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Based upon Marvel Comics’ most unconventional anti-hero, DEADPOOL tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.

Actors: Ryan Reynolds , Morena Baccarin , Ed Skrein , T.J. Miller , Gina Carano , Leslie Uggams , Brianna Hildebrand , Karan Soni , Jed Rees , Stefan Kapičić , Michael Benyaer
Directors: Tim Miller
Country: USA
Release: 2016-02-09
More Info:
  • Lawrence Toppman

    It’s impossible to envision a sequel with pleasure – this kind of lightning wouldn’t strike twice – but the first one could hardly be improved.

    Charlotte Observer Full Review
  • James Berardinelli

    Compared to Deadpool, "Guardians of the Galaxy" is a bastion of sobriety and good taste.

    ReelViews Full Review
  • Calvin Wilson

    Smart, sexy and outrageous, Deadpool delivers.

    St. Louis Post-Dispatch Full Review
  • Michael O'Sullivan

    It’s a voraciously self-aware comedy, one that dines out on the inherent inanity of its own premise as much as it does the movies it’s competing with.

    Washington Post Full Review
  • Alonso Duralde

    Deadpool is one of those movies that’s all the more successful for how easily it could have gone so very wrong. It’s suffused with an arch, self-aware wit...yet it takes its romance and revenge storylines just seriously enough to keep us engaged.

    TheWrap Full Review
  • Drew McWeeny

    It is almost preposterous how little "plot" there is in the film...What it has in spades is attitude, and right up until the moment the film began, I was afraid It was going to be so juvenile and filthy that I would end up annoyed by it. Instead, from the very beginning of the opening credits, it is clear that director Tim Miller and screenwriters Rhett Reese and Paul Wernick have crafted something deeply silly that isn't remotely interested in playing by the conventional rules of what we've come to think of as "the superhero genre."

    Hitfix Full Review
  • Bill Goodykoontz

    It takes a strong stomach for extreme violence and over-the-top obscenity, but if you're willing to roll with that, Deadpool is a hoot.

    Arizona Republic Full Review
  • Mike Scott

    What sets Deadpool apart is its overall genre-busting tone, which blends a wealth of meta humor, the wisecracking Reynolds' significant skills with a one-liner, and a genuinely funny script that isn't afraid to offend anyone.

    New Orleans Times-Picayune Full Review
  • Peter Bradshaw

    Deadpool is neurotic and needy – and very entertaining. An innocent pleasure.

    The Guardian Full Review
  • James Mottram

    Loud, lewd, inventive and outrageous, Deadpool is a delight. All credit to Reynolds and co. for having the steel balls to go this far.

    Total Film Full Review
  • Todd McCarthy

    It takes a little while to get in gear — or perhaps just to adjust to what's going on here — but once it does, Deadpool drops trou to reveal itself as a really raunchy, very dirty and pretty funny goof on the entire superhero ethos, as well as the first Marvel film to irreverently trash the brand.

    The Hollywood Reporter Full Review
  • Justin Chang

    As a vehicle for the impudent comic stylings of Ryan Reynolds, this cheerfully demented origin story is many, many cuts above “Green Lantern,” and as a sly demolition job on the superhero movie, it sure as hell beats “Kick-Ass.”

    Variety Full Review
  • Marjorie Baumgarten

    Loaded with sass, sex, and sadistic violence, Deadpool is not your youngster’s comic-book origin story. Deadpool earns every bit of its R rating, a quality that’s sure to appeal to fans weary of the macho, apple-pie-eating, altruistic superheroes who buck for attention in the comic-book stables.

    Austin Chronicle Full Review
  • Bob Mondello

    It's also violent to point of sadism, explicit both visually and in terms of language. A potty-mouthed splatterfest, in fact — but a funny one.

    NPR Full Review
  • Peter Travers

    This movie's junky feel is part of its charm. Sure it goes on too long and repetition dulls its initial cleverness. Still, Deadpool is party time for action junkies and Reynolds may just have found the role that makes his career.

