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Science Fiction . Action . Adventure . Comedy

Armed with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner-hero and help his mentor, Dr. Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.

Actors: Paul Rudd , Michael Douglas , Evangeline Lilly , Corey Stoll , Bobby Cannavale , Anthony Mackie , Judy Greer , Abby Ryder Fortson , Michael Peña , David Dastmalchian
Directors: Peyton Reed
Country: USA
Release: 2015-07-17
More Info:
  • Glenn Kenny

    It’s delightful and almost miraculous the way this movie manages to work as a comic heist picture on a huge scale, and with a comic science-fiction picture blended into it…while managing to cohere to the whole, you know, Marvel thing. Full Review
  • Drew McWeeny

    Ant-Man has its own voice, no doubt thanks to all of the talent involved, and it stands as a surprisingly sturdy success for the studio, a delightfully weird little movie that has no business working this well.

    Hitfix Full Review
  • Kenneth Turan

    Playful in unexpected ways and graced with a genuinely off-center sense of humor, Ant-Man (engagingly directed by Peyton Reed) is light on its feet the way the standard-issue Marvel behemoths never are.

    Los Angeles Times Full Review
  • Joe Walsh

    Ant-Man is a smart action adventure that breathes new life into a long-running franchise, told with a level of intelligence that reminds those beleaguered by the onslaught of superhero movies that the genre still has a lot to give when in the right - if not the Wright - hands.

    CineVue Full Review
  • Kim Newman

    A science-fiction, action-heist, superhero comedy soap opera, this straddles as many genres as the Avengers films have characters but manages to do most of them pretty well. Extremely likable, with a few moments of proper wonder.

    Empire Full Review
  • Kevin Harley

    It’s Ant-Man, not pants, man. Marvel passes its biggest test in years with flying critters… plus wit, flair, top-notch casting and some good, gratuitous size gags.

    Total Film Full Review
  • Robbie Collin

    What we’ve seen since the beginnings of the Marvel serial in 2008 is an ongoing stretching: bigger casts, grander set-pieces and more intricate interplay between characters, with no clear end in sight. Ant-Man scuttles off in the other direction. Brisk humour, keenly felt dramatic stakes, and invention over scale. You know: small pleasures.

    The Telegraph Full Review
  • Justin Chang

    Reed’s movie succeeds well enough as a genial diversion and sometimes a delightful one, predicated on the rarely heeded Hollywood wisdom that less really can be more.

    Variety Full Review
  • Steven Rea

    Although its origin-story machinations get the better of it, Ant-Man isn't a bust.

    Philadelphia Inquirer Full Review
  • Joe Williams

    This debut film is fun, and everyone involved can proudly declare, “Honey, I shrunk the Marvel Cinematic Universe.”

    St. Louis Post-Dispatch Full Review
  • Michael O'Sullivan

    The second half of this nearly two-hour film is a pure delight — fast-paced and funny and filled with special effects and humor as great as any recent Marvel movie, with the possible exception of “Guardians of the Galaxy.”

    Washington Post Full Review
  • Brian Truitt

    Tonally, Ant-Man is a little all over the place — at times, it's a quirky comedy, heist film, trippy sci-fi project and family drama, never able to really blend everything in a cohesive fashion.... That said, when it's on its game, Ant-Man does some of the best stuff ever in a Marvel movie.

    USA Today Full Review
  • Peter Travers

    The latest film franchise culled from Marvel's comic-book universe packs a ton of fun into a teeny package. Its low-key charm helps glide us over trouble spots in tone and pacing.

    Rolling Stone Full Review
  • Mick LaSalle

    By being more than a superhero movie, it reminds us of what it’s worse than. Its greatest virtue isn’t that it’s a superior comic book movie, but rather that it comes close to not being that at all. Close, and yet not close enough.

    San Francisco Chronicle Full Review
  • Ignatiy Vishnevetsky

    It still makes for an enjoyable, intermittently inspired effects-driven comedy and a welcome antidote to the over-burdened world-saving that seems to define big-screen superhero stories.

    The A.V. Club Full Review
  • Kyle Smith

    The film never flags. To find a smarter bug-man saga, you’d have to go back to “The Metamorphosis.” I was far from sold on insect superheroes, but now I say: Bring on Cockroach Chick.

    New York Post Full Review
  • Michael Phillips

    The plot's the same old thing. Mad, mad, mad, mad science; imminent apocalypse; parent/child issues; blah blah blaggidy blah. The tone of Ant-Man, however, is relatively light and predominantly comic.

    Chicago Tribune Full Review
  • Chris Nashawaty

    Reed and Rudd's film is proof that no matter how silly some ideas sound at first, good things often do come in small packages.

    Entertainment Weekly Full Review
  • Alan Scherstuhl

    Ant-Man is spry and often funny, despite its familiarity.

    Village Voice Full Review
  • Peter Rainer

    I wish the film had gone even further into loopiness. Like Ant-Man, the film, directed by Peyton Reed, comes in two sizes – it’s sometimes big on laughs but often small on risk-taking.

