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Adventure . Thriller . Action

A 16-year-old girl raised by her father to be the perfect assassin is dispatched on a mission across Europe. Tracked by a ruthless operatives, she faces startling revelations about her existence and questions about her humanity.

Actors: Vicky Krieps , Jamie Beamish , Christian Malcolm , Paul Birchard , Tim Beckmann , John MacMillan , Vicky Kreips , Tom Hollander , Cate Blanchett , Eric Bana , Saoirse Ronan
Directors: Joe Wright
Country: USA , UK , GERMANY
Release: 2011-04-08
More Info:
  • Calvin Wilson

    As the highly focused Hanna, Ronan - who had a breakout role in "Atonement" - is simply brilliant.

    St. Louis Post-Dispatch Full Review
  • Peter Travers

    As Hanna confronts her past, the movie becomes like nothing you've ever seen. I'd call it a knockout.

    Rolling Stone Full Review
  • Steven Rea

    Hanna is a goofy and exhilarating mash-up of all sorts of things. Luc Besson's "The Professional" comes to mind, as do the propulsive synth-syncopations of "Run Lola Run" and the dark allegorical menace of Grimms fairy tales.

    Philadelphia Inquirer Full Review
  • Roger Ebert

    Here we have an odd cross between a fairy tale and a high-tech action movie. It could have been a fairly strained attempt at either, but director Joe Wright ("Atonement") combines his two genres into a stylish exercise that perversely includes some sentiment and insight.

    Chicago Sun-Times Full Review
  • Roger Moore

    Saoirse Ronan shines in the title role, a wily, physically-fit and lethal girl.

    Orlando Sentinel Full Review
  • James Berardinelli

    Although it would be an exaggeration to claim that Hanna "has it all," it is a richer and more compelling white-knuckler than the average roller coaster ride into tension and mystery.

    ReelViews Full Review
  • Lisa Schwarzbaum

    Hanna's intriguing, disorienting pleasures - the movie is part poetic dreamscape, part sinister spy saga - lie more in the filmmaking flourishes than in the narrative.

    Entertainment Weekly Full Review
  • Eric Kohn

    The resulting adrenaline-packed vehicle delivers a multi-directional sugar rush. It moves so quickly that the bells and whistles blur together.

    indieWIRE Full Review
  • Ian Nathan

    An absurd-sounding concept rendered wholly believable and thrilling by a fearless young actress and a director at the top of his game.

    Empire Full Review
  • Elvis Mitchell

    Wright applies an artful eye to carnage; he and production designer Sarah Greenwood exhaustively deploy their love for finding colors that mirror the characters' psychological states.

    Movieline Full Review
  • Sara Maria Vizcarrondo

    The beauty of the film and what ultimately makes it more timeless than trenchant, is the way it side-steps the entire issue of Hanna's sex.

    Boxoffice Magazine Full Review
  • Bill Goodykoontz

    An unorthodox delight.

    Arizona Republic Full Review
  • Justin Chang

    An exuberantly crafted chase thriller that pulses with energy from its adrenaline-pumping first minutes to its muted bang of a finish.

    Variety Full Review
  • Marc Savlov

    It's a strange and electrifying brew of Hollywood genre tropes recalibrated for a globalized sensibility.

    Austin Chronicle Full Review
  • Peter Rainer

    Is there a moral objection to be raised about a movie that features a teenage girl as an assassin? I suppose there is, but I couldn't find it in me to object.

    Christian Science Monitor Full Review
  • Rick Groen

    It's one of those imperfect pictures that manages to command and hold our attention straight from the opening frames.

    The Globe and Mail (Toronto) Full Review
  • Shawn Levy

    There's some great fun in the film, and a bit of unexpected wit, and lots of action, much of it ludicrous but some quite engaging.

    Portland Oregonian Full Review
  • Lawrence Toppman

    Hanna's a memorable creation, a girl who carries danger with her like a plague.

    Charlotte Observer Full Review
  • David Edelstein

    Yes, this farrago of fairy tale and sci-fi conspiracy flick is, on one level, howlingly obvious. But there are howls of derision and howls of amazement, and mine were of the latter kind, mostly.

    New York Magazine (Vulture) Full Review
  • Andrew O'Hehir

    Hanna is almost a terrific movie, or a partly terrific one, but all its giddy, improvised wonder resolves into nothing more than a ruthless, symmetrical story about a murderous monster. Full Review
  • Eric Hynes

    Despite its handsome presentation and cinematic ingenuity, the film never really goes beyond superficial pleasures.

    Village Voice Full Review
  • Steve Persall

    A fitfully entertaining movie in an awkward position; too arty for the action crowd yet too unsubtle for more refined tastes.

