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Adventure . Drama . Science Fiction . Sci-Fi

Interstellar chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Actors: Matthew McConaughey , Jessica Chastain , Anne Hathaway , Michael Caine , Casey Affleck , Mackenzie Foy , Timothée Chalamet , Bill Irwin , Matt Damon , Ellen Burstyn , John Lithgow
Directors: Christopher Nolan
Country: USA , UK
Release: 2014-11-07
More Info:
  • James Berardinelli

    Interstellar is simultaneously a big-budget science fiction endeavor and a very simple tale of love and sacrifice. It is by turns edgy, breathtaking, hopeful, and heartbreaking.

    ReelViews Full Review
  • Richard Roeper

    What a beautiful and epic film is Interstellar, filled with great performances, tingling our senses with masterful special effects, daring to be openly sentimental, asking gigantic questions about the meaning of life and leaving us drained and grateful for the experience.

    Chicago Sun-Times Full Review
  • Lou Lumenick

    Genius director Christopher Nolan reaches for the stars in Interstellar — and delivers a soulful, must-see masterpiece, one of the most exhilarating film experiences so far this century.

    New York Post Full Review
  • James Dyer

    Brainy, barmy and beautiful to behold, this is Stephen Hawking’s Star Trek: a mind-bending opera of space and time with a soul wrapped up in all the science.

    Empire Full Review
  • Robbie Collin

    Interstellar is Nolan’s best and most brazenly ambitious film to date.

    The Telegraph Full Review
  • Dave Calhoun

    It’s a bold, beautiful cosmic adventure story with a touch of the surreal and the dreamlike, and yet it always feels grounded in its own deadly serious reality.

    Time Out London Full Review
  • Scott Foundas

    An exhilarating slalom through the wormholes of Christopher Nolan’s vast imagination that is at once a science-geek fever dream and a formidable consideration of what makes us human.

    Variety Full Review
  • Kenneth Turan

    Interstellar turns out to be the rarest beast in the Hollywood jungle. It's a mass audience picture that's intelligent as well as epic, with a sophisticated script that's as interested in emotional moments as immersive visuals. Which is saying a lot.

    Los Angeles Times Full Review
  • A.O. Scott

    Like the great space epics of the past, Christopher Nolan’s Interstellar distills terrestrial anxieties and aspirations into a potent pop parable, a mirror of the mood down here on Earth.

    The New York Times Full Review
  • Peter Travers

    What the neg-heads are missing about Interstellar is how enthralling it is, how gracefully it blends the cosmic and the intimate, how deftly it explores the infinite in the smallest human details.

    Rolling Stone Full Review
  • Joe Williams

    This is epic cinema that begs to be compared to "2001: A Space Odyssey." But unlike Stanley Kubrick's psychedelic joyride, this journey is powered by a human heart.

    St. Louis Post-Dispatch Full Review
  • Matt Zoller Seitz

    Interstellar is still an impressive, at times astonishing movie that overwhelmed me to the point where my usual objections to Nolan's work melted away. Full Review
  • Roger Moore

    Whatever its length and melodramatic third-act touches, Interstellar is a space opera truly deserving of that label, overreaching and thought-provoking, heart-tugging and pulse-pounding. It’s the sort of film that should send every other sci-fi filmmaker back to the drawing board, the way Stanley Kubrick did, a long time ago in a millennium far away.

    McClatchy-Tribune News Service Full Review
  • Drew McWeeny

    I was moved by Interstellar, and there are stretches where it is as good and as pure as anything Nolan's made. You can feel just how important all of it is to him in every frame of the thing. I don't love all of the film's dramatic choices, though.

    HitFix Full Review
  • Eric Kohn

    Brainy and exciting at the same time, Interstellar invalidates the need for mindless Hollywood product. No matter its shortcomings, the movie achieves an impressive balancing act. It turns the mysteries of the universe into a cinematic playground, but for every profound or visually arresting moment, it also encourages you to to think.

    indieWIRE Full Review
  • Ben Nicholson

    Interstellar may not be perfect, but tent-pole filmmaking with such ambition and grandeur is always worth celebrating.

