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Nolan Mack, a soft-spoken bank employee, undoubtedly loves his wife Joy, though their cavernous empty house only underscores how disconnected they’ve always been from each other. Nolan finds himself drifting from his familiar present-day life in pursuit of lost time after meeting a troubled young man named Leo on his drive home. What begins as an aimless drive down an unfamiliar street turns into a life-altering series of events.

Actors: Curtis Gordon , Brandon Hirsch , J. Karen Thomas , Clay Jeffries , Giles Matthey , Eléonore Hendricks , Kathy Baker , Bob Odenkirk , Roberto Aguire , Robin Williams
Directors: Dito Montiel
Country: USA
Release: 2015-07-10
More Info:
  • Gabe Toro

    [Montiel] reinvents himself, dialing down the machismo of early releases to craft a story of tremendous compassion.

    The Playlist Full Review
  • Peter Debruge

    This is one of the kindest characters Williams has ever played, which makes his self-imposed turmoil — the consequence of not wanting to hurt anyone, least of all his wife — all the more tragic.

    Variety Full Review
  • John DeFore

    [A] tender but unsentimental take on a story that benefits from finesse.

    The Hollywood Reporter Full Review
  • Nick Allen

    Williams and director Dito Montiel are in tune with a pervading sense of tenderness, as the movie distinctly ruminates on connection, not love. Full Review
  • Rex Reed

    As Robin Williams’ final film, it tolls a wonderful bell for the legacy of a distinguished career.

    New York Observer Full Review
  • Tirdad Derakhshani

    Williams does a terrific job portraying Nolan's ambivalence, the mix of fear, guilt, and excitement that grips him and the gradual change he undergoes in the ensuing weeks.

    Philadelphia Inquirer Full Review
  • Michael O'Sullivan

    If the movie is cheesy at times, it more often presents an understanding of life’s contradictions and compromises.

    Washington Post Full Review
  • Kerry Lengel

    Despite his roots as an over-the-top stand-up comedian, Williams long ago proved himself to be one of those rare actors who can truly inhabit a role, and “Boulevard” is no exception. But that’s not always enough to keep the viewer’s eyes glued to the screen.

    Arizona Republic Full Review
  • Bilge Ebiri

    Boulevard is a sad, hesitant little movie about a sad, hesitant little man. That may be a far cry from the Robin Williams roles we knew and loved, but it’s not a bad one on which to go out.

    New York Magazine (Vulture) Full Review
  • James Rocchi

    Boulevard consistently evokes the road not traveled, but doesn’t particularly stand out alongside other dramas that have explored the same terrain.

    TheWrap Full Review
  • Alan Scherstuhl

    Director Dito Montiel aspires to sensitive drama, but Douglas Soesbe's script too often mires Williams in pat situations.

    Village Voice Full Review
  • Peter Keough

    In Dito Montiel’s treacly, programmatic film, Williams succumbs to a recurring neediness, earnestness, and sentimentality.

    Boston Globe Full Review
  • Sheri Linden

    Working from a screenplay by Douglas Soesbe that juggles contrivance and insight, Montiel labors to avoid sensationalizing Nolan's story, and in the process he overcompensates.

    Los Angeles Times Full Review
  • Andrew O'Hehir

    If anything, Boulevard is the apotheosis of Williams’ later career, not an anomaly. I wish I could tell you it was a better and more satisfying film, but even its odd, strangled and almost antique quality – it plays out like a well-intentioned Sundance drama from about 1986 – feels curiously appropriate. Full Review
  • Stephen Holden

    As truthful as it is, Boulevard conveys little insight into characters who are believable and well acted but incapable of change.

    The New York Times Full Review
  • Mike D'Angelo

    It doesn’t help that Boulevard is a movie that feels at least a decade past its sell-by date, if not two.

    The A.V. Club Full Review
  • Kyle Smith

    Robin Williams’ last live-action film, Boulevard, is a frustrating ending to a stellar career, a cramped and melancholy film about a cramped and melancholy man.

    New York Post Full Review
  • Roger Moore

    Well-intentioned, but predictable and instantly dated.

    Movie Nation Full Review
  • Joe Neumaier

    It may not be one of his finest roles or one of his more memorable films. But in its own way, Boulevard may be one that says the most about him.

    New York Daily News Full Review
  • Mick LaSalle

    To watch Boulevard is to keep circling back, over and over, to the question: Was it merely an actor’s misguided inspiration, to take a repressed character and turn him into a grievously depressed one? Or was Williams simply unable to do it any other way?

    San Francisco Chronicle Full Review
  • Clayton Dillard

    Not merely rote, Boulevard is contemptible for a belief in its own stature as a daring attempt to parse through the minutia of its core relationship, where Nolan's uncertain sexuality would be terms enough to laud the film's provocative insights.

    Slant Magazine Full Review
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