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In "Sabotage", Arnold Schwarzenegger leads an elite DEA task force that takes on the world's deadliest drug cartels. When the team successfully executes a high-stakes raid on a cartel safe house, they think their work is done - until, one-by-one, the team members mysteriously start to be eliminated. As the body count rises, everyone is a suspect.

Actors: Arnold Schwarzenegger , Sam Worthington , Mireille Enos , Joe Manganiello , Harold Perrineau , Josh Holloway , Terrence Howard , Olivia Williams , Max Martini , Kevin Vance
Directors: David Ayer
Country: USA
Release: 2014-03-28
More Info:
  • Richard Roeper

    This brutal, bloody, dark and at times gruesomely funny thriller isn’t some David Fincher-esque mood piece where all the clues come together at the end. It’s more like a modern-day, Georgia version of a spaghetti Western.

    Chicago Sun-Times Full Review
  • Stephen Whitty

    So Ayer, the director of the new Sabotage, does it smartly, subtly, by keeping some of the Schwarzenegger totems -- the masculine power, the enormous armory, the drainpipe-sized cigars -- and raising the quality of the surroundings.

    Portland Oregonian Full Review
  • Chris Klimek

    This is the disreputable, even disgusting diversion the Expendables pictures should've been.

    Village Voice Full Review
  • Drew McWeeny

    There's a great sense of rot to everything as shot by Bruce McCleery, and David Sardy's score is propulsive and appropriately caustic. What ultimately works about Sabotage is the way it so unabashedly plays rough.

    HitFix Full Review
  • James Berardinelli

    For most of its running length, Sabotage is a gritty, compelling motion picture with twists to make a pretzel envious.

    ReelViews Full Review
  • Bilge Ebiri

    For Sabotage, as good as it is in its first half, can’t keep it together.

    New York Magazine (Vulture) Full Review
  • Keith Uhlich

    You’re thankful when Ayer stops trying to artistically tart up this Peckinpah-lite tale of vengeance and just lets his leading man do what he does best: blow the bad guys away.

    Time Out New York Full Review
  • Matt Singer

    Sabotage’s mystery component is mostly dead on arrival, and poor Olivia Williams has the thankless job of carrying it as the no-nonsense detective searching for the killer. But as Ayer proved with his previous film, End Of Watch, he has a natural eye and ear for the ecosystem of law enforcement.

    The Dissolve Full Review
  • Leah Greenblatt

    You won't respect yourself in the morning, but you might have some dumb, lizard-brain fun.

    Entertainment Weekly Full Review
  • David Hiltbrand

    This is the type of movie best enjoyed as a late-night indulgence on cable. Really late at night, when your eyes are still partially open, but your brain has called it quits.

    Philadelphia Inquirer Full Review
  • Scott Foundas

    The rest of Sabotage rarely rises to Schwarzenegger’s level, in large measure because the other characters (of which there are far too many) aren’t nearly as sharply drawn by Ayer and co-writer Skip Woods.

    Variety Full Review
  • Joe Williams

    This is an extremely gory flick, with autopsy scenes to complement Schwarzenegger’s usual shoot-first sensibilities. After 30 years, it’s pointless to complain about the collateral damage in his movies, but here Schwarzenegger is taking vigilante justice to dark new levels that can only be reached via plot holes big enough for a Hummer.

    St. Louis Post-Dispatch Full Review
  • Mick LaSalle

    Sabotage cannot be called a good movie, not with a straight face. But as an Arnold Schwarzenegger movie, it has something.

    San Francisco Chronicle Full Review
  • Michael Phillips

    The movie wants it both ways: bloodthirsty revenge and some finger-wagging about the tactics.

    Chicago Tribune Full Review
  • Mark Zhuravsky

    Sabotage is perfectly acceptable by it's peculiar standards, the action skillfully rendered but the scarcity of character development and perplexing ethics make the picture an uneasy watch.

    The Playlist Full Review
  • Ignatiy Vishnevetsky

    David Ayer’s latest, Sabotage, is a sloppy DEA whodunit, distinguished by its scatological humor and gore.

    The A.V. Club Full Review
  • Amon Warmann

    Arnie completists will enjoy seeing the Austrian Oak in good form, but as a whodunit thriller Sabotage is found severely wanting.

    CineVue Full Review
  • Simon Crook

    A bloody, scuzzy, progressively preposterous whodunnit, blending old school and new wave to neutering effect. One chunky plus: the all-new Antihero Arnie.

    Empire Full Review
  • Robert Abele

    Artificially jacked up to feel like mean but serious fun, Sabotage mostly flings blood, vengeance, testosterone and clichés to the wall to see what sticks.

    Los Angeles Times Full Review
  • Bill Goodykoontz

    Director David Ayer is using the blood and guts to make a point about the insane violence committed by drug cartels, yes, but the bloodshed is unrelenting and, ultimately, exhausting.

    Arizona Republic Full Review
  • Peter Sobczynski

    This could well be the single most implausible film playing at your multiplex this weekend and bear in mind, "Mr. Peabody & Sherman" is still in release. Full Review
  • Chris Cabin

    There's no sense of visual artifice to match the ludicrous pitch of the script, and subsequently, the film comes off as awkward and uncertain.

    Slant Magazine Full Review
  • Ty Burr

    Stupid, sadistic, misogynistic, confusing, and more than a little ridiculous. Here’s the thing, though: It keeps you watching, if only to see how tortured the plot or characters are going to get. I’m not sure that “entertainingly awful” is a recommendation, but the shoe fits.

    Boston Globe Full Review
  • Kyle Smith

    So Arnold Schwarzenegger has reached the shaky-cam-and-hoodies stage of his career. But it’s a bit late in the day for Arnold to try to get all indie and complicated.

    New York Post Full Review
  • Michael O'Sullivan

    Sabotage doesn’t exactly glorify violence, but it certainly does get off on it.

    Washington Post Full Review
  • Manohla Dargis

    Sabotage isn’t any good, even if its jagged, jolting visual excesses and frenzied energy keep you awake, gasping and guffawing by turns.

    The New York Times Full Review
  • David Rooney

    What's most remarkable about this big, dumb exploitation movie is how carefully anything approaching psychological texture appears to have been peeled away.

    The Hollywood Reporter Full Review
  • Scott Bowles

    Indisputably the most violent film of the year and disputably the worst.

    USA Today Full Review
  • Roger Moore

    Watching this head-slappingly stupid movie is an exercise is seeing David Ayer sucked into the drain that Arnold’s been spiraling down ever since his “comeback.”

    McClatchy-Tribune News Service Full Review
  • Louis Black

    The violence is always vicious, the catalog of brutally attacked, pornographically bloody bodies is unending, and despite the abundance of action the film is terribly dull.

    Austin Chronicle Full Review
  • Jordan Hoffman

    Does this mean that Sabotage is a rich, morally complex story about the gray zone between good and evil? Hell, no. It just means it is a bungle. Full Review
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