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Comedy . Romance . Horror

The modern-day story focuses on two beautiful young vampires who are living the good nightlife in New York until love enters the picture and each has to make a choice that will jeopardize their immortality.

Actors: Alicia Silverstone , Krysten Ritter , Sigourney Weaver , Richard Lewis , Wallace Shawn , Malcolm McDowell , Zak Orth , Marilu Henner , Kristen Johnston , Meredith Scott Lynn , Larry Wilmore , Bettina Bresnan
Directors: Amy Heckerling
Country: USA
Release: 2012-11-02
More Info:
  • Andrew Schenker

    A sense of anachronism is what provides the film with its melancholy heart.

    Slant Magazine Full Review
  • Eric Kohn

    A surprisingly enjoyable tongue-in-cheek New York comedy from "Clueless" director Amy Heckerling, Vamps teeters on the brink of not quite working and yet still routinely lands its laughs.

    indieWIRE Full Review
  • John Anderson

    Heckerling always manages to get her finger firmly on the pulse of the contemporary moment, and while her club-hopping heroines may be undead, they serve as adorable metaphors for what the filmmaker sees as a zombified moment in cultural history.

    Variety Full Review
  • Scott Tobias

    Heckerling also struggles woefully with special effects, but even then, she's capable of pulling off a beautiful sequence where Silverstone remembers a specific city block as it's evolved through the ages. Her shambling little comedy never finds a consistent groove, but it's eager to please, and has the ancient gags to do it.

    The A.V. Club Full Review
  • John DeFore

    Charming at times but surprisingly cheap-feeling given the cast Heckerling has assembled.

    The Hollywood Reporter Full Review
  • Mark Olsen

    Make no mistake, Vamps is mostly a misfire, but Heckerling still shows enough flashes of wit and wisdom that she remains hard to entirely dismiss. Don't bury that coffin just yet.

    Los Angeles Times Full Review
  • Melissa Anderson

    Reteaming with Silverstone, the alpha matchmaker of "Clueless," for Vamps, Heckerling uses the actress as the mouthpiece for her complaints about how dumb everyone is today. The writer-director's nostalgia feeds the laziest type of cultural critique: never piercing, just grumpy.

    Village Voice Full Review
  • Rachel Saltz

    Aging is probably the real theme here, but it's approached sidelong and has no punch. Still, only the nostalgia has any real conviction.

    The New York Times Full Review
  • Eric Hynes

    Vamps is commendable, even moving, as a raw-nerve confession of anachronism - but it's also what keeps this strained satire from drawing any real blood.

    Time Out New York Full Review
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