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Transformers: Age of Extinction

Sci-Fi . Adventure . Action . Science Fiction

As humanity picks up the pieces, following the conclusion of "Transformers: Dark of the Moon," Autobots and Decepticons have all but vanished from the face of the planet. However, a group of powerful, ingenious businessman and scientists attempt to learn from past Transformer incursions and push the boundaries of technology beyond what they can control - all while an ancient, powerful Transformer menace sets Earth in his cross-hairs.

Actors: Sophia Myles , Mark Rolston , Jeffrey Combs , Miguel Ferrer , Frank Welker , Li Bingbing , Jack Reynor , Nicola Peltz , Stanley Tucci , Mark Wahlberg , Kelsey Grammer
Directors: Michael Bay
Country: USA , CHINA
Release: 2014-06-27
More Info:
  • Drew McWeeny

    Age Of Extinction more than delivers on whatever promises Bay makes to an audience at this point. Giant robots. Giant mayhem. Destruction on a global scale. You know what you're in for if you buy a ticket, and Bay seems determined to wear you down with the biggest craziest Transformers movie yet.

    HitFix Full Review
  • Glenn Kenny

    Confounding. But not without its thrills. Full Review
  • Jordan Hoffman

    Either I’m getting dumber or the “Transformers” sequels are getting more coherent. Full Review
  • Joshua Rothkopf

    You’re either awestruck, dumbstruck or just plain struck in the face.

    Time Out New York Full Review
  • Robbie Collin

    Transformers has ambition and attitude in its pores, and spectacle to spare. Bay shoots cars like they’re women, and people like they’re cars, and tosses around metal like it’s made from thin air. The film wasn’t meant to make you think, but it does. For better or worse, it’s cinema.

    The Telegraph Full Review
  • Peter Rainer

    Who can really differentiate between these films anyway? In the end, they all devolve (evolve?) into clashing, clanging bots.

    Christian Science Monitor Full Review
  • Steve Persall

    The fourth episode in a saga that didn't need a second, Age of Extinction, is 2 hours and 45 minutes of numbing dumb and dull end credits listing the artists cashing in. It is exactly what moviegoers who made this franchise thrive deserve.

    Tampa Bay Times Full Review
  • Joe Williams

    Because the affable Wahlberg is making the sales pitch, you could kid yourself that this is just a high-tech vacuum cleaner, built to siphon loose change like popcorn. But our failure to understand the terrifying significance of the “Transformers” series is why we're in the age of extinction.

    St. Louis Post-Dispatch Full Review
  • Rene Rodriguez

    [A] visually stunning, technically impressive and crushingly dumb and overlong picture.

    Miami Herald Full Review
  • Roger Moore

    Age of Extinction runs on and on, popcorn piffle without end.

    McClatchy-Tribune News Service Full Review
  • Maggie Lee

    It’s the robots — endowed here with character-rich physicality and almost human-scaled facial features — who give the film its emotional heft.

    Variety Full Review
  • Ignatiy Vishnevetsky

    The fourth, longest, and flimsiest entry in the director’s signature franchise finds Bay mostly in cruise control, snapping to only when the movie veers away from the “robots fighting in tax-friendly locations” formula—which, unfortunately, isn’t very often.

    The A.V. Club Full Review
  • Kevin Harley

    When someone in Age Of Extinction carps about “crap sequels and remakes” in movies, you almost choke on the audacity.

    Total Film Full Review
  • Owen Williams

    The loyal fans — and they are legion — will trot out clichés like, “Leave your brain at the door,” and defend Age Of Extinction’s right to be nothing but a succession of varoom! and kersmash! sequences. For those who aren’t still blindly faithful to something they liked when they were nine, despite the colossal scale, there’s little to see here.

    Empire Full Review
  • David Edelstein

    Nearly three %$^&%!!# hours, and they’re brain-freezing.

    New York Magazine (Vulture) Full Review
  • Betsy Sharkey

    Let's say "Bayed," as in "being Bayed," is the core principle at work in the films. In general, being Bayed means being beaten, blasted, bashed, crushed, melted, morphed, reconstituted and remade over and over and over again.

    Los Angeles Times Full Review
  • A.O. Scott

    You can admire what he does without really enjoying it, and two hours and 46 minutes of pulverized architecture is a lot to endure. But in every Michael Bay movie there are at least a few moments of inspired, kinetic absurdity.

    The New York Times Full Review
  • Dave McGinn

    Everything about Michael Bay’s fourth Transformers movie is too much. Its 165 minute running time. Its convoluted plot. Its deafening score. Its product placement. Its never-ending action scenes. Its swooping camera work. Its overwhelming stupidity. Well before it finished I was numb from its bludgeoning excess.

