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Science Fiction . Action . Thriller . Sci-Fi

Betrayed by his own kind and left for dead on a desolate planet, Riddick fights for survival against alien predators and becomes more powerful and dangerous than ever before. Soon bounty hunters from throughout the galaxy descend on Riddick only to find themselves pawns in his greater scheme for revenge. With his enemies right where he wants them, Riddick unleashes a vicious attack of vengeance before returning to his home planet of Furya to save it from destruction.

Actors: Vin Diesel , Karl Urban , Katee Sackhoff , Jordi Mollà , Bokeem Woodbine , Nolan Gerard Funk , Noah Danby , Neil Napier , Keri Hilson , Dave Bautista , Matt Nable
Directors: David Twohy
Country: USA
Release: 2013-09-06
More Info:
  • movshare

    For a cam, it’s very watchable. A/6 V/5. Tends to slip out of focus during the last 1/3 of the movie at times, but corrects quickly.

    Full Review
  • Ignatiy Vishnevetsky

    In an era of high-falutin’ tentpole sci-fi, there’s something to be said for a filmmaker still devoted to crafting plain old genre pleasures.

    The A.V. Club Full Review
  • Bruce Ingram

    It’s nothing new for sure, but writer/director David Twohy...throws in enough entertaining touches to maintain interest — despite an overlong two-hour running time.

    Chicago Sun-Times Full Review
  • James Berardinelli

    Riddick isn't perfect but it's a good high-octane sci-fi tinged action/thriller.

    ReelViews Full Review
  • Adam Nayman

    The quickest and easiest way to humanize an unlikeable movie character is to give him a lovable dog, and so it goes with Riddick.

    The Globe and Mail (Toronto) Full Review
  • Michael Phillips

    It's fun! Extremely violent, cleverly managed fun, full of eviscerating aliens.

    Chicago Tribune Full Review
  • Manohla Dargis

    There’s one man alone, stranded on a seemingly desolate distant planet with only his wits, his fists and his voice-over. That voice-over is mercifully spare, the landscape atmospherically barren and the action nice and tight.

    The New York Times Full Review
  • Scott Foundas

    An improbable but very enjoyable sequel that recaptures much of the stripped-down intensity of Diesel and director David Twohy’s franchise starter "Pitch Black."

    Variety Full Review
  • Marc Savlov

    While "The Chronicles of Riddick" was an overstuffed melange of CGI and unnecessary subplots, Riddick is a far more streamlined affair, and all the better for it.

    Austin Chronicle Full Review
  • Drew Taylor

    Riddick, as a character, is best when he's alone, fighting against insurmountable odds, with narratives that serve his singular nastiness.

    The Playlist Full Review
  • Matt Patches

    Riddick is a fractured skeleton of a script, with each distinct installment scratching its own itch. Full Review
  • Kyle Smith

    The movie jogs along nicely without ever getting a case of the stupids; far from being a bloated “John Carter,” it’s just a pared-down yarn of survival: “Die Hard” on a planet.

    New York Post Full Review
  • Stephanie Merry

    Riddick can be cheesy and silly, not to mention excessively violent, but it’s also fun.

    Washington Post Full Review
  • Odie Henderson

    Twohy's script contains macho dialogue so ripe it's embarrassing to hear it. Full Review
  • Tasha Robinson

    Riddick taps into a primal well of audience wish-fulfillment, but over the course of its unrelieved, monotonous length, it does its best to suck that well dry.

    The Dissolve Full Review
  • Barbara VanDenburgh

    Riddick aims much lower than the stars and still doesn't quite hit its target. But when you consider a summer overstuffed with disappointing prestige pics that cost the GDP of several island nations to produce, Riddick's more modest (and less expensive) stumbling doesn't seem so bad in comparison.

    Arizona Republic Full Review
  • Keith Uhlich

    Watching this see-in-the-dark muscleman brooding against gorgeous otherworldly vistas, all while crafting pointy homemade weapons and befriending a scene-stealing CGI canine (no joke), is a sci-fi aficionado's delight.

    Time Out New York Full Review
  • Chris Hewitt (1)

    Overlong and often overcooked, this is nevertheless a relative return to form for Diesel as the fiendish Furyan.

    Empire Full Review
  • Keith Staskiewicz

    At a time when the budgets for sci-fi films are, like the universe itself, expanding at an astronomical rate, Riddick decides to go small.

    Entertainment Weekly Full Review
  • Ty Burr

    This is back-to-basics stuff, which turns out to be not such a bad idea.

    Boston Globe Full Review
  • Peter Travers

    An alternately kick-ass and clumsy piece of sci-fi claptrap that puts its empty head down and gets the job done.

    Rolling Stone Full Review
  • David Hiltbrand

    Purely as an action film, Riddick is passable, if grueling. The problem is tonal.

    Philadelphia Inquirer Full Review
  • Peter Bradshaw

    The results are by turns boring and bizarre, although Diesel still has some presence.

    The Guardian Full Review
  • Justin Lowe

    Playing it safe with a script that offers Riddick up as a lone avenging hero, Twohy passes on the opportunity to effectively shade the character’s distinctive dimensionality.

    The Hollywood Reporter Full Review
  • Kevin Harley

    Too stodgy for B-movie suspense, too silly to shock, too sexist to stomach, Diesel’s return misfires.

    Total Film Full Review
  • Tom Huddleston

    The aliens are unscary and easily despatched, Vin’s too silent to be interesting, and the other characters – a gang of bounty hunters on Riddick’s trail – are either dull or offensive.

    Time Out London Full Review
  • Roger Moore

    Like Vin Diesel, it has bulk, lumbering clumsily along as it repeats Diesel’s greatest hits — the ones that don’t require him to drive a fast and furious car.

    McClatchy-Tribune News Service Full Review
  • Bilge Ebiri

    As a result, we get relatively little insight into the other characters as they react to Riddick. Without an unknown force to spark our own imaginations, the result is mostly dead air.

    New York Magazine (Vulture) Full Review
  • Amy Nicholson

    The only reason to root for Riddick is that his name is on the ticket stub. But he's so dull and the hunters so weird that we're literally cheering for the movie to kill off its personality, one throat slash at a time.

    Village Voice Full Review
  • Claudia Puig

    Move along, there's nothing to see and no one to root for in this murky franchise reboot.

    USA Today Full Review
  • Stephen Whitty

    It's the film, though, that remains handcuffed. The early part of the story -- with Riddick stranded on an unfriendly planet -- is taut enough, but hampered by flagrantly unreal effects and Diesel's punch-drunk narration.

    Portland Oregonian Full Review
  • Rene Rodriguez

    The entire movie bears the whiff of a vanity project — a modestly budgeted bone Universal Pictures threw at Diesel so he would keep starring in Fast and Furious pictures. Those movies are bank; Riddick is rank.

    Miami Herald Full Review
  • Nick Schager

    For a film about a killing machine who can see at night, it's fittingly ironic that the film itself is, both narratively and visually, a dark, muddled mess.

    Slant Magazine Full Review
  • Joe Neumaier

    The story feels like quicksand. Riddick, which couldn’t even qualify for proper summer movie placement, moves like Martian molasses and can’t present an action scene to save its life. You’ll wish you had Uncle Martin’s ability to speed people — not to mention awful movies — up.

    New York Daily News Full Review
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