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Harry Potter and the Goblet of Fire

8/10
Family . Fantasy . Adventure
 

Young wizard Harry Potter starts his fourth year at Hogwarts, competes in the treacherous Tri-Wizard Tournament and faces the evil Lord Voldemort. Friends Ron and Hermione help Harry manage the pressure … but Voldemort lurks, awaiting his chance to destroy Harry and all that he stands for.

 
Actors: David Tennant , Timothy Spall , Eric Sykes , Gary Oldman , Miranda Richardson , Brendan Gleeson , Robbie Coltrane , Alan Rickman , Michael Gambon , Ralph Fiennes , Emma Watson , Rupert Grint , Daniel Radcliffe
Directors: Mike Newell
Country: UK , USA
Release: 2005-11-18
More Info:
  • Kirk Honeycutt

    The best one yet.

    The Hollywood Reporter Full Review
  • Sara Brady

    Newell puts his own stamp on the franchise and delivers the best Potter movie yet filmed.

    Premiere Full Review
  • David Edelstein

    No, I couldn't be more pleased with what the screenwriter, Steven Kloves, and the director, Mike Newell, have wrought this time.

    Slate Full Review
  • Peter Rainer

    There's ample reason to stay with this series. When Harry says "I love magic," you believe it.

    Christian Science Monitor Full Review
  • Shawn Levy

    A mature, tense, frightening and altogether masterful film.

    Portland Oregonian Full Review
  • William Arnold

    Harry IV is an intelligent, visually seductive and mostly very satisfying fantasy epic of the first order.

    Seattle Post-Intelligencer Full Review
  • Stephanie Zacharek

    Its look has the same grudging beauty that, once you get used to it, English weather does: It's so defiant in its grayness that you come to appreciate its conviction.

    Salon.com Full Review
  • Kenneth Turan

    It's not until Harry Potter and the Goblet of Fire that a film has successfully re-created the sense of stirring magical adventure and engaged, edge-of-your-seat excitement that has made the books such an international phenomenon.

    Los Angeles Times Full Review
  • Todd McCarthy

    Last year's "The Prisoner of Azkaban" seemed dark, but this excellent fourth film derived from J.K. Rowling's books is the darkest "Potter" yet, intense enough to warrant a PG-13 rating.

    Variety Full Review
  • Roger Ebert

    The film is more violent, less cute than the others, but the action is not the mindless destruction of a video game; it has purpose, shape and style.

    Chicago Sun-Times Full Review
  • Michael Wilmington

    J.K. Rowling's Harry Potter just keeps growing up. So do the Potter movies, in size, in ambition and in visual splendor - and with increasingly stunning results.

    Chicago Tribune Full Review
  • Jami Bernard

    The darkest, most thrilling entry yet in the movie franchise.

    New York Daily News Full Review
  • Ty Burr

    Goblet of Fire is the entry in which Rowling finally took off the gloves.

    Boston Globe Full Review
  • Liam Lacey

    Death, torture, humour and even budding eroticism -- now this is more like it.

    The Globe and Mail (Toronto) Full Review
  • Pete Vonder Haar

    The film's quick pace and near-constant action carries you along quite nicely, and by the time Voldemort (Ralph Fiennes) makes his climactic appearance, one can't help but look forward to the remaining films.

    Film Threat Full Review
  • Tasha Robinson

    Whenever it hits its stride, it's a well-acted, vividly executed, full-speed-ahead special-effects extravaganza that puts as much bang as possible into every remaining scene.

    The A.V. Club Full Review
  • Luke Y. Thompson

    In the grand scheme of things, Goblet of Fire is perhaps closest to the original "Sorcerer's Stone."

    Dallas Observer Full Review
  • Manohla Dargis

    His (Ralph Fiennes) Voldemort may be the greatest screen performance ever delivered without the benefit of a nose; certainly it's a performance of sublime villainy.

    The New York Times Full Review
  • David Ansen

    The uncontestable triumph of Goblet of Fire, however, is Brendan Gleeson's Alastor (Mad-Eye) Moody, the grizzled new Defense Against the Dark Arts professor.

    Newsweek Full Review
  • Desson Thomson

    Probably the most engaging Potter film of the series thus far.

    Washington Post Full Review
  • Anthony Lane

    By a pleasing irony, the parts of the film that stay with you are concerned not with the dark arts but with something far more unstoppable: teen-agers.

    The New Yorker Full Review
  • Marrit Ingman

    Qualitatively different from its cinematic forbears: It doesn't linger on the gothic curlicues of its source material, it moves straightforwardly from place to place, and it emphasizes the emotional development of its characters with dramatic interplay rather than expressionistic, atmospheric gloom.

    Austin Chronicle Full Review
  • Peter Travers

    With the cast getting looser and the mind games kinkier, it's hard to resist.

    Rolling Stone Full Review
  • Connie Ogle

    It's a testament to the power of the story -- and this engaging adaptation -- that leaving Hogwarts is tough anyway.

    Miami Herald Full Review
  • Kyle Smith

    Fine for people of developing minds, but the story so often stops its forward motion to take us on long detours into the land of CGI effects that it amounts to a $150 million magic show.

    New York Post Full Review
  • Carrie Rickey

    Goblet of Fire, fourth in the fantasy franchise, is the most fun and the most fraught with conflict.

    Philadelphia Inquirer Full Review
  • Ruthe Stein

    Offers a brew of wondrous chimera combined with the wonders of human nature.

    San Francisco Chronicle Full Review
  • Maitland McDonagh

    Inventive visuals and funny bits abound, but the film's gritty look and unsentimental characterizations - Harry, Hermione and Ron are far from golden teens - ominously foreshadow the truly wicked shape of things to come.

    TV Guide Full Review
  • Claudia Puig

    It's hard to beat the last movie, "Harry Potter and the Prisoner of Azkaban," and this film is not better, but it has much to recommend it.

    USA Today Full Review
  • James Berardinelli

    Imperfect, but magical nonetheless.

    ReelViews Full Review
  • Lawrence Toppman

    The best thing about the picture is Harry's new maturity: For the first time, he dominates a picture named for him.

    Charlotte Observer Full Review
  • J.R. Jones

    A 157-minute holding pattern in which neither of the ongoing stories--Harry's conflict with the evil sorcerer Voldemort, the young schoolmates' coming of age at the Hogwarts School of Witchcraft--progresses much.

    Chicago Reader Full Review
  • Owen Gleiberman

    Kids may be appropriately terrified, but to this overgrown Potter fan, Voldemort, the Darth Vader of the black arts, was a heck of a lot scarier when you couldn't see him.

    Entertainment Weekly Full Review
  • Michael Sragow

    Too bad the bulk of Rowling's humor goes down a black-magic drain.

    Baltimore Sun Full Review
  • Angie Errigo

    Terrific effects and considerable charm, but, once again, you can't help wishing the filmmakers had been bolder with the adaptation.

    Empire Full Review
  • Scott Foundas

    Came alive only in the presence of a supposed dead man -- specifically, the nefarious Lord Voldemort.

    L.A. Weekly Full Review
  • Ed Park

    To this viewer and reader, the decade-old juggernaut is as deeply felt as it is flawed, dense and illogical and laudably "weird."

    Village Voice Full Review
  • Joe Morgenstern

    The studio, like plucky Harry, passes with flying colors. The new one, directed by Mike Newell from another astute script by Mr. Kloves, is even richer and fuller, as well as dramatically darker. It's downright scary how good this movie is.

    Wall Street Journal Full Review
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