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Kingsman: The Secret Service

Adventure . Action . Comedy . Crime

Kingsman: The Secret Service tells the story of a super-secret spy organization that recruits an unrefined but promising street kid into the agency's ultra-competitive training program just as a global threat emerges from a twisted tech genius.

Actors: Geoff Bell , Mark Hamill , Jack Davenport , Sophie Cookson , Sofia Boutella , Mark Strong , Michael Caine , Samuel L. Jackson , Colin Firth , Jonno Davies , Adrian Quinton , Taron Egerton
Directors: Matthew Vaughn
Country: UK
Release: 2015-02-13
More Info:
  • Drew Taylor

    Vaughn and his collaborators have taken a crude and disposable property and turned it into something more – a thoughtful, exciting, whip-smart spy adventure that doesn't let its smart-ass post-modernism overwhelm its playfulness or its heart.

    The Playlist Full Review
  • James Mottram

    Injecting fun and fairground thrills back into the spy movie, Kingsman is a blast. Firth is sensational, Jackson rules and newcomer Egerton surprises. Mission accomplished for Matthew Vaughn.

    Total Film Full Review
  • Jordan Hoffman

    Despite the presence of grandfatherly Michael Caine, Kingsman’s tone is about as far from the Christopher Nolan-style superhero film as you can get. Verisimilitude is frequently traded in for a rich laugh. The action scenes delight with shock humour.

    The Guardian Full Review
  • James Rocchi

    Kingsman: The Secret Service is a startlingly enjoyable and well-made action film leavened by humor and slicked along by style, made by, for, and about people who’ve seen far too many Bond films.

    TheWrap Full Review
  • Chris Hewitt (1)

    Perhaps the riskiest mainstream movie in years, Vaughn’s love letter to spy movies may be uneven in places, but it’s ultra-violent, envelope-pushing, and fun enough to overcome the flaws.

    Empire Full Review
  • Sheri Linden

    Director Matthew Vaughn strikes an energetic balance between cartoonish action and character-driven drama... The mix grows less seamless and the story loses oomph as it barrels toward its doomsday countdown, but the cast’s dash and humor never flag.

    The Hollywood Reporter Full Review
  • Peter Debruge

    While seriousness has overtaken the Bond franchise in recent years (hardly a bad thing, mind you), Kingsman runs no such risk. Vaughn welcomes details that might seem silly in another director’s hands, such as a bulletproof umbrella or tiny microchips that can make one’s head explode, presenting everything playfully enough that plausibility isn’t a factor.

    Variety Full Review
  • Tom Huddleston

    Never less than slick, precision-tooled multiplex entertainment, Kingsman hews close to the formula Vaughn and his co-writer Jane Goldman established in their superficially similar "Kick-Ass": hyperspeed action, pithy one-liners and grotesque ultraviolence.

    Time Out London Full Review
  • Drew McWeeny

    This is a case of all the elements lining up and pushing a potentially good film into the great category because of just how well executed it is.

    Hitfix Full Review
  • Alan Scherstuhl

    Those more devoted to the genre can debate whether Matthew Vaughn's Kingsman is the best comic-book movie of the last few years. What's beyond argument, however, is that Vaughn has whipped up the most interesting one, the only to make ferocious, unsettling art out of the great contradiction of superheroic fantasy: jolly do-goodism and its brutalizing sadism.

    Village Voice Full Review
  • Richard Roeper

    Firth is brilliant. He’s playing a veteran super spy in a very violent but very silly movie, but even when Harry is explaining why there’s a dead stuffed dog in his bathroom, Firth gives a disciplined, serious performance.

    Chicago Sun-Times Full Review
  • Steve Persall

    Kingsman is as violently kinetic as anything Vaughn has made, a list including Kick-Ass (the good one) and Craig's U.S. breakthrough, Layer Cake. But Kingsman is also wildly uneven, often slowing its roll to stiff-upper-lip pacing necessary (or not) to create a new British secret agent movie mythology.

    Tampa Bay Times Full Review
  • James Berardinelli

    Fast-paced with a morbid sense of humor and copious pop culture references, Kingsman breezes along at a nice clip until it gets a little bogged down during its final third.

    ReelViews Full Review
  • Brad Wheeler

    A lively, dashing and amusing motion picture that smartly spoofs and slyly celebrates the James Bond spy-film franchise.

    The Globe and Mail (Toronto) Full Review
  • Tom Russo

    It’s also a movie that further establishes Vaughn as one of the edgier and more underrated genre voices of the moment, and that makes us wonder why Colin Firth hasn’t indulged in an action sideline all along.

    Boston Globe Full Review
  • Michael O'Sullivan

    Kingsman delivers on its promise of escapist fun, with a touch that alternates between Galahad’s old-school polish and Eggsy’s roguish charm. Like the rookie who knows that you have to make a few mistakes while following the master, the movie shrugs off its missteps with a wink and a smile that makes them easy to forgive.

    Washington Post Full Review
  • Claudia Puig

    Mashing up satire, subtle social commentary, clever gadgetry, keen wit and high-octane style, this spy saga — based on the comic book series The Secret Service — is bolstered by a terrific cast.

