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In the hazy aftermath of an unimaginable loss, Sarah and Phil come unhinged, recklessly ignoring the repercussions. Phil starts to lose sight of his morals as Sarah puts herself in increasingly dangerous situations, falling deeper into her own fever dream.

Actors: Ty Simpkins , Giovanni Ribisi , Merritt Wever , John Leguizamo , Juno Temple , Kevin Corrigan , Elisabeth Moss , Luke Wilson , Olivia Wilde
Directors: Reed Morano
Country: USA
Release: 2015-04-17
More Info:
  • Jordan Hoffman

    What Meadowland refuses to do, to its great credit, is conform to expectations.

    The Guardian Full Review
  • Richard Roeper

    The filmmaking is sure-handed, the performances authentic.

    Chicago Sun-Times Full Review
  • Chuck Bowen

    Both Olivia Wilde and Luke Wilson understand the greatest pain of loss to be rooted in its searing inexpressibility.

    Slant Magazine Full Review
  • Bill Goodykoontz

    What saves Meadowland from being an exercise in masochism is the acting. Wilson and Wilde have a light touch that makes them perfect for the comedies they often make. Here, Morano leads them to much darker places, and they plunge right in.

    Arizona Republic Full Review
  • Neil Genzlinger

    The setup is a scriptwriting gimme — if your central couple lose a child, practically any subsequent behavior is justifiable — but the actors sell what they’re given quite effectively.

    The New York Times Full Review
  • Graham Fuller

    Chris Rossi built Meadowland’s screenplay on short, punchy scenes, and he deserves credit for crafting moments of quotidian ordinariness... that are also charged with tension.

    Screen International Full Review
  • John DeFore

    It is tightly in sync with protagonists who find it impossible to move on despite distractions that might be catalytic in other films.

    The Hollywood Reporter Full Review
  • Rodrigo Perez

    Atmosphere and feelings can only do so much when story, and its credible beats, seem to have fallen by the wayside.

    The Playlist Full Review
  • Brian Tallerico

    In the end, it feels like Morano didn’t trust her actors quite enough to be the conduits of emotion, falling back on too many filmmaking and screenwriting tropes that hamper the realism of their work. Full Review
  • Robert Abele

    Though the film is well made, the all-aftermath approach to Meadowland leaves a lot — an establishing, enlightening character stability, for one thing — to be desired.

    Los Angeles Times Full Review
  • Michael Nordine

    The filmmakers take great pains not to stack the deck or overstate the couple's self-evident trauma, but watching the movie is ultimately like being one of their friends: You understand their pain on a conceptual level but can't feel it the way they do.

    Village Voice Full Review
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