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Mad Max: Fury Road

Science Fiction . Thriller . Action . Adventure . Sci-Fi

An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order. There's Max, a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos. And Furiosa, a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland.

Actors: Richard Norton , Nathan Jones , Riley Keough , Rosie Huntington-Whiteley , Josh Helman , Nicholas Hoult , Hugh Keays-Byrne , Charlize Theron , Tom Hardy , Zoë Kravitz
Directors: George Miller
Release: 2015-05-15
More Info:
  • Anthony Lane

    Wild and unrelenting, but also possessed of the outlandish poetry, laced with hints of humor, that rises to the surface when the world is all churned up.

    The New Yorker Full Review
  • Kenneth Turan

    Mad Max: Fury Road will leave you speechless, which couldn't be more appropriate. Words are not really the point when it comes to dealing with this barn-burner of a post-apocalyptic extravaganza in which sizzling, unsettling images are the order of the day.

    Los Angeles Times Full Review
  • Joe Morgenstern

    The loveliest part of Mad Max: Fury Road is its grungy, quasi-Gothic imagery — the production was designed by Colin Gibson and photographed by John Seale. And the fullest flowering of its images can be found in its muscle cars, muscle trucks, muscle trailers and muscle buggies.

    Wall Street Journal Full Review
  • A.O. Scott

    Even in the most chaotic fights and collisions, everything makes sense. This is not a matter of realism — come on, now — but of imaginative discipline. And Mr. Miller demonstrates that great action filmmaking is not only a matter of physics but of ethics as well. There is cause and effect; there are choices and consequences.

    The New York Times Full Review
  • Jeff Baker

    Mad Max: Fury Road sets new standards in old-school stunt work and car chases and does it in service of an idea-driven story with a beating heart and an action star for our troubled times in Charlize Theron.

    Portland Oregonian Full Review
  • Marc Savlov

    Unstoppable and righteous, it roars across the no-lane hardpan like the four-iron horseman of the kinetic apocalypse, amped up on bathtub crank and undiluted movie love. Oh, what a movie. What a lovely movie!

    Austin Chronicle Full Review
  • Ty Burr

    The shock, really, is how tender Mad Max: Fury Road ultimately becomes. The film just wraps that tenderness in one of the most epic action extravaganzas of recent years. It's enough to renew your faith in movies.

    Boston Globe Full Review
  • Rene Rodriguez

    With Mad Max: Fury Road, director George Miller delivers the sort of jumbo-sized entertainment that makes you spontaneously break out in appreciative laughter: The breadth of his imagination and showmanship makes you giddy.

    Miami Herald Full Review
  • Keith Phipps

    If Fury Road were only interested in action, it would still be a stunning achievement, but the film has more on its mind.

    The Dissolve Full Review
  • Brian Tallerico

    From its very first scenes, Fury Road vibrates with the energy of a veteran filmmaker working at the top of his game, pushing us forward without the cheap special effects or paper-thin characters that have so often defined the modern summer blockbuster. Full Review
  • Richard Roeper

    It’s all perfectly, wonderfully, fantastically crazy. Amidst all those ingenious, power-packed road warrior sequences, Fury Road contains a surprising amount of depth and character development.

    Chicago Sun-Times Full Review
  • Joe Neumaier

    Strap in, load up and hang on because Mad Max: Fury Road is a freaky, ballsy, phenomenal ride.

    New York Daily News Full Review
  • Lou Lumenick

    This spectacularly great reboot is surprisingly owned not by Hardy, who is fine, but by Charlize Theron.

    New York Post Full Review
  • Ian Nathan

    Max’s re-enfranchisement is a triumph of barking-mad imagination, jaw-dropping action, crackpot humour, and acting in the face of a hurricane.

    Empire Full Review
  • Jamie Graham

    A lunatic vision, as hilarious as it is hellish. And some of the greatest action ever put on screen.

    Total Film Full Review
  • David Ehrlich

    Marrying the biting frenzy of Terry Gilliam’s film universe with the explosive grandeur of James Cameron, Miller cooks up some exhilaratingly sustained action. But the key to this symphony of twisted metal is how the film never forgets that violence is a sort of madness.

    Time Out New York Full Review
  • Robbie Collin

    The world of Mad Max has always been welded together from bits of whatever was lying around, and the films’ brilliance has always been in their welding – the ingenious ways in which their scrap-metal parts were combined to create something unthinkable, hilarious or obscene, and often all three.

    The Telegraph Full Review
  • Drew McWeeny

    There is nothing easy or predictable about what George Miller delivers with Mad Max: Fury Road, a stone-cold action master class, beautiful and brainy and startling in the ways it throws off the current definition of the blockbuster.

    Hitfix Full Review
  • Alonso Duralde

    Where Fury Road stands apart from so much of today’s action cinema is that the human element remains front and center.

    TheWrap Full Review
  • A.A. Dowd

    For all the chaos erupting at all times, we never lose track of what’s going on, because it’s been staged not just with diabolical mischief, but also total clarity. What a movie.

    The A.V. Club Full Review
  • David Edelstein

    Mad Max: Fury Road is certainly a blast and a half: You don’t just watch it, you rock out to it.

    New York Magazine (Vulture) Full Review
  • Justin Chang

    There is gargantuan excess here, to be sure — and no shortage of madness — but there is also an astonishing level of discipline.

    Variety Full Review
  • Peter Travers

    Mad Max: Fury Road kicked my ass hard. It'll kick yours. So get prepped for a new action classic. You won't know what hit you.

    Rolling Stone Full Review
  • James Berardinelli

    Talk about taking things to a new level… Theaters showing Fury Road should have seat belts installed.