    Christian Science Monitor Full Review
  • Jeff Baker

    Ant-Man wastes the regular-guy appeal of its star, Paul Rudd, on a bland, by-the-numbers story that starts small and keeps on shrinking, a metaphor for the movie itself. Its modest ambitions are admirable and unrealized.

    Portland Oregonian Full Review
  • Josh Kupecki

    It is a perfect instance of meta self-awareness that thankfully lets a little air out of this grand narrative pomposity. Ant-Man is infectious, silly entertainment, a popcorn flick that knows what it is and does what it does to an intoxicating degree.

    Austin Chronicle Full Review
  • Steve Persall

    Never thought I'd type this about a comic book movie, but Ant-Man needs to take itself more seriously.

    Tampa Bay Times Full Review
  • James Berardinelli

    Unfortunately, it's almost impossible to make it through the entirety of Ant-Man's two hours without thinking of "Honey, I Shrunk the Kids" as least once, and I'm not sure that's an association the filmmakers were courting.

    ReelViews Full Review
  • Jake Cole

    Half-assed mentions of the Avengers, as well as a few cameo appearances sprinkled both within the feature and in its credits stingers, exude less shame than a crowd-pandering politico.

    Slant Magazine Full Review
  • Roger Moore

    A lively, silly opening and a deft and daft finale rescue it from all its Avengers/Agents of S.H.I.E.L.D. back-engineering.

    Tribune News Service Full Review
  • Alonso Duralde

    There are individual pieces of the movie that work wonderfully.... Unfortunately, this is also the kind of movie where talented actors do some of their least notable work.

    TheWrap Full Review
  • Mike Scott

    A well-conceived superhero romp in its own right, and one that stands nicely on its own six legs.

    New Orleans Times-Picayune Full Review
  • David Edelstein

    Ant-Man isn’t much more than pleasant (Peyton Reed directs limply), but anything Marvel that doesn’t feel Marvel-ish makes me smile.

    New York Magazine (Vulture) Full Review
  • Bill Goodykoontz

    The problem with Peyton Reed's film is that when he shrinks the always-affable Paul Rudd, he shrinks a big part of Rudd's charisma, too.

    Arizona Republic Full Review
  • A.O. Scott

    This film is a passable piece of drone work from the ever-expanding Marvel-Disney colony. It provides obligatory, intermittently amusing links to other corporate properties, serving essentially as a sidebar to the “Avengers” franchise.

    The New York Times Full Review
  • Joe Neumaier

    Because of his easygoing comedy persona, Rudd is a perfect choice — and another example of Marvel’s savvy casting. He never takes anything too seriously, but he seems invested in the emotional side of the story.

    New York Daily News Full Review
  • David Ehrlich

    Rudd’s affable wit makes him a perfect choice for the part. But his performance is uncharacteristically inhibited, as if he felt there was too much at stake to try something new.

    Time Out New York Full Review
  • Todd McCarthy

    Although the story dynamics are fundamentally silly and the family stuff, with its parallel father-daughter melodrama, is elemental button-pushing, a good cast led by a winning Paul Rudd puts the nonsense over in reasonably disarming fashion.

    The Hollywood Reporter Full Review
  • Rodrigo Perez

    Size may not matter in this diminutive story, but the film's slight, disposable quality hardly qualifies it as an essential tale to astonish.

    The Playlist Full Review
  • Ty Burr

    The movie’s OK, nothing more.

    Boston Globe Full Review
  • Richard Roeper

    This is a lightweight, cliché-riddled origins story that veers between inside-joke comedy, ponderous redemption story lines and admittedly nifty CGI sequences that still seem relatively insignificant compared to the high stakes and city-shattering destruction that take place in most of the “Avengers” movies.

    Chicago Sun-Times Full Review
  • Tim Grierson

    Jokey rather than funny, and a bit forced when it’s trying to be sincere, Ant-Man has plenty of enthusiasm but not a lot of inspiration.

    Screen International Full Review
  • Joe Morgenstern

    Mr. Rudd, whose overall performance as the former con-man Scott Lang is fairly pallid, confines himself to genial winks and nods in a film that will surely be popular, given Marvel’s marketing might, but one that’s woefully short on coherence and originality.

    Wall Street Journal Full Review
  • Catherine Shoard

    Ant-Man is a cut-and-shut muddle, haunted by a ghost, produced by a high-end hot dog factory, by turns giddying and stupefying. Watching it is like channel-surfing between "Hot Fuzz", a duff early 90s Michael Douglas drama and the very schlockiest bits of "Interstellar".

    The Guardian Full Review
  • Rex Reed

    Ant-Man is a brainless bore and a colossal waste of money, time and computer-generated special effects.

    New York Observer Full Review
  • Anthony Lane

    Then, there is Thomas the Tank Engine, who gives the most thoughtful performance in the movie. He is part of a train set in the bedroom of Scott’s young daughter, and, as such, he is perfectly adapted to the dimensions of Ant-Man’s world.

    The New Yorker Full Review
  • Andrew O'Hehir

    A discombobulated summer movie that’s kind of fun but doesn’t have nearly enough story to fill up two hours. Full Review
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