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Night at the Museum: Secret of the Tomb

Family . Fantasy . Comedy . Adventure

When the magic powers of The Tablet of Ahkmenrah begin to die out, Larry Daley (Ben Stiller) spans the globe, uniting favorite and new characters while embarking on an epic quest to save the magic before it is gone forever.

Actors: Steve Coogan , Mickey Rooney , Ricky Gervais , Ben Kingsley , Rachael Harris , Dick Van Dyke , Owen Wilson , Robin Williams , Rebel Wilson , Rami Malek , Ben Stiller
Directors: Shawn Levy
Country: USA , UK
Release: 2014-12-19
More Info:
  • Joe McGovern

    Night at the Museum: Secret of the Tomb has one thing going for it that even many of this season's prestige films don't: It's kind of fun, unembarrassingly, and not least of all because the people who made it look like they had a good time doing so.

    Entertainment Weekly Full Review
  • Bilge Ebiri

    Playing Teddy Roosevelt in these films was nowhere near a highpoint for Williams, but it did speak to his fondness for these CGI-infused kids’ spectacles. His final farewell here is gentle, reflectively and almost unbearably moving. It lends the the film a retroactive grace.

    New York Magazine (Vulture) Full Review
  • Stephanie Zacharek

    The third installment, Night at the Museum: Secret of the Tomb may be the best, and even the generally wound-too-tight Ben Stiller — once again playing a bemused Museum of Natural History guard — is easy to tolerate.

    Village Voice Full Review
  • Scott Foundas

    A most enjoyable capper to director Shawn Levy and producer Chris Columbus’ cheerfully silly and sneakily smart family-entertainment juggernaut.

    Variety Full Review
  • Louis Black

    Surprisingly well-crafted for something as aggressively dumb as this, the real surprise is the cast.

    Austin Chronicle Full Review
  • Steven Rea

    The Night at the Museum tent pole has played fast and loose with history, and with our knowledge, or lack of knowledge, of the past. But I'm pretty sure a capuchin monkey never urinated on teensy-weensy figures of a cowboy and a Roman emperor as they ran for their lives from a lava flow in ancient Pompeii. That happens in Secret of the Tomb, and it seems like a fitting way to retire the show.

    Philadelphia Inquirer Full Review
  • John Semley

    The SFX set pieces are pretty lame, mostly involving a lot of weary running around and tense, ticking-clock urgency. What elevates Secret of the Tomb is the classicism of its humour.

    The Globe and Mail (Toronto) Full Review
  • Claudia Puig

    The third installment of the Night at the Museum franchise, Secret of the Tomb, is better than its predecessors, funnier and more adventurous, thanks to a visit across the pond to the British Museum.

    USA Today Full Review
  • Tom Russo

    Seeing Ben Stiller, the late Robin Williams, and their magically roused gang together again, this time in London, is initially all about indulgent, nostalgic smiles rather than new wows. But then comes the movie’s exceptionally clever and fresh final act, which delivers genuine surprise along with many laughs.

    Boston Globe Full Review
  • Michael Phillips

    Rates as more determinedly heartfelt than the first and not as witty as the second (and best). Also, no Amy Adams as Amelia Earhart in jodhpurs this time around.

    Chicago Tribune Full Review
  • Neil Smith

    The most inventive sequence has Larry and Teddy plunge into an MC Escher painting, an interlude so dazzling you can almost overlook the weeing monkey.

    Total Film Full Review
  • Angie Errigo

    Against the odds, perhaps, but part three injects a tiring franchise with new life and some surprisingly dark jokes. Some fun cameos and another winning Dan Stevens turn also add much needed unpredictability to the miniature goings-on.

    Empire Full Review
  • Nicolas Rapold

    It’s a chronically underachieving movie, but relatively amusing in its quaint wish fulfillment.

    The New York Times Full Review
  • Robbie Collin

    The third Night at the Museum film starts strongly, with its heart in the past... It’s an exciting opening, and perhaps too exciting for the film’s own good. It’s hard not to be disappointed when the plot moves back to the present and settles into the time-honoured formula of digitised creatures running riot and famous people in fancy dress doing shtick.