    ReelViews Full Review
  • Joe Williams

    This is analog filmmaking at its most daring.

    St. Louis Post-Dispatch Full Review
  • Roger Moore

    Grim, gruesome and glorious.

    Tribune News Service Full Review
  • Eric Henderson

    George Miller orchestrates the rubber-burning pandemonium with the illicit smirk of someone who knows he's giving us exactly what we want.

    Slant Magazine Full Review
  • Lawrence Toppman

    Miller’s not interested in character development, plot twists or social commentary, with one possible exception. He wanted spectacular stunts, which he achieves with tremendous skill, and a bad-guys-vs.-less-bad-guys pursuit that goes through countless exciting permutations.

    Charlotte Observer Full Review
  • Eric Kohn

    "Mad Max" doesn't just depict conflicts with evildoers in a tattered existence. It delivers a rare alternative to aggressively stupid action movies. At a time of great need, Max rides again.

    indieWIRE Full Review
  • Rodrigo Perez

    Come for the blistering, full-tilt action, stay for the thought-provoking consideration of the post-apocalypse.

    The Playlist Full Review
  • Ben Nicholson

    Nothing is too much, and whilst there is the danger that some will find the unremitting havoc tiresome, Miller's endless innovation keeps things fresh despite the surrounding wasteland.

    CineVue Full Review
  • Bill Goodykoontz

    It is insane. In a good way. Whoever said "Too much is never enough" made an impression on Miller, who uses the phrase as a starting point and blasts off from there.

    Arizona Republic Full Review
  • Dana Stevens

    The majority of Fury Road’s effects were done without using CGI, but even so, the onslaught of action is so fast-paced and overpowering there’s little time to appreciate Miller’s analog artistry, and the feeling of being inside a video game—a sinking sensation familiar from less carefully orchestrated action movies—sometimes takes over.

    Slate Full Review
  • Peter Bradshaw

    That adjective in the title is accurate. Extravagantly deranged, ear-splittingly cacophonous, and entirely over the top, George Miller has revived his Mad Max punk-western franchise as a bizarre convoy chase action-thriller in the post-apocalyptic desert.

    The Guardian Full Review
  • Todd McCarthy

    The first two Max features ran barely 90 minutes and it takes guts and real confidence to dare push a straight chase film with very little dialogue to two hours. But Miller has pulled it off by coming up with innumerable new elements to keep the action compelling.

    The Hollywood Reporter Full Review
  • Geoff Pevere

    Its true subject is the thrill of the chase and the means by which the movies express it, which is to say it’s one hell of a ride in the same direction taken by the characters: deep into a desert of vast and horizonless emptiness.

    The Globe and Mail (Toronto) Full Review
  • Steven Rea

    George Miller's Fury Road is a hundred things at once: a biker movie, a spaghetti western, a post-apocalyptic dystopian action pic, a tale of female empowerment (The Vagina Monologues' Eve Ensler was a consultant on set), a Bosch painting made scary 3D real, a Keystone Kops screwball romp, and an auto show from hell.

    Philadelphia Inquirer Full Review
  • Michael O'Sullivan

    To say that there is also a monomania to the film is, if anything, an understatement. But it is precisely that sense of tunnel vision that makes Fury Road such a pulse-pounding pleasure.

    Washington Post Full Review
  • Claudia Puig

    When the original filmmaker upgrades and expands on an idea and uses new technology while retaining the essence of the original story, it can be just the ticket for jaded moviegoers. Such is the case with Mad Max: Fury Road, an operatic extravaganza of thrilling action and nearly non-stop mayhem.

    USA Today Full Review
  • Steve Persall

    Mad Max: Fury Road is a relentless marvel of sense-pummeling stunts and gargoyle horror that needs to take a breather once in a while.

    Tampa Bay Times Full Review
  • Michael Phillips

    The creator of the original "Mad Max" trilogy has whipped up a gargantuan grunge symphony of vehicular mayhem that makes "Furious 7" look like "Curious George."

    Chicago Tribune Full Review
  • Chris Nashawaty

    When you get past Miller’s orgy of loco action sequences—and they’re so good, you may not need to—the story is pretty thin.

    Entertainment Weekly Full Review
  • Alan Scherstuhl

    For all the ways the movie feels singular and impossible, like something the studio suits couldn't possibly have signed off on, Fury Road also feels entirely of its era. I admire its craft and cruel wit, and its willingness to trust us to work out the particulars of its world, but it lulled me into that familiar state of summertime action fatigue, of being worn down by the violence rather than geared up, of waiting the mayhem out rather than tracking it.

    Village Voice Full Review
  • Tim Grierson

    For a while, Fury Road’s complete disinterest in screenwriting fundamentals feels liberating, as the director keeps upping the ante on this desperate chase through the desert. But what feels liberating at first can become monotonous, and Fury Road starts to drag once the frenetic sameness of Miller’s strategy takes hold.

    Screen International Full Review
  • Peter Rainer

    The action sequences, at least as feats of engineering, are mightily impressive. But Miller is so caught up in all his hardcore allegorical hoo-ha that he never lightens up. Does he think maybe he’s Homer?

    Christian Science Monitor Full Review
  • Mick LaSalle

    Yet all this wit and effort and occasional beauty is in the service of a movie that is little more than a two-hour chase scene, one that seems founded on the assumption that if you show one set of people chasing another, that’s enough to get an audience excited: Oh, no, let’s hope they don’t get caught!

    San Francisco Chronicle Full Review
  • Bob Mondello

    Those pole riders swaying high above the action - hired from Cirque du Soleil, don't you know - there to help make "Fury Road" a gorgeous, scrap metal demolition derby of a popcorn picture.

    NPR Full Review
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