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Bridget Jones's Baby

8/10
Comedy . Romance
 

Breaking up with Mark Darcy leaves Bridget Jones over 40 and single again. Feeling that she has everything under control, Jones decides to focus on her career as a top news producer. Suddenly, her love life comes back from the dead when she meets a dashing and handsome American named Jack. Things couldn't be better, until Bridget discovers that she is pregnant. Now, the befuddled mom-to-be must figure out if the proud papa is Mark or Jack.

 
Actors: Patrick Malahide , Shirley Henderson , Renée Zellweger , Patrick Dempsey , Sally Phillips , Jim Broadbent , Gemma Jones , Emma Thompson , Julian Rhind-Tutt , Colin Firth
Directors: Sharon Maguire
Country: IRELAND , UK , FRANCE , USA
Release: 2016-09-16
More Info:
  • Serena Donadoni

    As much as this latest installment draws on affection for the snappy first film, it's the differences that make Bridget Jones's Baby the warmest and most satisfying of the series.

    Village Voice Full Review
  • Kevin P. Sullivan

    The script contains some genuinely uproarious laughs and is sharper than it needs to be, even if some of the jokes feel as old as Bridget’s condoms.

    Entertainment Weekly Full Review
  • Randy Cordova

    The film could merely coast on the charms of its three stars, but it's smarter and brighter than you'd expect.

    Arizona Republic Full Review
  • Katie Walsh

    Zellweger plays Bridget just as charmingly as she always has -- flawed but endearing; just right in her own idiosyncratic way.

    Los Angeles Times Full Review
  • Cath Clarke

    I’ve never liked Renée Zellweger more as a warmer and wiser Bridget Jones – but still capable of making a total prat of herself.

    Time Out London Full Review
  • Jane Crowther

    A warm, witty and welcome return – intelligently evolved and an absolute hoot. As Bridget would say: ‘v.good’.

    Total Film Full Review
  • Terri White

    Though the story occasionally stretches credibility, the warmth and wit so reminiscent of the original Bridget Jones's Diary propels you along, being due in large part to the return of one woman: director Sharon Maguire. You feel her filthy, funny thumbprints pressed on almost every scene.

    Empire Full Review
  • Julia Cooper

    So despite the conventionalism of the film’s final minutes, I’d like to raise a glass of Chardonnay and toast Bridget Jones’s Baby on its (mostly) hilarious, and long-anticipated, homecoming.

    The Globe and Mail (Toronto) Full Review
  • Molly Eichel

    The movie's greatest misstep - other than Dempsey's boring romantic foil - is that, at one point, Bridget flashes back to events from the first movie. It's a reminder of how much fun the first film was, and it'll make you want to run out and watch that rather than the finish the one you bought a ticket for.

    Philadelphia Inquirer Full Review
  • James Berardinelli

    Bridget Jones’s Baby exceeds expectations and, as a result, makes us willing to forgive the delay in bringing the character back to theaters.

    ReelViews Full Review
  • Brian Truitt

    While it unabashedly leans into its chick-flick nature, returning director Sharon Maguire — who helmed 2001’s franchise-starter "Bridget Jones’s Diary" — manages to craft the strongest and funniest film of the series.

    USA Today Full Review
  • Peter Travers

    Sounds godawful in title and concept — but which in execution is a fizzy delight.

    Rolling Stone Full Review
  • Susan Wloszczyna

    There is a welcome sense of familiarity in Bridget Jones's Baby — but also of the fresh and au courant.

    RogerEbert.com Full Review
  • Stephanie Hayes

    There's a funny, healthy element of slapstick at play, as with all Bridget movies. A doctor played dryly by Emma Thompson is a biting, welcome addition.

    Tampa Bay Times Full Review
  • Moira Macdonald

    The whole endeavor is so relentlessly lovable, like Bridget herself, that I defy anyone to not enjoy themselves.

    The Seattle Times Full Review
  • Jason Solomons

    She’s a woman gamely surviving the pitfalls and pratfalls of her own desperation and insecurities, and Zellweger creates a hugely sympathetic character.

    TheWrap Full Review
  • Robert Yaniz Jr.

    Bridget Jones’s Baby effortlessly reminds audiences why this character and her world were so compelling in the original film.

    We Got This Covered Full Review
  • Ariel Scotti

    This somewhat predictable and trend-obsessed comedy about what happens when a woman of a certain age ends up expecting, and unsure of the parentage, is pregnant with comedy gold.

    New York Daily News Full Review
  • Allison Shoemaker

    The most surprising thing about Bridget Jones’s Baby has nothing to do with the perennial singleton’s offspring or the tropes of romantic comedies. What’s surprising is that, despite all the contrivances and stale conventions, this movie’s not half bad, and occasionally better than that.

    Consequence of Sound Full Review
  • Kimberley Jones

    Is this latest outing as bold or bracing or funny as the original film? Certainly not. We’re well settled into our seats now, but there’s some comfort in how the cushion already knows a body’s grooves.

