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Action . Crime . Thriller

When the Russian mob kidnaps the daughter of a reformed criminal, he rounds up his old crew and seeks his own brand of justice.

Actors: Sarah Ann Schultz , Max Fowler , Weston Cage , Elena Sanchez , Max Ryan , Danny Glover , Peter Stormare , Rachel Nichols , Aubrey Peeples , Nicolas Cage , Michael McGrady
Directors: Paco Cabezas
Country: USA , FRANCE
Release: 2014-05-09
More Info:
  • Scott Bowles

    A picture that isn't as terrible as its title suggests now as deep as its story aspires to be.

    USA Today Full Review
  • Jonathan Holland

    There are some good ideas struggling to be heard, but they're drowned out by the contrivances, the gunfire and the screaming.

    The Hollywood Reporter Full Review
  • Mike D'Angelo

    Rage actually has something to say about the futility of vengeance, though that doesn’t become apparent until a climactic revelation re-contextualizes everything. Unfortunately, getting to that sorrowful ending is a real slog.

    The Dissolve Full Review
  • Ignatiy Vishnevetsky

    Unfortunately, eccentricities are few and far between in the movie, with sleepy action that bungles its best ideas (like its potentially interesting twist ending) and finds Cage delivering one of his more moribund performances.

    The A.V. Club Full Review
  • Bilge Ebiri

    The movie is imprisoned by its Cage’s stiffness. All he gives us is strained, robotic seriousness. I’m not sure he even gives us any rage.

    New York Magazine (Vulture) Full Review
  • Alan Scherstuhl

    You may feel some anger if you pay to watch this. Or you may not, as Rage offers exactly what you think a Nic Cage movie called Rage would, except maybe for continually inspired lunacy.

    Village Voice Full Review
  • David Hiltbrand

    There isn't an original frame or line of dialogue in Rage. It's strictly paint by numbers. Or in this case, plasma.

    Philadelphia Inquirer Full Review
  • Roger Moore

    Rage lets us see where all the money was spent — on Cage, and on a noisy, metal-rending car chase through scenic Mobile. It’s head-slappingly dumb, it’s dull and even the novelty of filming outside of the over-filmed Los Angeles adds nothing.

    McClatchy-Tribune News Service Full Review
  • Justin Chang

    Proficiently made but fatally unpersuasive in its portrayal of internecine gang warfare, this thuggish melodrama piles on the foreign accents and paint-by-numbers brutality, all served up with a grim, operatic self-seriousness that gives Cage’s antihero little room to maneuver.

    Variety Full Review
  • Nicolas Rapold

    The hand-me-down showiness and sluggish storytelling by the director, Paco Cabezas, underline the monotony in this ordinary revenge thriller.

    The New York Times Full Review
  • Gary Goldstein

    There's a late-breaking twist that might seem impressive if it didn't make all the previous mayhem feel so intensely pointless.

    Los Angeles Times Full Review
  • Glenn Kenny

    The reason he’s (Cage) the most interesting thing here is not because his performances is particularly intense or eccentric but because everything around him is so wretchedly dull. Full Review
  • Rex Reed

    Rage is another formulaic re-tread that needs its brakes re-lined.

    New York Observer Full Review
  • Kyle Smith

    There’s nothing wrong with being a brainless B-movie, but this one is funless and lackluster, a grinding mess of pulp clichés with dull characters, perfunctory violence and dim plotting.

    New York Post Full Review
  • Clayton Dillard

    Paco Cabezas's film is little more than a revenge relic pretending that the ethical treatise of David Cronenberg's A History of Violence never happened.

    Slant Magazine Full Review
  • Elizabeth Weitzman

    As for our leading man, he’s clearly just messing with us now. Who else would make a revenge thriller called Rage and then sleepwalk his way through it?

    New York Daily News Full Review
  • Nikola Grozdanovic

    Tired, lazy, incongruous, shocking and hilarious in all the wrong places, Rage is destined for the graveyard television slot, squeezed between infomercials for mops.

    The Playlist Full Review
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