    USA Today Full Review
  • Jeff Baker

    OK, got it. It's a spy movie spoof, "Austin Powers" with more violence and less camp, a Bond parody that zeroes in on the Roger Moore era, when the sets and gadgets got bigger and the stories got dumber.

    Portland Oregonian Full Review
  • Peter Travers

    Kingsman is all over the place, sometimes to its detriment. But you won’t want to miss the surprises it delights in springing.

    Rolling Stone Full Review
  • Joe McGovern

    Speaking of young men, newcomer Taron Egerton, playing Harry’s protégé, delivers a star-making performance flush with the kind of charm and unexpected gravitas that no amount of flashy filmmaking can fake.

    Entertainment Weekly Full Review
  • Bilge Ebiri

    Kingsman is full of elaborately orchestrated violence and acrobatic stunt work, shot in fast, sinewy, CGI-enhanced long takes that push and pull our perspective this way and that. It’s all very silly and not really meant to be taken seriously, but as the story gets more and more brutal, something strange happens: We start to care for these cartoonish characters and this absurd scenario.

    New York Magazine (Vulture) Full Review
  • Betsy Sharkey

    Directed by "Kick-Ass" action specialist Matthew Vaughn with slightly more vigor than necessary and a shade less restraint than needed, it's a bit too too to be "brilliant," as the Brits say. But it's not half bad either.

    Los Angeles Times Full Review
  • Ignatiy Vishnevetsky

    A live-action Hammacher Schlemmer catalog of pseudo-retro novelties, spiced up with self-aware asides and over-the-top violence — slick entertainment, provided the viewer turns off whatever part of their brain is responsible for recognizing and parsing subtext.

    The A.V. Club Full Review
  • Keith Phipps

    The film never entirely figures out what it wants to do with the myth of the superspy, but at least it has fun along the way.

    The Dissolve Full Review
  • Tirdad Derakhshani

    On many levels, Kingsman has the makings of a sure-fire hit. Yet, this is one spy story even the most dedicated addicts of the genre would do well to miss.

    Philadelphia Inquirer Full Review
  • Peter Sobczynski

    It sounds fun in theory, I guess, and there are some entertaining moments of rude irreverence here and there but the giddiness gets a bit tedious after a while. Full Review
  • Joe Morgenstern

    Mr. Firth gives his all, and then some. He’s very funny, even touching, when the material allows him to be. Yet the production, directed by Matthew Vaughn (“Kick-Ass,” “X-Men: First Class”) from a screenplay he wrote with Jane Goldman, can’t contain its centrifugal force.

    Wall Street Journal Full Review
  • Mick LaSalle

    It tries to get by on charm, and like a lot of movies, and people who make that attempt, “Kingsman” does have charm — just not enough.

    San Francisco Chronicle Full Review
  • Roger Moore

    As February comic book movies go, this works well enough to make you glad they didn’t cook up another “Ghost Rider.”

    Tribune News Service Full Review
  • Anthony Lane

    This is pitiful stuff, and, like the violence, it eats away at the blitheness for which Kingsman strives, leaving an aftertaste of desperation that the Connery of “Goldfinger,” say, would not have dreamed of bequeathing. The sadness is that Firth, alone in the film, does raise the spectre of those days, radiating a lightly amused reserve amid the havoc.

    The New Yorker Full Review
  • Manohla Dargis

    The problem is that Mr. Vaughn has no interest in, or perhaps understanding of, violence as a cinematic tool. He doesn’t use violence; he squanders it.

    The New York Times Full Review
  • Elizabeth Weitzman

    Half amusing and half appalling, Matthew Vaughn’s shameless spy caper Kingsman: The Secret Service is ultimately done in by its own hypocrisy.

    New York Daily News Full Review
  • Marjorie Baumgarten

    Yet for all Vaughn’s attention to stylized details, I noticed a number of obvious continuity errors throughout to which Vaughn seems blind.

    Austin Chronicle Full Review
  • Joe Williams

    Kingsman is like a high-speed collision between a Jaguar and a jaywalking soccer hooligan. It’s ridiculously out of balance, and when you’re stuck in the middle, it doesn’t seem so funny.

    St. Louis Post-Dispatch Full Review
  • Michael Phillips

    Silly, sadistic and finally a little galling, Kingsman: The Secret Service answers the question: What would Colin Firth have been like if he'd played James Bond?

    Chicago Tribune Full Review
  • Kyle Smith

    Kingsman: The Secret Service borrows the tone, story, characters and humor of “Kick-Ass,” only this time in a 007 world instead of Batman’s. Nearly everything it does, it does poorly: This one is “Weak-Ass.”

    New York Post Full Review
  • Rex Reed

    Expensive, derivative and boring as mattress ticking masquerading as designer fabric.

    New York Observer Full Review
  • Chris Cabin

    It's tructured in familiar, safe terms, plays for very low stakes, and appeals to no one so much as white, male teenagers with chips on their shoulders.

    Slant Magazine Full Review
  • Tim Robey

    The more calculated Vaughn’s films are to appeal to his surprisingly rabid fan-base, the more they seem custom-built to repel everyone else.

    The Telegraph Full Review
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