    Tampa Bay Times Full Review
  • Michael O'Sullivan

    The single most compelling reason to see Hanna is Hanna herself. As played by Saoirse Ronan, who made her first big splash as another morally challenged youngster in Wright's 2007 "Atonement," the character is a fascinating and frustrating cipher.

    Washington Post Full Review
  • Scott Bowles

    One of the coldest action films in years and an odd showcase for Saoirse Ronan, a deft actress who is one of the few youngsters capable of pulling off action with acting.

    USA Today Full Review
  • Ty Burr

    It rockets along entertainingly enough for most of its running time - only that it's made with a self-importance the story itself doesn't warrant.

    Boston Globe Full Review
  • Connie Ogle

    The film is never more than an amalgamation of other movies.

    Miami Herald Full Review
  • Manohla Dargis

    In the end there might not be much to this tale other than titillation, but there's plenty to be said for Ms. Ronan, who was the best thing about "Atonement" and holds her ground against forceful screen presences like Ms. Blanchett and Mr. Bana.

    The New York Times Full Review
  • Mark Jenkins

    The movie has more sensibility than sense, but it seems cunning next to such silly tough-girl fare as "Kick-Ass" and "Sucker Punch."

    NPR Full Review
  • Keith Uhlich

    Subtlety is not this movie's strong suit; even the terrific Chemical Brothers score pounds your nerves a bit more than it should.

    Time Out New York Full Review
  • Scott Tobias

    Superficially exciting and handled with great aplomb. But the film is running to go nowhere.

    The A.V. Club Full Review
  • Mary Pols

    It's a feast for the eyes, but we're still hungry.

    Time Full Review
  • Kenneth Turan

    Blessed with considerable virtues, including a clever concept, crackling filmmaking and a charismatic star, it ultimately squanders all of them, undone by an unfortunate lack of subtlety and restraint.

    Los Angeles Times Full Review
  • Kyle Smith

    Hanna doesn't go wrong immediately. It takes at least 2½ minutes.

    New York Post Full Review
  • Mick LaSalle

    Still, those who meet the movie on its own terms and don't expect a masterpiece may appreciate the commitment of Wright and the actors. Blanchett goes out of her way, for example, to be repellent here.

    San Francisco Chronicle Full Review
  • J.R. Jones

    As "Kick-Ass" proved, there's a ready audience for the spectacle of a school-age girl who's a relentless killing (as opposed to texting) machine.

    Chicago Reader Full Review
  • Todd McCarthy

    The overall enterprise, for all its intrigue and visceral impact, feels overly thought out, affected and forced in its stylization.

    The Hollywood Reporter Full Review
  • Joe Neumaier

    The forced coming-of-age parable that filmmaker Joe Wright laces with fairy-tale symbolism is heavy-handed from the get-go.

    New York Daily News Full Review
  • Michael Phillips

    Hanna presents the problem of the well-made diversion that is, at its core, repellent.

    Chicago Tribune Full Review
  • Rex Reed

    Contrived, pretentious and not worth seeing even for the perverse pleasure of watching first-rate talents make second-rate fools of themselves.

    New York Observer Full Review
  • David Denby

    When Wright literalizes the fantastic, the movie turns squalid. He does better when he lets his visual fancies roam free. [25 April, 2011 p.88]

    The New Yorker Full Review
Add Soundtrack
  • 1. Divagando Performer: Pepa Montes, Ricardo Miño, Fabiola Perez, David Rodriguez, Jallal Chekara, Alexis Lefevre, Rafael 'El Electrico', Jesús Ortega, Abel Harana, Manuel Bellido, El 'Lebri', Silvia Rios Bastos, Salvador Antonio Bellido Vizcaino, Ana Maria Garcia Garcia, Soleda Stream Music Online
  • 4. Tiddi Nettat Ayane Performer: Houcine Ettaousy, Abdelkrim Anddam and Houcine Fadel Stream Music Online
  • 5. Peer Gynt Suite #1, OP. 46-4, In The Hall Of The Mountain King Performer: The Czech Philharmonic Stream Music Online
  • 8. Hannas Theme (Vocal Version) Performer: The Chemical Brothers feat. Stephanie Dosen Stream Music Online
  • 23. interrogation lonesome subway Grimms house Performer: The Chemical Brothers Stream Music Online
  • 28. Hanna's Theme (feat. Stephanie Dosen) [Vocal Version] Performer: The Chemical Brothers Stream Music Online
  • 30. Interrogation / Lonesome Subway / Grimm's House Performer: The Chemical Brothers Stream Music Online