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Adventure . Fantasy . Comedy . Family

The boy who wasn't supposed to grow up—Peter Pan—did just that, becoming a soulless corporate lawyer whose workaholism could cost him his wife and kids. But a trip to see Granny Wendy in London, where the vengeful Capt. Hook kidnaps Peter's kids and forces Peter to return to Neverland, could lead to a chance at redemption, in this family-oriented fantasy from director Steven Spielberg.

Actors: Isaiah Robinson , Arthur Malet , Dante Basco , Amber Scott , Charlie Korsmo , Caroline Goodall , Bob Hoskins , Julia Roberts , Dustin Hoffman , Robin Williams
Directors: Steven Spielberg
Country: USA
Release: 1991-12-11
More Info:
  • Jay Boyar

    It's a lot of fun to watch - over two hours of thrills, spills, elaborate sets and special effects, all tied together by a pleasingly varied (and lighter than usual) musical score by John Williams.

    Orlando Sentinel Full Review
  • Hal Hinson

    Spielberg and Co. have finally made their Disney movie -- or better yet, their film version of a theme park at Disneyland. It's sort of like "Pirates of the Caribbean" and "It's a Small World" rolled into one. It's a helluva contraption, and certainly one to be marveled at. It gives good ride.

    Washington Post Full Review
  • Owen Gleiberman

    Hook is jam-packed with ''entertainment value,'' enough to give you your money's worth, and to guarantee (in all probability) that Spielberg earns his. Yet something has clouded this director's vision... The problem isn't that Spielberg has lost his gift for fantasy. It's that he no longer seems to know (or care) about anything else.

    Entertainment Weekly Full Review
  • Kenneth Turan

    For very much like Peter, it has clearly gotten harder for this director to break free of the lure of material things and believe in simple magic. And whatever problems his Hook has, there are none that making the film on half of its budget wouldn't have cured.

    Los Angeles Times Full Review
  • David Sterritt

    Much of the movie seems wired and overeager when it ought to be refreshing and relaxed. Everybody sweats and strains to be magical, and while they often succeed, the onslaught of so much aggressive charm is exhausting.

    Christian Science Monitor Full Review
  • Dave Kehr

    Like the massive shipboard set that is its centerpiece, the film is huge and impressive - though, again like the captain's imposing vessel, it stubbornly and disappointingly remains at anchor. Hook never sets sail.

    Chicago Tribune Full Review
  • Staff [Not Credited]

    Hook feels as much like a massive amusement park ride as it does a film. Spirited, rambunctious, often messy and undisciplined.

    Variety Full Review
  • Roger Ebert

    Poignancy. Lessons to be learned. Speeches to be made. Lost marbles to be rediscovered. Tears to be shed. The conclusion of Hook would be embarrassingly excessive even for a movie in which something of substance had gone before.

    Chicago Sun-Times Full Review
  • David Ansen

    A good half hour too long, and badly in need of some scares, Hook is a huge party cake of a movie, with too much frosting. After the first delicious bite, sugar shock sets in.

    Newsweek Full Review
  • Vincent Canby

    Hook is overwhelmed by a screenplay heavy with complicated exposition, by what are, in effect, big busy nonsinging, nondancing production numbers and some contemporary cant about rearing children and the high price paid for success.

    The New York Times Full Review
  • William Thomas

    How did such a dream project on paper turn out so wrong. It should remain one of the great mysteries of cinema. The less said about this one, the better. For Spielberg completists only.

    Empire Full Review
  • Marjorie Baumgarten

    Hook has you marveling at the nuts-and-bolts work of producers and assistant directors, but never at the intrinsic imaginativeness of the story. It's as if Spielberg calculatedly set out to make a perennial classic -- certain folly if ever there were.

    Austin Chronicle Full Review
  • Mick LaSalle

    Hook never reaches Nirvana. It doesn't grab the audience, fling it into another world and make people forget where they parked their cars. But it does leave the viewer with a glow, and along the way it has magical moments, even if it's not fully magical as a whole. [11 Dec. 1991, p.E1]

    San Francisco Chronicle Full Review
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