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American History X

Drama . Crime

Derek Vineyard is paroled after serving 3 years in prison for killing two thugs who tried to break into/steal his truck. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.

Actors: Guy Torry , Elliott Gould , Fairuza Balk , Stacy Keach , Ethan Suplee , Jennifer Lien , Avery Brooks , Beverly D'Angelo , Edward Furlong , Edward Norton
Directors: Tony Kaye
Country: USA
Release: 1998-11-20
More Info:
  • Owen Gleiberman

    This is the sort of incendiary role a lot of actors would kill for, yet the shock of Norton's performance isn't its showboat flamboyance. It's that he makes this sadistic junior sociopath rueful and intelligent.

    Entertainment Weekly Full Review
  • Janet Maslin

    An inflated yet gut-slugging film.

    The New York Times Full Review
  • Todd McCarthy

    Jolting, superbly acted film.

    Variety Full Review
  • Roger Ebert

    A series of well-drawn sketches and powerful scenes, in search of an organizing principle.

    Chicago Sun-Times Full Review
  • Jami Bernard

    Unflinching in its depiction of racism, anti-Semitism, violence and jailhouse politics.

    New York Daily News Full Review
  • Craig Marine

    Such an ambitious, well-acted film that it's easy to overlook its flaws as relatively minor.

    San Francisco Examiner Full Review
  • Mike Clark

    While this movie is sometimes overbaked, it is the first major studio release in a while to engross wall-to-wall.

    USA Today Full Review
  • James Berardinelli

    May be flawed, but it's not easily forgotten.

    ReelViews Full Review
  • Ken Fox

    It's Norton who makes the film such an enlightening experience, and he's mesmerizing.

    TV Guide Full Review
  • David Edelstein

    It's a testament to Norton's utter immersion in the role that he can even halfway connect the dots between this fundamentally sweet, brainy kid and the magnetic, white trash monster who'll haunt our minds long after the movie's liberal pieties fade into static.

    Slate Full Review
  • Michael O'Sullivan

    Trenchant and visceral, American History X may not be perfect, but it's a darn sight better than good.

    Washington Post Full Review
  • Jonathan Rosenbaum

    The movie can't explain as much as it wants to about what makes (and unmakes) a skinhead, but it carries us a fair distance.

    Chicago Reader Full Review
  • Marc Savlov

    A violent, sober cautionary tale, strictly middle-of-the-road when it comes to its much-ballyhooed politics and grimly obvious in its telling.

    Austin Chronicle Full Review
  • Liam Lacey

    Excellent in flashes, unintentionally absurd and lead-footed at other moments, the movie stumbles under the weight of its own grandiose intentions.

    The Globe and Mail (Toronto) Full Review
  • Manohla Dargis

    Director Tony Kaye may be reaching for opera, but screenwriter David McKenna has set his sights distinctly lower.

    L.A. Weekly Full Review
  • Joshua Klein

    There may be much to like about his movie, but it's all been done before to more challenging degrees of moral ambiguity. That's a pretty fatal flaw.

    The A.V. Club Full Review
  • David Ansen

    This material is charged enough without piling on the melodrama and the lip-smacking violence. The movie too often sacrifices reportage for razzle-dazzle.

    Newsweek Full Review
  • Richard Corliss

    It's hard to know whom to blame for the film's choppiness, its mixture of rage and sentimentality, the stridency of some of the acting.

    Time Full Review
  • Mick LaSalle

    As a visit to a world and a way of life most of us will never experience, American History X is vivid, and it feels honest. At the very least, it's not typical.

    San Francisco Chronicle Full Review
  • Kenneth Turan

    For all its surface verisimilitude and for all its focus on a problem that couldn't be more current, this film can't manage to feel more than sporadically real.

    Los Angeles Times Full Review
  • Andy Klein

    Fails dramatically as well as ideologically.

    Dallas Observer Full Review
  • David Sterritt

    Norton's high-energy acting is the only element that saves the picture from being a total loss.

    Christian Science Monitor Full Review
  • Gary Dauphin

    A mess of a film.

    Village Voice Full Review
  • Stephen Hunter

    A mousy little nothing of a picture.

    Washington Post Full Review
  • Gene Siskel

    A shockingly powerful screed against racism that also manages to be so well performed and directed that it is entertaining as well. [30 October 1998, Friday, p.A]

    Chicago Tribune Full Review
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