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Jane Got a Gun

Action . Drama . Western

After her outlaw husband returns home shot with eight bullets and barely alive, Jane reluctantly reaches out to an ex-lover who she hasn't seen in over ten years to help her defend her farm when the time comes that her husband's gang eventually tracks him down to finish the job.

Actors: Natalie Portman , Joel Edgerton , Rodrigo Santoro , Ewan McGregor , Noah Emmerich , Alex Manette , Boyd Holbrook , Todd Stashwick , James Burnett , Sam Quinn
Directors: Gavin O'Connor
Country: USA
Release: 2016-01-01
More Info:
  • Michael Rechtshaffen

    Jane Got A Gun may not have reinvented the wagon wheel, but it rolls out as a sturdy, well-crafted genre piece despite its rocky road to the screen.

    Los Angeles Times Full Review
  • Joe Leydon

    A solidly made and conventionally satisfying Western.

    Variety Full Review
  • Lisa Nesselson

    The motivations and the performances are solid in Jane Got A Gun, an attractively mounted post-Civil War revenge drama with plenty of shooting and a well-placed twist or two.

    Screen International Full Review
  • Alonso Duralde

    Jane Got a Gun takes long pauses in the action to chronicle through flashbacks how this love triangle comes to defend a single home. The film’s greatest surprise is that these unabashedly emotional flashbacks work.

    TheWrap Full Review
  • Peter Sobczynski

    Jane Got a Gun has its good points and less demanding fans of the Western genre may find some value in it, especially considering how few films of its type actually get made these days. Full Review
  • Jesse Hassenger

    Even when the movie focuses on its imagery rather than its plot mechanics, it seems intent on covering its bases rather than committing to a particular look or mood.

    The A.V. Club Full Review
  • Matt Brennan

    It constantly blunders into stylistic choices and narrative clichés that sabotage the sturdy two-hander at its center.

    Slant Magazine Full Review
  • Blake Goble

    "Jane" eventually comes alive, even if Jane never truly does.

    Consequence of Sound Full Review
  • Rodrigo Perez

    Deeply over-reliant on flashbacks, and ones that don’t particularly transition well, Jane Got A Gun is nearly a holding pattern movie.

    The Playlist Full Review
  • Chris Nashawaty

    Since the film’s last-minute rewrites, casting switcheroos, and musical chairs behind the camera are irrelevant to the actual quality of the movie, I’ll avoid rehashing them here, save to say that the disarray shows on screen.

    Entertainment Weekly Full Review
  • Glenn Kenny

    Whatever feminist angle the film might have once aspired to is lost in its listless shuffle.

    The New York Times Full Review
  • Jordan Mintzer

    A handful of plot twists are not enough to compensate for an overtly heavy, often dreary affair that rides straight into the final standoff with little elegance and a wagon train of pathos.

    The Hollywood Reporter Full Review
  • Anthony Lane

    Put the evidence together, and it’s no surprise that this poor little movie fires blanks. It never wanted to be a Western at all.

    The New Yorker Full Review
  • Roger Moore

    The action is visceral and exciting, but everything between the shootouts, especially the mostly-insipid flashbacks (A pre-Civil War romantic hot air balloon ride in Missouri? Really?) just makes you impatient for Jane to get that gun and get on with it.

    Movie Nation Full Review
  • Marjorie Baumgarten

    You have to feel a certain sympathy for a project as cursed as this one, but there’s no denying that Jane’s gun barely grazes its target.

    Austin Chronicle Full Review
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