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A Good Day to Die Hard

5/10
Action . Thriller . Crime
 

Iconoclastic, take-no-prisoners cop John McClane, finds himself for the first time on foreign soil after traveling to Moscow to help his wayward son Jack - unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist. With the Russian underworld in pursuit, and battling a countdown to war, the two McClanes discover that their opposing methods make them unstoppable heroes.

 
Actors: Roman Luknár , Sergey Kolesnikov , Amaury Nolasco , Cole Hauser , Radivoje Bukvić , Yuliya Snigir , Mary Elizabeth Winstead , Sebastian Koch , Jai Courtney , Bruce Willis
Directors: John Moore
Country: USA
Release: 2013-02-14
More Info:
  • Rick Groen

    Far more than most action stars getting on in years, Bruce Willis has aged nicely into the role. Maybe it’s that shaved pate of his, a bullet-head that still looks primed for any chamber.

    The Globe and Mail (Toronto) Full Review
  • Steven Rea

    For all its mayhem, for all the smashing windows and kabooming fireballs, the grenade launchers and giant helicopters, A Good Day to Die Hard not only fails to top its predecessors, it also forgets the basic Die Hard rules.

    Philadelphia Inquirer Full Review
  • James Berardinelli

    We have entered generic action movie territory and the idiosyncrasies that made the series special at the outset have been leeched out, papered over, or turned into obligatory inserts.

    ReelViews Full Review
  • Peter Rainer

    If there is to be a sequel to this thudding slab of cacophony, why not just go all the way and make John McClane a superhero?

    Christian Science Monitor Full Review
  • Peter Debruge

    Willis still packs that rapscallion charm, balancing his wisecracking, reluctant-hero shtick with the unstoppable, all-American quality that earned the original film its title. But the chemistry between him and Courtney is nonexistent, with the younger thesp, who makes co-star Cole Hauser look expressive, adding so little to the equation, one can only hope the studio doesn't plan to pass the franchise on to him.

    Variety Full Review
  • Lisa Schwarzbaum

    In the way of workaday flicks built around long-in-the-tooth badasses, Die Hard 5 leaves room for McClane to make a few jokes about his thinning hair and to rue that he wasn't a better father when his kids were growing up. Oh, boo-hoo.

    Entertainment Weekly Full Review
  • Joe Williams

    To paraphrase a classic of Reagan-era cinema, A Good Day to Die Hard is a bad day to stop sniffing glue.

    St. Louis Post-Dispatch Full Review
  • Bill Goodykoontz

    While some of the sequels have been entertaining enough, A Good Day to Die Hard signals that it may be a better day for John McClane to retire.

    Arizona Republic Full Review
  • Stephen Whitty

    At this point, "Die Hard" no longer describes the franchise. It describes the fans who are still willing to turn out for the noise and nonsense.

    Portland Oregonian Full Review
  • Scott Tobias

    Until now, the sequels have gotten away with the cynical franchising of John McClane, but A Good Day To Die Hard, the worst entry in the series by far, exposes the hollowness and stupidity of McClane 2.0.

    The A.V. Club Full Review
  • Steve Persall

    The fifth edition of the franchise, A Good Day to Die Hard, is the brawniest and most brainless of the bunch.

    Tampa Bay Times Full Review
  • Anthony Lane

    I hesitate to ask, but did anyone actually tell McClane, before he arrived, that the Cold War is over?

    The New Yorker Full Review
  • Xan Brooks

    I don't think it knows where it's going. I'm not even sure it cares.

    The Guardian Full Review
  • Neil Smith

    “That was exciting!” says Willis after he and Courtney survive a 20-storey leap through a plate glass window. “Want to go again?” Frankly, Bruce, we’re fine to leave it here.

    Total Film Full Review
  • Kim Newman

    A few reasonable action sequences are mired in family soap, making this A Good Day To Call It Quits.

    Empire Full Review
  • Louis Black

    Australian actor Courtney does the honors as the younger McClane, skillfully matching Willis in action sequences, one-liners, and more extended repartee.

    Austin Chronicle Full Review
  • Ty Burr

    There are two problems with A Good Day to Die Hard: It’s terribly filmed and nothing in it makes any sense.

    Boston Globe Full Review
  • Richard Roeper

    Like the Bond movies, the "Die Hard" films thrive on brilliantly wicked villains. In this edition, we barely know which bad guy is the main bad guy. The script is filled with heavy-handed dialogue about parents and their children, framed by well choreographed but generic action sequences.

    Chicago Sun-Times Full Review
  • Claudia Puig

    The best thing about A Good Day to Die Hard is its title.

    USA Today Full Review
  • Michael Phillips

    Isn't just the weakest of the "Die Hard" pictures; it's a lousy action movie on its own terms.

    Chicago Tribune Full Review
  • Roger Moore

    Loud and tedious, “Die Hard 5” is a shaky-cam/Sensuround blast of bullets and bombs, digital explosions and death defying feats of defying death.