    Austin Chronicle Full Review
  • Will Ashton

    Bridget Jones’s Baby is not a game-changer, but that’s not what it sets out to be. It’s a goodnatured, accessible, persistently endearing matinee, and sometimes it’s nice to be won over by simple sincerity and commercial likeability.

    The Playlist Full Review
  • Sara Stewart

    On one hand, third installment is series of hilarious meditations on trials of being middle-aged woman, co-written by feminist goddess Emma Thompson, who gives self all best lines as deadpan OB-GYN.

    New York Post Full Review
  • Roger Moore

    Zellweger shows flashes of her Oscar winning talent and is certainly not past her sell-by date, even if she’s tampered entirely too much with the packaging.

    Movie Nation Full Review
  • Mike Scott

    Delivers a rare perfect ending to a perfectly likeable trilogy.

    New Orleans Times-Picayune Full Review
  • Peter Bradshaw

    What sealed the deal for me – by a whisker – was the gigantic physical comedy that Dempsey, Zellweger and Firth uncorked as they try to get through the hospital revolving door as Bridget is about to give birth, the traditional romcom rush to the airport having been re-invented for this maternal drama.

    The Guardian Full Review
  • Tim Robey

    It's a comeback you root for, then, even while it’s wobbling and occasionally falling in the mud. But goodwill gets it home.

    The Telegraph Full Review
  • Fionnuala Halligan

    In its own deja vu way, Bridget Jones Baby is intermittently entertaining, mainly thanks to Zellweger’s performance.

    Screen International Full Review
  • Catherine Bray

    Despite Zellweger’s appealingly warm, vulnerable performance, the film itself is a mixed bag.

    Variety Full Review
  • Conor O'Donnell

    In spite of its slightly excessive runtime and a handful of millennial-pandering beats, Bridget Jones’s Baby is brought to term by the buckets of undeniable charm and charisma present in its performances.

    The Film Stage Full Review
  • Jesse Hassenger

    In other words, 12 years have elapsed since the last Bridget Jones movie. A skinnier, more put-together Bridget isn’t necessarily a more interesting character; she’s a little more "Sex And The City" this time out, however incrementally.

    The A.V. Club Full Review
  • Ann Hornaday

    Even considering its optimistic, open-ended conclusion, Bridget Jones’s Baby feels like an affectionate, slightly overdue goodbye to characters whose time has inevitably passed.

    Washington Post Full Review
  • Joe Morgenstern

    Of all the performances in a patchy production, only one achieves perfection. We get to see it through the modern medical miracle of ultrasound.

    Wall Street Journal Full Review
  • Walter Addiego

    The film is sprinkled with “f” bombs, which fails to disguise that the enterprise is based on a surprisingly dated notion of what’s racy. Also, you simply may not find Bridget quite as adorable as the filmmaker’s clearly believe her to be.

    San Francisco Chronicle Full Review
  • Stephen Holden

    Despite an abundance of mostly tepid jokes that keeps the comedic tone at a quiet simmer, Bridget Jones’s Baby doesn’t jell. Ms. Zellweger floats through the picture, charming but strangely detached from her suitors.

    The New York Times Full Review
  • Demetrios Matheou

    Once again excelling, Zellweger has much to do with the safe transition of this new Bridget, maintaining all the old quirks and sweetness, but in a believably more mature shell.

    Indiewire Full Review
  • Leslie Felperin

    There are crisply folded lines, and pleasingly peppery performances from the supporting cast especially, but where its beating heart should be there is a splinter of ice, the sense that no one involved is really doing this for that much love.

    The Hollywood Reporter Full Review
  • Dana Stevens

    Still, the movie’s mores can feel cluelessly retro as the ever-dithering Bridget lurches between one man and another.

    Slate Full Review
  • Ty Burr

    “Baby” is to Helen Fielding’s original 1996 novel and its 2001 movie adaptation what “Sex and the City 2” was to the HBO series — a cause not for celebration but overdue burial.

    Boston Globe Full Review
  • Richard Roeper

    From start to finish, this film seems strangely out of touch, never more so than when it tries to come across as enlightened.

    Chicago Sun-Times Full Review
  • Eric Henderson

    The Pinkberry solipsism of this particular franchise all but requires our heroine persist as a lovelorn martyr for her audience’s benefit.

    Slant Magazine Full Review
  • Anthony Lane

    Maguire has the nerve to give her heroine a big speech on the “integrity” of proper journalism — this after Bridget Jones’s Baby has made fun of foreigners’ names, and arranged for her to put the wrong Asian guest in front of the cameras. (Do all Asians look alike to her? Is that the joke?) So reliably does she embarrass herself at every public event that the film, trudging by on automatic, becomes an embarrassment, too.

    The New Yorker Full Review
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