    Rolling Stone Full Review
  • Barry Hertz

    First-time feature director Tim Miller has created a work that’s both aggressive and not aggressive enough.

    The Globe and Mail (Toronto) Full Review
  • Tirdad Derakhshani

    Deadpool is, on the whole, a big bowl of fun filled with great stunts, gory fight scenes, and sexy poses.

    Philadelphia Inquirer Full Review
  • Tom Russo

    They even make the requisite cameo by Marvel founding father Stan Lee feel profanely inspired. Not your usual Marvel superhero scene? In this case, that’s a good thing.

    Boston Globe Full Review
  • Soren Andersen

    Maximally cheeky. Perversely potty-mouthed. Riotously funny. Insanely violent. Uneven as all get out. And fun, fun, fun.

    The Seattle Times Full Review
  • Steve Persall

    Deadpool's flawed insolence is appealing, like a mangy pup crawling into your lap.

    Tampa Bay Times Full Review
  • Roger Moore

    There are more funny lines and opening credit sight gags in this than most comedies have in their full running time.

    Movie Nation Full Review
  • Chris Nashawaty

    It doesn’t have the most adrenalized action sequences or the deepest origin story. What it has is the balls to mess with the formula and have some naughty, hard-R fun. It’s a superhero film for the wiseasses shooting spitballs in the back of the school bus.

    Entertainment Weekly Full Review
  • Tasha Robinson

    This humor could be profoundly ugly, given how it's aimed at reducing other people's grotesque deaths to punchlines. But first-time director Tim Miller keeps the tone light — in his hands, Deadpool is more a snickering, naughty nut than an authentic sociopath.

    The Verge Full Review
  • David Edelstein

    Deadpool is a send-up of Marvel movies but in no way a takedown of them. It’s not subversive — it’s meant to elasticize and enhance the superhero genre, to flatter the audience for being hip enough to get all of those in-jokes.

    New York Magazine (Vulture) Full Review
  • Manohla Dargis

    It’s no surprise that the teams hired to bring a property like Deadpool to the screen know how to keep the machine oiled and humming; it’s the ones who somehow manage to temporarily stick a wrench in the works, adding something human — a feeling instead of another quip — who are worth your attention.

    The New York Times Full Review
  • Alan Scherstuhl

    Deadpool might even stand as one of the strongest and most inventive films of the high-early-late superhero baroque — if we could just turn off its built-in commentary track.

    Village Voice Full Review
  • Tim Grierson

    More often than not, Deadpool’s bratty energy feels liberating, allowing for a sexier, dirtier, more hilarious superhero movie than the typical all-ages Marvel affair, which is so concerned with maximising profits that it risks offending no one.

    Screen International Full Review
  • A.A. Dowd

    The eccentric touches—a Wham! musical cue, a dash of screwball body horror—are just accents on a stealth franchise extension. At a certain point, you have to do more than just recognize and point out the mold. You have to actually shatter it.

    The A.V. Club Full Review
  • Kate Erbland

    As is often the case with such violence, it eventually becomes numbing. By its midpoint, once the novelty of a superhero movie showing super levels of violence wears off, the thinness and lack of spark in the fight scenes becomes more readily apparent. By the film's end, they are hard to distinguish from any other superhero fare. Similarly, lack of imagination keep the film's prodigious swearing and occasional nudity from feeling like anything original.

    indieWIRE Full Review
  • Brian Truitt

    For grown-ups, however, Deadpool avoids enough pitfalls to both embrace and flambé the superhero genre while also finding time for romance, doling out equal handfuls of bullets, barbs and warm fuzzies.

    USA Today Full Review
  • Michael Phillips

    The movie's far from dull. But first-time feature director Tim Miller's film serves as critique as well an example of what ails the superhero movie industry.

    Chicago Tribune Full Review
  • Richard Roeper

    If only Deadpool were as clever, dark and funny as it believes itself to be.