    CineVue Full Review
  • Bill Goodykoontz

    In Interstellar, Nolan has created a universe where ultimately the possibilities are endless. At its best, the film feels the same way.

    Arizona Republic Full Review
  • Dana Stevens

    A movie I snickered at more than once but never stopped staring at in wonder. This isn’t Nolan’s best film by any stretch, but it abounds in the qualities that are among his strengths.

    Slate Full Review
  • Richard Corliss

    With Interstellar, Nolan’s reach occasionally exceeds his grasp. That’s fine: These days, few other filmmakers dare reach so high to stretch our minds so wide.

    Time Full Review
  • Richard Jordan

    Nolan reaches for the stars in spectacular fashion, delivering a mesmerising sci-fi epic that, despite a testing running time and few too many flights of fancy, is grounded by an on-form McConaughey.

    Total Film Full Review
  • Todd McCarthy

    This grandly conceived and executed epic tries to give equal weight to intimate human emotions and speculation about the cosmos, with mixed results, but is never less than engrossing, and sometimes more than that.

    The Hollywood Reporter Full Review
  • Rene Rodriguez

    This is Nolan’s unabashed tribute to "2001: A Space Odyssey," the first movie he ever saw at the age of 8 and the one that made him decide to be a filmmaker (there are homages to that earlier film everywhere).

    Miami Herald Full Review
  • Steven Rea

    Einsteinian, Kubrickian, Malickian, Steinbeckian - Interstellar, Christopher Nolan's epically ambitious space opera, is all that. And more. And, alas, less.

    Philadelphia Inquirer Full Review
  • Ty Burr

    The movie is “Gravity” cubed, an epic of space travel and human destiny that swings by Saturn, slingshots through a wormhole, and pinballs across a handful of planets on its way to a rendezvous with infinity, conveniently located inside a black hole.

    Boston Globe Full Review
  • Michael Phillips

    A knockout one minute, a punch-drunk crazy film the next, Interstellar is a highly stimulating mess. Emotionally it's also a mess, and that's what makes it worth its 165 minutes — minutes made possible by co-writer and director Christopher Nolan's prior global success with his brooding, increasingly nasty "Batman" films, and with the commercially viable head-trip that was "Inception."

    Chicago Tribune Full Review
  • Claudia Puig

    While it reaches for the stars, director Christopher Nolan's Interstellar is a flawed masterpiece...The story is ever-ambitious, sometimes riveting and thought-provoking, but also plodding and hokey and not as visionary as its cutting-edge special effects.

    USA Today Full Review
  • Andrew O'Hehir

    So this is the greatest Shyamalan movie ever made by someone else, or maybe it’s Christopher Nolan’s best impression of what a Shyamalan movie ought to be like. No doubt that sounds like a backhanded compliment, but I don’t entirely mean it that way. Full Review
  • Keith Phipps

    Interstellar often seems afraid to let any development go unpacked and uncommented upon, except for a handful of points that dive into the action and expect viewers to catch up. The film is at its best in these moments, when it’s unafraid of challenging storytelling, particularly since Interstellar never has trouble finding visuals to match its heady concepts.

    The Dissolve Full Review
  • David Denby

    Black holes, relativity, singularity, the fifth dimension! The talk is grand. There’s a problem, however. Delivered in rushed colloquial style, much of this fabulous arcana, central to the plot, is hard to understand, and some of it is hard to hear. The composer Hans Zimmer produces monstrous swells of organ music that occasionally smother the words like lava. The actors seem overmatched by the production.

    The New Yorker Full Review
  • David Edelstein

    In his florid sci-fi opera Interstellar, Christopher Nolan aims for the stars, and the upshot is an infinite hoot — its dumbness o’erleaps dimensional space. It’s hugely entertaining, though.

    New York Magazine (Vulture) Full Review
  • Kimberley Jones

    Interstellar is riddled with ridiculisms; the but how comes … never stop. And yet: Nolan, a notoriously chilly filmmaker who’s never shown much faculty with matters of the heart, is pinning that heart squarely on his sleeve.

