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Time Out of Mind


Evicted from his squat and suddenly alone on the streets, George is a man without a home. Struggling with his demons and desperately trying to connect with the daughter he abandoned, he navigates the system, hustling for change and somewhere safe and quiet to gather his thoughts. But the streets are relentless and soon, George finds himself teetering on the edge, alone and abandoned.

Actors: Steve Buscemi , Jena Malone , Ben Vereen , Richard Gere , Danielle Brooks , Abigail Savage , Jeremy Strong , Colman Domingo , Yul Vasquez , Geraldine Hughes
Directors: Oren Moverman
Country: USA
Release: 2015-10-01
More Info:
  • Joe Neumaier

    The fear, desperation and hope of Time Out of Mind is painfully, hauntingly human.

    New York Daily News Full Review
  • Andrew O'Hehir

    It certainly is possible that Gere’s memorable performance as George – one that is far more physical than verbal, and that pushes the star’s legendary charm in unexpected directions – will put him in line for his first Oscar nod. George is never a cliché of homelessness, and neither the actor nor the film ever makes the expected or automatic choices. Full Review
  • Alan Scherstuhl

    Time Out of Mind is an experiment in empathy, an examination of bureaucracy and streetlife mundanity, and a movie that many will find a tough sit.

    Village Voice Full Review
  • Justin Chang

    Richard Gere goes slumming in the streets of Manhattan and emerges with one of his more remarkable performances in Time Out of Mind, a haunting piece of urban poetry that further confirms Oren Moverman as a socially conscious filmmaker of rare conviction and authority.

    Variety Full Review
  • Steven Rea

    In an extraordinarily inward and moving performance, Gere sheds every vestige of his silver-screen persona.

    Philadelphia Inquirer Full Review
  • Peter Travers

    Gere, who has shockingly never been nominated for an Oscar, gives the performance of his career, intuitive and indelible.

    Rolling Stone Full Review
  • Matt Zoller Seitz

    Time out of Mind seems to have been undertaken for no other reason than that the filmmakers and actors believed in the truth of the material. How many American movies can you say that about? Full Review
  • Marc Mohan

    Like Brad Pitt and Robert Redford, Gere's good looks have made it hard sometimes to recognize his acting ability, but it's on full display here in what is anything but a vanity project.

    Portland Oregonian Full Review
  • Kevin Jagernauth

    Time Out Of Mind is a film of tremendous patience and pace, as it wants you to inhabit every minute, day, hour and year of homelessness. But it's through that considered approach that the reveal of George's deep self-hatred and low self-esteem carries an extraordinary power; time has worn his sense of self to the point of despair that's deeply moving.

    The Playlist Full Review
  • Bill Goodykoontz

    Gere is terrific. It’s a tough job standing out at a distance, especially when we have to make an effort to find you, but Gere always commands our interest and attention.

    Arizona Republic Full Review
  • A.O. Scott

    Mr. Gere is fascinating to observe in this role, partly because he refuses to solicit sympathy, or even attention. Time Out of Mind is an intimate portrait of a man caught between the desire to be left alone and a need for human connection.

    The New York Times Full Review
  • Joshua Rothkopf

    A remarkably committed portrait of NYC homelessness in which Gere—grizzled and often topped in a wool cap—hunkers destitute. Call it an actor’s stunt if you must, but that would be overly dismissive of an indie with a serious mission of social awakening on its brow.

    Time Out New York Full Review
  • Ben Nicholson

    Gere does a fantastic job of embodying this broken man... It's an incredibly moving performance that lends Time Out of Mind emotional weight and anchors this contemplation of a man adrift in a world that doesn't appear to care.

    CineVue Full Review
  • Peter Keough

    This is no exercise in miserabilism. Instead Moverman and Gere take a problem and elevate it into a universal experience, turning social issues into existential insights.

    Boston Globe Full Review
  • Stephanie Merry

    The movie sometimes dillydallies, but the unhurried rhythms ultimately have a hypnotic effect.

    Washington Post Full Review
  • Devan Coggan

    The film’s not entirely effective as drama. The pacing and sparse plot keep it from being truly immersive, and it’s not exactly a film designed to spur social change, either. Instead, it’s worth watching for Gere alone.

    Entertainment Weekly Full Review
  • Rex Reed

    Richard Gere gives his most uncompromising three-dimensional performance in 20 years.

    New York Observer Full Review
  • Kenneth Turan

    Given what it attempts, Time Out of Mind should be considered a success. An attempt to use a movie star to shine a dramatic light on the intractable problem of urban homelessness, the film's tone of austerity helps it to avoid sentimentality and simplistic answers.

    Los Angeles Times Full Review
  • Peter Rainer

    Gere is believable enough, and so are his costars (Steve Buscemi and Kyra Sedgwick turn up in small roles). Vereen is best – he creates a full-bodied character using the sparest of means. It’s a magnificent cameo.

    Christian Science Monitor Full Review
  • Elise Nakhnikian

    The film isn't preachy, but its indie-movie artiness sometimes get in the way of its noble mission, making us think more about the techniques being used than the effects they're meant to create.

    Slant Magazine Full Review
  • David Edelstein

    Moverman is attempting something hugely ambitious with Time Out of Mind: a socially conscious, existential-displacement art movie. I think it would have worked better with a little less rigor and a little more intimacy.

    New York Magazine (Vulture) Full Review
  • A.A. Dowd

    It’s the epitome of the anti-vanity project—a way for a veteran charmer to prove that he has more to offer than charm.

    The A.V. Club Full Review
  • David Lewis

    Every now and then, an interesting character pops up: Kyra Sedgwick, almost unrecognizable, is quite good as a homeless woman who collects aluminum cans. But these moments are as fleeting as George’s grip on reality.

    San Francisco Chronicle Full Review
  • Lou Lumenick

    Perhaps this year’s timeliest film — as well as, unfortunately, one of the hardest to sit through.

    New York Post Full Review
  • Todd McCarthy

    With Gere’s character so lacking in memory and mental clarity, the film provides very little for an audience to latch on to. Tedium quickly sets in and is only sporadically relieved in this labor of love that simply doesn’t reward even the patient attention of sympathetic viewers.

    The Hollywood Reporter Full Review
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