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The Other Side of the Door


Grieving over the loss of her son, a mother struggles with her feelings for her daughter and her husband. She seeks out a ritual that allows her say goodbye to her dead child, opening the veil between the world of the dead and the living. Her daughter becomes the focus of terror. She must now protect against the evil that was once her beloved son.

Actors: Jax Malcom , Logan Creran , Javier Botet , Jeremy Sisto , Sarah Wayne Callies , Sofia Rosinsky
Directors: Johannes Roberts
Country: INDIA , UK
Release: 2016-03-04
More Info:
  • Peter Bradshaw

    There are no prizes for guessing what happens, but it’s a smart scary movie that relies on atmosphere and characterisation – not just jump-scares – for its effect.

    The Guardian Full Review
  • Kim Newman

    A solid haunting-possession movie with good character work and unusual local colour, this works in a few surprises, sufficient scares and a nicely barbed punchline.

    Empire Full Review
  • Justin Lowe

    With its measured pacing, focus on family and repurposing of familiar horror conventions, the film represents a rather adult offering that can’t manage any memorable frights until well into the first hour of running time.

    The Hollywood Reporter Full Review
  • Christy Lemire

    To her credit, Callies has an accessible presence and tries to provide more pathos and humanity than were supplied on the page, even as her character makes increasingly idiotic decisions in the name of parental love. Full Review
  • Tim Grierson

    Mothers will do anything for their children, but this film’s simplistic brand of horror never makes that devotion compelling or frightening.

    Screen International Full Review
  • Geoff Berkshire

    The type of sporadically silly and patently predictable horror pic that would look like filler on Syfy’s weekend lineup, The Other Side of the Door brings virtually nothing new to the supernatural genre.

    Variety Full Review
  • Dave White

    The filmmakers are more concerned with shock-cuts, loud bangs, and creating Indian characters that are either servants or monsters, than with pushing the genre forward into satisfyingly visceral or psychological territory.

    TheWrap Full Review
  • Christian Holub

    The true horror of The Other Side of the Door is that Maria, too, has kicked off a vicious cycle of unnatural destruction, as the movie makes clear in its hard-hitting final punchline.

    Entertainment Weekly Full Review
  • Marjorie Baumgarten

    Effective performances by the principals are unable to surmount the movie’s many cliches, although the actors render them more endurable. A more evocative title for this Hindu Gothic might be: "Mommies Shouldn’t Play With Dead Things."

    Austin Chronicle Full Review
  • Roger Moore

    A few frights pay off, but most don’t. The performances are TV-series flat — designed for close-ups.

    Movie Nation Full Review
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