful as a tentative couple - fare better suggests Radnor should give directing another shot.

    New York Daily News Full Review
  • Sam Adams

    Treating their problems like they're the most important crises in the world is what people in their 20s do, but that doesn't mean we have to go along for the ride.

    Los Angeles Times Full Review
  • Nick Pinkerton

    "Arrested Development's" Tony Hale nearly overcomes the gently worthless script, playing Annie's dork suitor, and convincingly transforming himself from toad to prince.

    Village Voice Full Review
  • John Anderson

    With the exception of Akerman's Annie, the characters are uniformly annoying, their stories insubstantial and the tone one of smug contentment.

    Variety Full Review
  • Carrie Rickey

    A case of when bad scripts happen to good actors. Given its similarities to a bygone sitcom, one might call it "Friends" without benefits.

    Philadelphia Inquirer Full Review
  • Stephen Holden

    It is no wonder that the insufferable romantic comedy Happythankyoumoreplease, set in New York, looks and sounds like a flop pilot for a television sitcom.

    The New York Times Full Review
  • Eric Hynes

    Radnor tries to pin a tail of significance on this donkey, but he seems content with light comedy and mere proficiency. To which we can only reply: Nothankyounomoremilquetoast-please.

    Time Out New York Full Review
  • Kyle Smith

    Isn't quite insipid, although if it were a little better, it could be.

    New York Post Full Review
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