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The Last Exorcism Part II

Drama . Thriller . Horror

As Nell Sweetzer tries to build a new life after the events of the first movie, the evil force that once possessed her returns with an even more horrific plan.

Actors: Raeden Greer , Muse Watson , David Jensen , Judd Lormand , Spencer Treat Clark , Andrew Sensenig , Julia Garner , Ashley Bell
Directors: Ed Gass-Donnelly
Country: USA , FRANCE
Release: 2013-03-01
More Info:
  • Ken McIntyre

    Ashley Bell’s nuanced performance and a surprisingly pyrotechnic finale liven up a gloomy sequel. Title’s still nonsense, mind.

    Total Film Full Review
  • Dennis Harvey

    Never mind the inherent titular redundancy: The Last Exorcism Part II is a generally effective sequel to the 2010 sleeper that injected at least a little new life into the heavily taxed found-footage-horror subgenre.

    Variety Full Review
  • Andy Webster

    At least this movie, like its predecessor, has Ashley Bell as Nell. An actress who suggests religious piety, carnal fire and satanic aggression with equal dexterity, Ms. Bell provides a pulse an audience can connect with amid the standard-issue atmospheric accouterments.

    The New York Times Full Review
  • Mark Olsen

    The Last Exorcism Part II is an effectively unnerving, slow-burn supernatural horror tale. The film is smartly different enough from the original to survive on its own, though it lacks some of the first film's sense of surprise.

    Los Angeles Times Full Review
  • Clark Collis

    Unfortunately, no one involved seems to have bent over backwards to make the movie either original or even all that scary.

    Entertainment Weekly Full Review
  • Ethan Gilsdorf

    Once the “what is real, what is fantasy” questions are answered, and exorcism part deux commences, The Last Exorcism Part II abandons its half-intelligent, tender exploration of Nell’s vulnerability and desirability

    Boston Globe Full Review
  • Bilge Ebiri

    Somewhere inside The Last Exorcism Part II is a very good thriller — a genuinely unnerving movie about possession — struggling to get out. But then the sound drops out, the music shrieks, a figure jumps out, and we’re back to the same old, same old.

    New York Magazine (Vulture) Full Review
  • William Goss

    At the end of the day, it’s a sure-handed sequel, but not a terribly thrilling one. Full Review
  • Peter Bradshaw

    It's competently made, but pointless.

    The Guardian Full Review
  • James White

    A stylistic departure from the shaky aesthetic of the first film. Sadly, most of its nervy shocks and creeping sense of unease go the same way.

    Empire Full Review
  • Joe Neumaier

    Now Bell can break out of the genre. She's served her time.

    New York Daily News Full Review
  • Frank Scheck

    Unfortunately, while director/co-writer Ed Gass-Donnelly displays an admirable restraint in his general eschewing of gratuitous gore, quick editing and flashy visuals, the results have a generally soporific feel.

    The Hollywood Reporter Full Review
  • Simon Abrams

    When the creators of The Last Exorcism Part II swapped pseudo-verité realism for psychological realism, they made it a lot harder to take their franchise seriously.

    Village Voice Full Review
  • Rob Humanick

    Scenes of solemn importance drag on to the point of self-parody in an attempt at establishing mood, while dialogue reeks of connect-the-dots spoonfeeding.

    Slant Magazine Full Review
  • Scott Tobias

    An abysmal sequel that abandons the found-footage concept, along with the pockets of wit and originality that made its predecessor salvageable.

    The A.V. Club Full Review
  • Sean O Connell

    An ineffective excursion that maintains a few direct ties back to the original film but never moves the story forward.

    Washington Post Full Review
  • Drew Taylor

    It’s the kind of garbage that does a disservice to the fearless possibilities of the horror genre and its knack for sly social commentary.

    The Playlist Full Review
  • Roger Moore

    Part II is every bit as cheap and far more generic, nothing more than a run of the mill ghost story masquerading as The Devil Made Her Do It.

    McClatchy-Tribune News Service Full Review
  • Tim Robey

    The actual exorcism sequence, involving three well-meaning cult members and a chicken, is strangely uneventful – and if there’s one thing a movie exorcism should never, ever be, it’s that.

    The Telegraph Full Review
  • Marjorie Baumgarten

    The film, however, is short on genuine scares and ingenuity.

    Austin Chronicle Full Review
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