    The Globe and Mail (Toronto) Full Review
  • Scott Bowles

    Deafening, deadening and about two hours too long, Extinction would mark the weakest installment yet of the 7-year-old Hasbro franchise — if the previous three movies were discernible from one another.

    USA Today Full Review
  • Christopher Borrelli

    It is scattered, weightless, impossible to get hold of, and somehow, after seven years and more than 10 hours of screen time, I could not tell you what these films are about.

    Chicago Tribune Full Review
  • Richard Roeper

    Age of Extinction is just another warmed-over, cynical, ATM machine of a movie. It’s soulless eye candy.

    Chicago Sun-Times Full Review
  • Kyle Smith

    You get the feeling the guy who wrote Transformers: Age of Extinction used the entire script as a passive-aggressive running joke on his boss, director Michael Bay.

    New York Post Full Review
  • Stephanie Merry

    The problem is quantity. There are so many action sequences related to so many story lines that midway through an epic fight, you might find yourself wondering what exactly started this particular battle and what the objective is other than destruction for the sake of it.

    Washington Post Full Review
  • Chris Nashawaty

    Ultimately, Age of Extinction is an endless barrage of nonsense and noise.

    Entertainment Weekly Full Review
  • Bill Goodykoontz

    It's big, it's loud and it's all over the place, never really making a lick of sense. To his credit, sort of, director Michael Bay tries to insert a little story into the film early on, even a little humor, but that's overrun at some point by explosions and plot digressions.

    Arizona Republic Full Review
  • Richard Corliss

    Nothing coheres. Movies usually try to come together at the end; this one falls apart. If that's Bay intention, then cinema has finally entered its Age of Extinction.

    Time Full Review
  • Alonso Duralde

    The battling, metallic heroes have never looked better, but Michael Bay's choppy, dissonant storytelling methods remain as audience-punishing as ever.

    TheWrap Full Review
  • Clarence Tsui

    Belying its ominous title, Age of Extinction barely skirts the idea that humankind and planet Earth are about to be totally annihilated. What is extinguished is the audience's consciousness after being bombarded for nearly three hours with overwrought emotions...bad one-liners and battles that rarely rise above the banal.

    The Hollywood Reporter Full Review
  • James Berardinelli

    This is as excruciating a movie as is likely to be experienced by anyone, anywhere. It isn't merely that the story is insulting, the characters are bland, the action is dull, and the CGI is everywhere - it's that all this goes on for nearly three hours. That's three hours of your life you'll never get back.

    ReelViews Full Review
  • Peter Keough

    One thing you have to give Bay credit for: He has a knack for bringing A-list talent down to his level. Like Mark Wahlberg, Oscar nominee for “The Fighter” and “The Departed.”

    Boston Globe Full Review
  • Stephen Whitty

    The bi-culturalism actually is kind of fitting. Asia sends us their junk as toys. We repurpose that junk and send it back as movies. See? Recyling. Everybody wins. Except audiences.

    Portland Oregonian Full Review
  • Peter Hartlaub

    Imagine if instead of creating new music, a recording artist kept putting out the exact same album, just playing the songs a little louder each time. That's what it feels like watching Transformers: Age of Extinction.

    San Francisco Chronicle Full Review
  • Kevin Jagernauth

    If you've seen the previous "Transformers" you know what you're getting into, only this time, the director feels uninspired, more like he's punching a clock at the blockbuster factory, with even his flair for inventive setpieces mostly muted.

    The Playlist Full Review
  • Ed Frankl

    Does Michael Bay fit the criteria of an auteur? He certainly has his own line of distinctive tropes: the migraine-inducing noise, the fetishistic gloss, the playground-bully characters elevated to hero status and a fervently male gaze.

    CineVue Full Review
  • Matt Singer

    Give Age Of Extinction this much credit: Of all the Transformers movies, this is the longest. And save for a few visual centerpieces and a couple of amusing supporting turns, it’s also an endless, incoherent mess.

    The Dissolve Full Review
  • Joe Neumaier

    If you're not an 11-year-old boy, or a grown-up in the mood to feel like one, the endless "wow!-that-car-is-now-a-deep-voiced-robot" scenes lack thrill. In fact, the action scenes, as in the previous films, are downright headache-inducing.

    New York Daily News Full Review
  • Amy Nicholson

    There isn't enough visual beauty to forgive the screenplay's ugliness, but Bay does brave a daring new standard in product placement.

    Village Voice Full Review
  • Peter Travers

    The Bay-man has made the worst and most worthless Transformers movie yet. I know, hard to believe, right? How could any summer blockbuster be as dull, dumb and soul-sucking as the first three Transformers movies? Step right up.

    Rolling Stone Full Review
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