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We're the Millers

Adventure . Crime . Comedy

A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.

Actors: Tomer Sisley , Molly C. Quinn , Kathryn Hahn , Thomas Lennon , Nick Offerman , Ed Helms , Emma Roberts , Will Poulter , Jennifer Aniston , Jason Sudeikis
Directors: Rawson Marshall Thurber
Country: USA
Release: 2013-08-07
More Info:
  • Susan Wloszczyna

    Needless to say, the shapely Aniston pulls it off without a hitch — even if she never actually appears without a stitch. If this gutsy performance leads to better opportunities—a remake of Demi Moore's ill-conceived "Striptease," perhaps — I might sleep better at night. Full Review
  • Richard Roeper

    We’re the Millers is just good enough to keep you entertained, but not good enough to keep your mind from wandering from time to time. This is an aggressively funny comedy that takes a lot of chances, and connects just often enough.

    Chicago Sun-Times Full Review
  • Chris Nashawaty

    While Aniston shows that she's as deft on a stripper pole as she is with her sitcom-honed timing, Sudeikis wields his smart-ass sarcasm like a barbed weapon. And more often than not, it kills.

    Entertainment Weekly Full Review
  • Andrew O'Hehir

    We’re the Millers has just the right stupid, humane vulgarity for the dog days of August. Full Review
  • Steve Davis

    With the exception of Roberts, who blends into the background in every scene in which she appears, the cast comprising the Millers keeps this sweetly crude comedy afloat.

    Austin Chronicle Full Review
  • Steve Persall

    The fun of watching We're the Millers is guessing how raunchily low it will go, and realizing you've sorely underestimated these writers and actors.

    Tampa Bay Times Full Review
  • Steven Rea

    An innocuously smutty road comedy.

    Philadelphia Inquirer Full Review
  • Paul Bradshaw

    It’s predictable, politically incorrect and too long – but a handful of really big chuckles excuse most of the cop-outs. There’s a much edgier film in here somewhere, but this one will definitely do.

    Total Film Full Review
  • Peter Bradshaw

    Hang on for the outtake bloopers over the credits and you'll see Aniston momentarily unsure how to take a joke at her expense.

    The Guardian Full Review
  • Robbie Collin

    The key to the film’s success, and the reason it often left me hooting with laughter, is Aniston, and her character’s struggle in vain to maintain her sweetheart persona.

    The Telegraph Full Review
  • Olly Richards

    A likeable comedy that uses its greatest asset, its talented, funny cast, to good effect.

    Empire Full Review
  • Chris Cabin

    Though the cast partially eschews the family-friendly timidity that the film defers to in the end, this would-be wild thing remains little more than a rowdy endorsement of the status quo.

    Slant Magazine Full Review
  • Ty Burr

    It’s an August dog-day special, in other words: a few easy laughs, one or two flashes of inspiration, and enough sentimentality to ensure that no one actually gets hurt.

    Boston Globe Full Review
  • Ben Kenigsberg

    Loud and annoying? Occasionally. Funny? Sometimes. Likely to be noticed by filmgoers six months from now? Not really.

    The A.V. Club Full Review
  • A.O. Scott

    What really drives the movie is its own search for something to make fun of, and for a comic style that can feel credibly naughty while remaining ultimately safe and affirmative.

    The New York Times Full Review
  • Laremy Legel

    It’s half of a good movie, and another half that no one asked for or wanted. Full Review
  • Bill Goodykoontz

    We’re the Millers plays like a “Saturday Night Live” skit that goes on too long.

    Arizona Republic Full Review
  • Joe Williams

    We're the Millers is nothing but stems and seeds, with less buzz than a bag of oregano.

    St. Louis Post-Dispatch Full Review
  • Mick LaSalle

    Get past the comedy and there's something almost weird at the movie's core - a deep cynicism about family and a longing for family, both at the same time.

    San Francisco Chronicle Full Review
  • Genevieve Koski

    While the setups are often laughably forced—two words: “weed baby”—the script navigates its way out of them relatively gracefully, and sometimes hilariously.