    Austin Chronicle Full Review
  • Jeff Baker

    Nolan takes big chances with his actors, his action scenes, and his pacing -- you'll feel all 169 minutes in your backside -- and the payoffs come slowly and sometimes not at all. It's frustrating because there's so much to look at, so much money well spent in every frame, but Interstellar wears out its audience long before it ends.

    Portland Oregonian Full Review
  • Ignatiy Vishnevetsky

    It is an episodic, chunky film of over-explicated ideas and speculative set pieces.

    The A.V. Club Full Review
  • Joe McGovern

    Interstellar, his (Nolan) sci-fi spectaculorama helixed around a father-daughter love story, is a gamble like no other in his career. It's his longest film, his headiest, his most personal. And, in its square-peg-in-a-round-wormhole stab at being the weepy motion-picture event of the year, it's also his sappiest.

    Entertainment Weekly Full Review
  • Liam Lacey

    While it’s technically eye-popping and intricately structured, Interstellar is at its most fascinating when it struggles hard to communicate those things we human beings call “emotions”. Instead, we get something like a freeze-dried approximation of Steven Spielberg at his most sentimental.

    The Globe and Mail (Toronto) Full Review
  • Joe Neumaier

    The movie could have gone several ways, too — and it is heartbreaking to watch this ambitious story choose the wrong one and get lost in space.

    New York Daily News Full Review
  • Stephanie Zacharek

    Whatever his strengths may be, Nolan lacks the human touch. His movies are numbingly sexless, and by that I don’t mean they need sex scenes or nudity -- those things are rarely really about sex anyway. But in all of Nolan’s films, human connection is such a noble idea that it’s beyond the grasp of flesh-and-blood people.

    Village Voice Full Review
  • Henry Barnes

    It’s a glorious spectacle, but a slight drama, with few characters and too-rare flashes of humour. It wants to awe us into submission, to concede our insignificance in the face of such grand-scale art. It achieves that with ease. Yet on his way to making an epic, Nolan forgot to let us have fun.

    The Guardian Full Review
  • Steve Persall

    Thankfully in space, no one can hear you yawn.

    Tampa Bay Times Full Review
  • Peter Rainer

    Nolan tries to pair the cosmic esoterica with this father-daughter tussle, but the mix doesn't jell. Visionary movies require a bigger vision.

    Christian Science Monitor Full Review
  • Ann Hornaday

    Interstellar tries so hard to be so many things that it winds up shrinking into itself, much like one of the collapsed stars Coop hurtles past on his way to new worlds. For a movie about transcending all manner of dimensions, “Interstellar” ultimately falls surprisingly flat.

    Washington Post Full Review
  • Michael Ordona

    Despite its many virtues, Interstellar feels as if it doesn’t quite hit the target.

    San Francisco Chronicle Full Review
  • Chris Cabin

    Much like his hero, Christopher Nolan's goal seems to be to take the humor and wildness out of imagination, to see invention in rigidly practical and scientific terms.

    Slant Magazine Full Review
  • Alonso Duralde

    For much of the film, Nolan (who co-wrote with his brother Jonathan) seems to be unafraid to allow this big-budget extravaganza to tell a story that's about pain and loss and melancholy and sacrifice. Until it's not that anymore, and Interstellar becomes thuddingly prosaic.

    TheWrap Full Review
  • Joe Morgenstern

    Nolan’s 168-minute odyssey through the space-time continuum is stuffed with stuff of bewildering wrongness. Eager for grandeur, I went in hoping for the very best from a filmmaker with his own vision of the theatrical medium’s potential. The last thing I expected was a space adventure burdened by turgid discussions of abstruse physics, a wavering tone, visual effects of variable quality and a time-traveling structure that turns on bloodless abstractions.

    Wall Street Journal Full Review
  • James Rocchi

    Promising outer-space majesty and deep-thought topics like some modern variation on Stanley Kubrick's “2001: A Space Odyssey,” Interstellar instead plays like a confused mix of daringly unique space-travel footage like you’ve never seen and droningly familiar emotional and plot beats that you’ve seen all too many times before.

    The Playlist Full Review
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