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Knock Knock

Drama . Horror . Thriller

When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse.

Actors: Keanu Reeves , Lorenza Izzo , Ana de Armas , Aaron Burns , Colleen Camp , Ignacia Allamand , Antonio Quercia , Dan Baily , Megan Baily
Directors: Eli Roth
Country: USA , CHILE
Release: 2015-10-09
More Info:
  • Drew McWeeny

    Knock Knock has something genuine to say, and it uses some really dark dramatic beats to get there.

    Hitfix Full Review
  • Damon Wise

    Roth and Reeves locks us in for an increasingly terrifying thrillride.

    Empire Full Review
  • Richard Roeper

    One of the most entertainingly ludicrous movies of the year.

    Chicago Sun-Times Full Review
  • Glenn Kenny

    Knock Knock ends on a not entirely satisfactory note, but delivers a pretty mean genre wallop getting there (with almost zero gore).

    The New York Times Full Review
  • Randy Cordova

    Roth's tale is fairly twisty, as the behavior of the women grows increasingly violent and more outrageous. The two are not simply nut jobs; Roth presents them as a form of avenging angels who target philandering husbands. That's an interesting premise, but the movie lacks the depth or layers to make that truly compelling.

    Arizona Republic Full Review
  • Ben Kenigsberg

    [A] glossy and reasonably fun update of Peter Traynor’s 1977 exploitation movie “Death Game.”

    Variety Full Review
  • A.A. Dowd

    It’s the kind of vanity-free, dignity-be-damned performance that Nicolas Cage regularly delivers, and by the time Keanu is bellowing hysterically about free pizza, the urge to surrender becomes difficult to resist.

    The A.V. Club Full Review
  • Tirdad Derakhshani

    While its message is a little simplistic, Knock Knock is shot through with a brilliant, gleefully anarchic dark humor that's equally fun and disturbing.

    Philadelphia Inquirer Full Review
  • Mike McCahill

    Little here is going to challenge the opinion of Roth as a bratty provocateur, but it’s still fun to experience a latter-day thriller pushing so many buttons in broadly the right order: if Knock Knock’s no more than a sick joke, it’s been very shrewdly constructed.

    The Guardian Full Review
  • Michael Nordine

    The best villains are those whose motivations prove uncomfortably persuasive, and Knock Knock's drop-dead-gorgeous home invaders predicate their cruel game on too shaky a foundation to truly unsettle.

    Village Voice Full Review
  • Dan Callahan

    What’s at play here is how sex and the sexual impulse can unleash destructive forces, and Roth enjoys conveying that destruction visually as he lets the ladies loose all over this bourgeois house.

    TheWrap Full Review
  • Sara Stewart

    Men are pigs! Women are psychos! One-percenters have it coming! Pick your moral in this nasty, single-setting thriller that’s ultimately quite tame by the standards of torture-porn director Eli Roth (“The Green Inferno”).

    New York Post Full Review
  • Rex Reed

    Because it’s written and directed by slick slasher king Eli Roth (Cabin Fever, Hostel), expect some genuine, well-executed thrills that keep the adrenaline going. This is a good thing, because Keanu Reeves has the adrenaline rush of road kill.

    New York Observer Full Review
  • John DeFore

    A film that flirts and flirts with explanations for its action without ever delivering.

    The Hollywood Reporter Full Review
  • Anthony Kaufman

    Young actresses, Lorenza Izzo, who plays the dark-haired vicious vamp, and Ana de Armas, a Marilyn Monroe-like nymphette, are fine as the sociopathic femme fatales, toying with their sexiness like a loaded weapon. But Reeves is the obvious big draw here, and he’s fun to watch, alternating between exasperation, fury and helplessness.

    Screen International Full Review
  • Eric Kohn

    The movie's uneven tone and ridiculous twists never quite gel, but Knock, Knock is so eager to please that it's hard not roll with the absurd depravity on display — which has been the essence of Roth's appeal from the outset.

    indieWIRE Full Review
  • Josh Kupecki

    Knock Knock is a nasty bit of business, and fans of Roth are not likely to be disappointed. But for everyone else, the joke's on them.

    Austin Chronicle Full Review
  • Robert Abele

    Roth, who is no Michael Haneke (or even Adrian Lyne), seems unconcerned with creating genuine tension or digging into an allegory of moral consequence.

    Los Angeles Times Full Review
  • Chris Nashawaty

    Knock Knock is a pretty flimsy erotic thriller, but thanks to Reeves’ oaken obliviousness it’s also got a few moments of deliciously trashy fun.

    Entertainment Weekly Full Review
  • Chuck Bowen

    There's satiric potential here, but Eli Roth's sense of humor abandons him when his hero isn't about to get down with the get down.

    Slant Magazine Full Review
  • Christy Lemire

    The ending — with its revelation of what these girls were really after all along — is so frustrating, you’re likely to wonder: Is that all there is? Full Review
  • Bilge Ebiri

    The film collapses, because it doesn’t convince us on a basic level: The characters are driven by convenience, not behavior, and their actions seem like they’ve been manhandled into place to make the plot work.

    New York Magazine (Vulture) Full Review
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