    The Dissolve Full Review
  • Peter Rainer

    The blue humor in We’re the Millers is just bland. And yes, Aniston performs a (modified) striptease. That’s pretty bland, too.

    Christian Science Monitor Full Review
  • Kevin Jagernauth

    We're The Millers isn't really a bad movie, so much as its inoffensively and instantly forgettable.

    The Playlist Full Review
  • Cath Clarke

    It doesn’t even qualify for dumb fun.

    Time Out London Full Review
  • Bilge Ebiri

    The result is a loose conglomeration of jokes that never really holds together: Funny in parts, but overwhelmed by the bland emptiness where its protagonist should be.

    New York Magazine (Vulture) Full Review
  • David Fear

    The rest of us will just be left to puzzle over Aniston’s exhibitionism obsession and pray that Sudeikis’s smirking-douche leading-man shtick won’t constitute his entire post-SNL career.

    Time Out New York Full Review
  • Joe Neumaier

    The “Millers” script — it took four writers to cobble together something that seems so slight — hits too many obvious notes between the moments when Aniston can strut her stuff.

    New York Daily News Full Review
  • Todd McCarthy

    Director Rawson Marshall Thurber adequately manages the mechanics demanded here but adds no finesse or grace notes.

    The Hollywood Reporter Full Review
  • Betsy Sharkey

    We're the Millers is full of moments that feel as forced as the marriage of convenience — and contrivance — in the movie.

    Los Angeles Times Full Review
  • James Berardinelli

    A "Jennifer Aniston movie" has become synonymous with "derivative, lackluster mediocrity," and it's a shame. We know she has both talent and charisma but nothing on her recent resume has allowed her to display those qualities. So we're stuck with films that are at best forgettable and at worst painful.

    ReelViews Full Review
  • Claudia Puig

    We're the Millers is a twisted road trip worth avoiding. Not only is it not funny, it's offensive.

    USA Today Full Review
  • Drew Grant

    If there is a breakout role in Millers, it is that of Will Poulter, the 20-year-old English actor who played Lee Carter in 2007’s "Son of Rambow." As Kenny Rossmore, the hapless neighbor who ends up playing the teenage son of Ms. Aniston and Mr. Sudeikis during their version of National Lampoon’s Mexican Vacation, Mr. Poulter strikes a perfect comedic balance between sweet savant and pop-culture lech.

    New York Observer Full Review
  • Michael Phillips

    When Jason Sudeikis and Ed Helms appear in the same movie there's a significant threat of clean-cut sameness. Mediocre material makes them like two halves of the same comic actor: Ed Jason Helms-Sudeikis.

    Chicago Tribune Full Review
  • Roger Moore

    It aims for that “Hangover” blend of the sick and the sentimental. And it doesn’t work.

    McClatchy-Tribune News Service Full Review
  • Ann Hornaday

    It would be dishonest to claim it isn’t funny. The laughs may come in fits and starts, usually by way of sight gags and set pieces, but they do come. And then they go.

    Washington Post Full Review
  • Inkoo Kang

    This film's eagerness to please functions as a slow poison, draining The Millers of its vitality by rendering its characterization uneven, its potential undeveloped, and its plot predictable and stupid.

    Village Voice Full Review
  • Jamie S. Rich

    Sudeikis has always been a charming comedic actor. He usually doesn't have to work this hard for laughs.

    Portland Oregonian Full Review
  • Kyle Smith

    The movie, directed by the formerly promising Rawson Marshall Thurber (the hilarious “Dodgeball” and the awful “The Mysteries of Pittsburgh”), thinks it’s subverting the conventions of the sitcom with a revolutionary new idea, which is: Do everything exactly the way a sitcom would, plus lots of swearing and dirty jokes.

    New York Post Full Review
  • Justin Chang

    Even a premise this stupidly contrived stands a fair chance of working if there are a few decent yuks to be had, but absent any such inspiration, We’re the Millers falls back on the sort of lazy but desperate, sexually fixated non sequiturs that have become de rigueur in studio comedies, jabbing repeatedly at the human groin in hopes of eventually hitting something funny.

    Variety Full Review
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