    The Telegraph Full Review
  • Joe Neumaier

    There are big special effects, of course, but refreshingly, this third (and final?) movie in the franchise is like a pleasant stroll through familiar halls.

    New York Daily News Full Review
  • Drew McWeeny

    The real problem for me is that every one of the films feels exactly the same, and this is where I think I'm at odds with what the studios want from these films.

    HitFix Full Review
  • Ignatiy Vishnevetsky

    Secret Of The Tomb plays it as a source of corny jokes, pop-culture references, and father-son bonding moments. In other words, it’s exactly the kind of film that shouldn’t be expected to engage with its assorted bizarre subtexts — but what a movie it could be if it did.

    The A.V. Club Full Review
  • Glenn Kenny

    The adult viewer, reflecting on the idea that this is “just” a kid’s movie, might conclude that kids deserve a little better. Full Review
  • Walter Addiego

    This film is mainly for “Night at the Museum” diehards.

    San Francisco Chronicle Full Review
  • Joe Williams

    The special effects remain good, but the jokes are creaky, the sentiments are forced and the pop-historical lessons are obligatory.

    St. Louis Post-Dispatch Full Review
  • Sara Stewart

    For piquing kids’ interest in history and nature, you could do worse than this goofy Ben Stiller franchise. But its third installment is more meh than manic, too reliant on wide shots of the ragtag Museum of Natural History cohorts striding down corridors. You get the feeling returning director Shawn Levy is ready to hang it up.

    New York Post Full Review
  • Stephen Whitty

    The exhibits in this Night at the Museum may still come to life nightly. But their latest movie stays stubbornly inert.

    Portland Oregonian Full Review
  • Jamie Neish

    Looped around a paper-thin narrative that makes hardly any sense, Secret of the Tomb displays signs of fatigue right from the start.

    CineVue Full Review
  • Bill Goodykoontz

    Night at the Museum: Secret of the Tomb is a rather lackluster affair, a cash grab that tries to aim a little higher but confuses sappy shortcuts with real emotion.

    Arizona Republic Full Review
  • Richard Roeper

    The dialogue is schmaltzy and often painfully unfunny. The special effects are often so 1980s-bad... Time and again, terrific actors sink in the equivalent of cinematic quicksand, helpless against the sucking sound of this movie.

    Chicago Sun-Times Full Review
  • Roger Moore

    Minor moments of slapstick may tickle the kids, but anybody older, especially those who remember what Williams was like in his prime and how funny Stiller was just two “Museum” movies ago, will wish this tomb had stayed sealed.

    McClatchy-Tribune News Service Full Review
  • Michael O'Sullivan

    The aptly subtitled Night at the Museum: Secret of the Tomb is a blast of dead air and mummified humor.

    Washington Post Full Review
  • Alonso Duralde

    It's hard to get invested in the father-son dynamic here, even it when it represents a diversion from the limp comedy bits and the flatlined suspense.

    TheWrap Full Review
  • Richard Corliss

    Did anyone have a good time making this movie? The actors seem to be reading their lines at gunpoint, in an enterprise whose mood is less summer camp than internment camp.

    Time Full Review
  • Michael Rechtshaffen

    Despite relocating across the pond to the esteemed British Museum, the creaky Night at the Museum: Secret of the Tomb fails to capitalize on the comic potential provided by that change of venue.

    The Hollywood Reporter Full Review
  • Drew Taylor

    Night at the Museum was always the best when it was closest to complete anarchy, tapping into the zippy, good-natured malevolence of filmmakers like Joe Dante, but here that energy is gone, replaced by a kind of sleepy noncommittal attitude. The magic has dried up; the museum is closed forever.

    The Playlist Full Review
  • Drew Hunt

    This third and supposedly final edition in the franchise is nothing more than an uncomfortably transparent contractual obligation.

    Slant Magazine Full Review
  • Andrew Lapin

    Even for the third entry in a family franchise, the construction is lazy to the point of indifference.

    The Dissolve Full Review
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