    Chicago Sun-Times Full Review
  • Kenji Fujishima

    The whiplash contrasts between snideness and sincerity is deeply rooted in the main character's psychology.

    Slant Magazine Full Review
  • Kenneth Turan

    You're initially jazzed by his effrontery, but Deadpool, with his relentlessly glib, nothing-sacred attitude, is not an individual who wears particularly well.

    Los Angeles Times Full Review
  • Ethan Sacks

    It's buckshot humor that is funny when it lands; cringe-worthy when it doesn't.

    New York Daily News Full Review
  • Ben Nicholson

    For a film that vocally questions convention, it's perhaps a shame that Miller and co. played it so safe with a fairly cookie-cutter origin story, but it's really just there to give Reynolds ammunition to riff on. Whether the studio might be willing to push the character further into the leftfield in the future will depend on whether Deadpool warrants sequels.

    CineVue Full Review
  • Jonathan Pile

    The sheer number of dick jokes will soon numb you to their impact, but this is a fun, if patchy, alternative to the glut of ‘the world is about to end unless we do something’ comic-book films.

    Empire Full Review
  • Robbie Collin

    The fourth-wall-smashing is fun in a Ferris Bueller kind of way, but it’s never pulled off with the devious panache of Blazing Saddles, let alone Funny Games or Hellzapoppin’. Since it's this stuff, rather than the ongoing thud-thud-thud of bad language and gore, that feels mould-breaking, it’s a pity Rhett Reese and Paul Wernick’s screenplay doesn’t have the courage to experiment a little more.

    The Telegraph Full Review
  • Stephanie Zacharek

    Deadpool, intended as a spiky antidote to superhero oversaturation, ends up impaling only itself.

    Time Full Review
  • Dominick Suzanne-Mayer

    It’s hard to imagine a movie much more aware of itself both as a movie and as a moment in a cultural progression of similar movies than Deadpool.

    Consequence of Sound Full Review
  • Brian Tallerico

    It’s a remarkably straightforward origin flick, lacking in true satire of its genre, carried almost entirely by its lead. Deadpool is a fun character, but he’s still in search of a fun movie to match his larger-than-life personality. Full Review
  • Kevin Jagernauth

    It’s a film that desperately wants to upend the tropes of the comic book movie, but perhaps more shocking than anything that comes out of the mouth of its often obnoxious titular hero, is how blandly the picture sticks to the origin story playbook.

    The Playlist Full Review
  • Tom Huddleston

    Bloody, shallow and oh-so-smug, Deadpool is so eager to offend that it’d almost be sweet if it wasn’t so, well, relentlessly annoying.

    Time Out London Full Review
  • Matt Singer

    While Deadpool’s core audience will appreciate the way it flatters their knowledge of genre conventions with winking, cynical humor, too much of this stuff just plays like smug self-satisfaction. The movie is so impressed with itself that the viewer’s satisfaction seems completely irrelevant.

    ScreenCrush Full Review
  • Kyle Smith

    This one is a “different kind of superhero movie,” meaning even more fiercely attached to the mode of artistic expression known as “puberty.”

    New York Post Full Review
  • Mick LaSalle

    This is bad, borderline garbage, but disturbing, too, in that it’s just the kind of fake-clever awfulness that might be cinema’s future.

    San Francisco Chronicle Full Review
  • Jordan Raup

    For an 11-year-old sneaking into the theater for his first R-rated movie, Deadpool could prove to be a revelatory trip. For myself, it was an exhausting, grating experience, lacking in wit and cleverness as it crumbles underneath its wall-to-wall torrent of jokes. If this represents a new stage for comic-book adaptations, the future is even more dismal than one could have imagined.

    The Film Stage Full Review
  • Anthony Lane

    The ambition is laudable, but Tim Miller’s movie, far from seeming reckless and loose-limbed, comes across as pathologically calculated, measuring out its nastiness to the last drop.

    The New Yorker Full Review
  • Peter Rainer

    It seems less irreverent than self-congratulatory.

    Christian Science Monitor Full Review
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