    McClatchy-Tribune News Service Full Review
  • Ann Hornaday

    Both assaultive and tiresome, A Good Day to Die Hard barely registers on the action movie Richter scale. It goes bang, it goes boom, and then it blessedly goes away.

    Washington Post Full Review
  • Rodrigo Perez

    A Good Day To Die Hard isn’t dead on arrival because that would suggest it has a pulse.

    The Playlist Full Review
  • Dana Stevens

    The absence of a single noteworthy villain is perhaps this movie’s most salient flaw (along with the jumbled, barely coherent editing of a seemingly endless chase through a Moscow traffic jam).

    Slate Full Review
  • Richard Corliss

    It’s the lamest and most vacant of the quintet — though if you mistakenly think you’re buying a ticket to a demolition derby instead of a night at the movies, you’ll feel right at home.

    Time Full Review
  • Kenneth Turan

    A Good Day to Die Hard plays like an extended victory lap for star Bruce Willis and the entire "Die Hard" franchise. Not surprising, but not overwhelmingly entertaining either.

    Los Angeles Times Full Review
  • Todd McCarthy

    Unfortunately, John Moore has directed these sequences in a way that makes the incidents look so far-fetched and essentially unsurvivable that you can only laugh.

    The Hollywood Reporter Full Review
  • A.O. Scott

    Everything that made the first “Die Hard” memorable — the nuances of character, the political subtext, the cowboy wit — has been dumbed down or scrubbed away entirely.

    The New York Times Full Review
  • Rene Rodriguez

    Time to give the shoot-’em-up thing a rest, guys: It’s tired and played out, and so are you.

    Miami Herald Full Review
  • Peter Travers

    Ah jeez. I actually wanted this one to be good. Or at least decent. Or at least a reminder of what got us all fired up about the first Die Hard in 1988. But A Good Day To Die Hard, the fifth in a creatively exhausted series, is total crap.

    Rolling Stone Full Review
  • Mick LaSalle

    It has a weak story that provides no tension, feeling or interest. Its opening action sequence is just a long, drawn-out dud, filmed by director John Moore in the worst modern style of quick cuts and smeary, jittery photography.

    San Francisco Chronicle Full Review
  • Lou Lumenick

    Actually, Bruce, what stinks is the script — which is woefully lacking the kind of one-liners and memorable bad guys that helped make working-class hero McClane so iconic he’s still around after 25 years. Even the action sequences are pretty much by the numbers this time.

    New York Post Full Review
  • John Semley

    The film feels like it was reverse-engineered from its "Yippee Ki-Yay Mother Russia" tagline, a wholly generic international actioner barely distinguished by the presence of Bruce Willis's banner hero.

    Slant Magazine Full Review
  • David Edelstein

    A Good Day to Die Hard is the opposite of a labor of love. It has no good lines, no crackerjack fights, and only one mildly orgasmic revenge killing. It will satisfy no one — high-, low-, or middlebrow. Die Hard is finally in its death throes.

    New York Magazine (Vulture) Full Review
  • Andrew O'Hehir

    Pretty much three well-staged action sequences strung together with the dumbest imaginable connective tissue.

    Salon.com Full Review
  • Keith Uhlich

    We’re a long way from this shoot-’em-up franchise’s John McTiernan–helmed heyday. Willis gives one of his laziest ever performances, leadenly tossing off each quip (“I’m on vacation!” is the most abused) and acting like he’s passing a kidney stone during the bathetic father-son bonding scenes.

    Time Out New York Full Review
  • Joe Neumaier

    Ultimately, even more than 2007’s “Live Free or Die Hard,” “Good Day” never lets McClane be McClane. Gone is his taunting snark and quick-witted preparedness; instead he seems like a jerk with a thing for guns.

    New York Daily News Full Review
  • Laremy Legel

    The entire enterprise is a bewildering mess, put in place only to frustrate and alienate anyone who buys a ticket. Every action scene is telegraphed, and most of the dialogue is irrevocably stupid.

    Film.com Full Review
  • Joe Morgenstern

    For anyone who remembers the "Die Hard" adventures at their vital and exciting best, this film feels like a near-death experience.

    Wall Street Journal Full Review
  • Alan Scherstuhl

    The movie is constructed like a window some kid broke and then tried to glue back together.

    Village Voice Full Review
Add Soundtrack
  • 8. Its Hard to Kill a McClane Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 9. Chopper Takedown Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 12. Too Many Kolbasas On the Dance Floor Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 13. Jack Makes the Call Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 14. To the Safe House Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 15. Yippie Kay Yay, Mother Russia! Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 16. McClanes Get the Bird Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 17. Sunshine Shootout Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 18. Getting Yuri to the Van Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 19. Get to the Choppa! Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 20. Entering Chernobyl Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 23. Court Adjourned Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 24. Getting to the Dance Floor Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 25. Into the Vault Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 26. Whats So Funny? Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 27. Leaving the Safe House Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 28. Rubbed Out At the Spa Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 29. It's Hard to Kill a McClane Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 30. McClane's Brain Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online
  • 31. What's So Funny? Performer: Marco Beltrami, Pete Anthony & Belinda Broughton Stream Music Online