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The Last Kiss

Romance . Drama . Comedy

Revolves around a young couple and their friends struggling with adulthood and issues of relationships and commitment. Based on the 2001 Italian film L'ultimo bacio, directed by Gabriele Muccino.

Actors: Casey Affleck , Jacinda Barrett , Zach Braff , Blythe Danner , Harold Ramis , Lauren Lee Smith , Marley Shelton , Eric Christian Olsen , Michael Weston , Rachel Bilson
Directors: Tony Goldwyn
Country: USA
Release: 2006-09-15
More Info:
  • Chris Kaltenbach

    The film marks Braff as a talent to watch, blessed with the sort of natural, everyman appeal that audiences eat up.

    Baltimore Sun Full Review
  • Olly Richards

    Crediting its audience with emotional intelligence, this rises well above your usual rom-com-dram. But if you’re planning on seeing it with your other half, be warned: it might invite some uncomfortable discussions afterwards.

    Empire Full Review
  • J.R. Jones

    Screenwriter Paul Haggis (Crash, Million Dollar Baby) has turned the Italian romantic comedy "L'Ultimo Bacio" (2001) into something smarter, funnier, and more penetrating.

    Chicago Reader Full Review
  • Jessica Reaves

    A smart, witty, sexy take on the perils of becoming an adult.

    Chicago Tribune Full Review
  • Connie Ogle

    When it comes to exploring our peculiar blindness as to what's important in our lives, the film is a disturbing but accurate road map.

    Miami Herald Full Review
  • Ruthe Stein

    The Last Kiss ponders what you give up -- and what you gain -- from sticking with what you've got.

    San Francisco Chronicle Full Review
  • James Berardinelli

    Haggis' dialogue is virtually without clunkers, and it is delivered with the appropriate weight by a solid cast. Braff's limp performance is countered by Barrett's emotional riveting one (although he's in more scenes than she is).

    ReelViews Full Review
  • Shawn Levy

    For the most part, The Last Kiss engages and pleases with its shaggy earnestness.

    Portland Oregonian Full Review
  • Michael Rechtshaffen

    Proving that with solid direction, tight writing and strong performances an American remake can actually be as good as the foreign-language original, The Last Kiss, an unusually perceptive dramedy about contemporary relationships also manages to stand quite capably on its own two feet.

    The Hollywood Reporter Full Review
  • Lisa Nesselson

    All-American adaptation by Paul Haggis of Gabriele Muccino's 2001 Italian hit "L'Ultimo bacio" is chummy, consensual and always watchable in Tony Goldwyn's polished rendition of emotional messiness.

    Variety Full Review
  • Desson Thomson

    Danner's performance, as she rages against the dying of the romantic light, all but steals the movie from Braff.

    Washington Post Full Review
  • Marc Savlov

    Thanks to Haggis and the cast, who are convincing, often bitingly so, in their willingness to dive into the dark and unknowable depths of the modern American romantic relationship, The Last Kiss mirrors reality with remarkable faithfulness.

    Austin Chronicle Full Review
  • Jack Mathews

    Paints itself into a corner from which it cannot escape. By the end, the movie is still in that corner, tossing out overlapping notes of hope and gloom and counting on viewers to write the ending they want. I'd leave the movie in the corner.

    New York Daily News Full Review
  • Maitland McDonagh

    Veterans Danner and Wilkinson effortlessly make Anna and Stephen more interesting than all the youngsters combined.

    TV Guide Full Review
  • Claudia Puig

    The movie occasionally reveals truths about relationships that, while not earth-shattering, are nonetheless entertaining and worth considering.

    USA Today Full Review
  • Rick Groen

    Actor-turned-director Tony Goldwyn elicits solid performances from the cast, then undercuts them by resorting to a trite montage or a clunky set-piece, inevitably scored with an obtrusive rock tune telling us what to feel and when to feel it.

    The Globe and Mail (Toronto) Full Review
  • Andrew O'Hehir

    The Last Kiss is more a capable-craftsman film than a work of genuine dramatic insight, but here and there it opens a window onto the terror and wonder of grown-up life, one its characters don't especially want to look through. Full Review
  • Lisa Schwarzbaum

    An alarming male wallow passing as a fetching date-night dramedy.

    Entertainment Weekly Full Review
  • Peter Travers

    Director Tony Goldwyn tries for the lyrical melancholy he brought to "A Walk on the Moon," but as Michael waits for days on Jenna's porch getting drenched (as irritating a scene as any in recent cinema), only the most rabid chick-flick fan will fail to notice that it's the movie that's all wet.

    Rolling Stone Full Review
  • Lou Lumenick

    If I were a member of Generation X, I would be fed up with Hollywood's obsession with the idea that its men are genetically incapable of growing up.

    New York Post Full Review
  • Steven Rea

    The trouble with The Last Kiss comes down to Paul Haggis' screenplay.

    Philadelphia Inquirer Full Review
  • Ty Burr

    It very much wants to be "Garden State" five years down the line.

    Boston Globe Full Review
  • Bill White

    An exceptional Italian film becomes an average American one in this bland remake of Gabriele Muccino's "L' Ultimo Bacio."

    Seattle Post-Intelligencer Full Review
  • Ella Taylor

    The Last Kiss isn't terrible, but if you're strapped for a night out it can easily wait till DVD. Better yet, it may be time to revisit "Diner."

    Village Voice Full Review
  • Carina Chocano

    Feels terminally generic and tone-deaf.

    Los Angeles Times Full Review
  • A.O. Scott

    The fallibility of the romantic ideal -- which is nonetheless indispensable on screen and off -- is something Hollywood has trouble dealing with. "The Break-up," in which Jennifer Aniston and Vince Vaughan did just what the title promised, would have been a more notable exception if it were anything like a good movie. The Last Kiss, while not quite a good movie either, at least deserves credit for its honesty.

    The New York Times Full Review
  • Nathan Rabin

    Unfortunately, nothing about Tony Goldwyn's vapid, navel-gazing, claustrophobic adaptation of a 2001 Italian film rings remotely true.

    The A.V. Club Full Review
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