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The Devil's Rejects

Action . Crime . Horror . Drama

The sequel to House of 1000 Corpses – the Firefly family are ambushed at their isolated home by Sheriff Wydell and a squad of armed men guns blazing – yet only Otis and his sister, Baby, manage to escape the barrage of bullets unharmed. Hiding out in a backwater motel, the wanted siblings wait to rendezvous with their errant father, Captain Spaulding, killing whoever happens to stand in their way.

Actors: Dave Sheridan , Priscilla Barnes , Geoffrey Lewis , Leslie Easterbrook , Matthew McGrory , Ken Foree , William Forsythe , Sheri Moon Zombie , Bill Moseley , Sid Haig
Directors: Rob Zombie
Country: USA , GERMANY
Release: 2005-07-22
More Info:
  • Kyle Smith

    A yellow dog of a movie that delights in offending the offendable. It's also a whitesploitation classic, from its menacing sideburns to its demented laughter.

    New York Post Full Review
  • Michael Rechtshaffen

    It plays like "Bonnie & Clyde" as made by a committee comprised of George Romero, Sam Peckinpah, Tobe Hooper, Sergio Leone and John Waters -- but Zombie still manages to inject a pervasive flavor all his own.

    The Hollywood Reporter Full Review
  • Keith Phipps

    Zombie fills The Devil's Rejects with thrilling setpieces, pays homage to his inspirations without outright ripping them off (most of the time), brings back some cult-movie icons (hello, Mary Woronov and E.G. Daily), and works in some profanely clever dialogue.

    The A.V. Club Full Review
  • Desson Thomson

    For the right audience, this movie is the butt-kicking, dirt-talking, blood-spurting equivalent of beautiful music.

    Washington Post Full Review
  • J.R. Jones

    The sadism of "1,000 Corpses" is ameliorated here by the addition of an action plot and open spaces, and the comedy is more skillfully played, mingling agreeably with Zombie's ardor for southern trash culture (the final showdown plays out to the strains of "Freebird," for heaven's sake)

    Chicago Reader Full Review
  • Marc Savlov

    The year's most viciously entertaining psycho-road-movie-revenge-'n'-wreckage-romance.

    Austin Chronicle Full Review
  • Peter Travers

    Indefensible on a moral level, Rob Zombie's perversely watchable follow-up to his much-reviled cult hit "House of 1000 Corpses" is loaded with filmmaking energy.

    Rolling Stone Full Review
  • Roger Ebert

    Here is a gaudy vomitorium of a movie, violent, nauseating and really a pretty good example of its genre. If you are a hardened horror movie fan capable of appreciating skill and wit in the service of the deliberately disgusting, The Devil's Rejects may exercise a certain strange charm.

    Chicago Sun-Times Full Review
  • David Sterritt

    If you're not in the mood for "The Texas Chain Saw Massacre" meets "Last House on the Left," stay very far away. Horror fans will find what they're looking for, though.

    Christian Science Monitor Full Review
  • Peter Hartlaub

    A tough internal struggle must take place before one can come forward and admit enjoying The Devil's Rejects, a movie so fundamentally horrible that even its creator has to admit he's basically made a 101-minute snuff film.

    San Francisco Chronicle Full Review
  • Andrew O'Hehir

    Much of Devil's Rejects is absolutely hilarious, especially the brief appearance by a Gene Shalit-like film critic who explicates all the Groucho Marx references. Zombie's eye for the faux-'70s detail is perfect. Full Review
  • Luke Y. Thompson

    The cast is full of cool cult actors past and present, and the movie is great at what it does. It's also brutal as hell, and not everyone will have the stomach for it.

    Dallas Observer Full Review
  • Ty Burr

    A blood-smeared and almost completely scurrilous love letter to anyone who ever appeared in the junk movies of the '60s through '80s.

    Boston Globe Full Review
  • Maitland McDonagh

    Rob Zombie's pitch-perfect evocation of '70s horror films about monstrous families and the unfortunates who cross their path is one of a handful of sequels that both improve on their sources and play perfectly as stand-alones.

    TV Guide Full Review
  • Jeremy Knox

    Zombie has a great eye and ear for the look and sound of the genre. From the over-saturated yellow desert to the sound of a newscast. He’s got it down perfect.

    Film Threat Full Review
  • Justin Chang

    If you can stomach the violence -- and despite the R rating, that's a big if -- it's hard to deny that Zombie has made exactly the movie he set out to make, guaranteed to satiate his considerable fan base and sicken just about everyone else.

    Variety Full Review
  • Owen Gleiberman

    Zombie doesn't pretend to be on the side of the victims. He makes no bones about his identification with the sexy outlaw serial killers.

    Entertainment Weekly Full Review
  • Peter Debruge

    An exercise intended exclusively for fans of the genre, another crude, hard-R bloodbath from the studio that brought you "High Tension" and "Saw."

    Miami Herald Full Review
  • Jack Mathews

    Surely, this bloodthirsty comic farce about a sadistic backwoods family being hunted by a sadistic backwoods sheriff is the "Citizen Kane" of hix-ploitation horror.

    New York Daily News Full Review
  • David Hiltbrand

    Completely unhinged, a garish and gonzo walk on the wild side.

    Philadelphia Inquirer Full Review
  • Mike Clark

    A little of this will go a long way.

    USA Today Full Review
  • Sean Axmaker

    A canny but hollow pastiche.

    Seattle Post-Intelligencer Full Review
  • Lawrence Van Gelder

    The Devil's Rejects is a trompe l'oeil experiment in deliberately retro filmmaking. It looks sensational, but there is a curious emptiness at its core.

    The New York Times Full Review
  • Kim Newman

    It’s uncomfortably the work of someone who thinks mass murder is cool and has no feeling for regular humans.

    Empire Full Review
  • Chuck Wilson

    This film is lean, tight and irredeemably vile. People are gonna love it.

    L.A. Weekly Full Review
  • Kevin Crust

    Crass, vacuous exercise in grind-house stylistics.

    Los Angeles Times Full Review
  • Jennie Punter

    While this may all sound seductively warped to those who enjoy movies featuring sexually deviant confinement and torture, blasphemous rants and rampaging rednecks, The Devil's Rejects does not live up to its sick, twisted and campy intentions. "Straw Dogs" meets "Smokey And The Bandit" for the new millennium it ain't.

    The Globe and Mail (Toronto) Full Review
  • Benjamin Strong

    By rubbing your nose in this hillbilly mayhem, Zombie all but dares you to acknowledge your liberal elitism, simply because just now, in Dubya's America, you don't happen to find anything particularly funny or lovable about stupid, dangerous provincials.

    Village Voice Full Review
  • Stephen Hunter

    The movie's signal flaw -- that is, other than its degeneracy, its sloppiness, its love of dark things and pretty stains and arterial spray patterns -- is Moseley as the demonic Otis.

    Washington Post Full Review
  • Chris Kaltenbach

    A pastiche of sadistic horror-movie cliches with minor traces of wit but major overflows of perversity.

    Baltimore Sun Full Review
  • James Berardinelli

    This is a vile and reprehensible motion picture.

    ReelViews Full Review
  • Robert K. Elder

    Evil isn't this boring.

    Chicago Tribune Full Review
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