Set in contemporary London with a British Metropolitan Police Officer at its heart, Marcella is Scandinavian noir on the streets of Britain. Told with Rosenfeldt's unflinchingly clear Nordic style, full of hooks and action, The series will lead the audience through a narrative maze until the final moments of the drama. Marcella will also delve into the psychology of a single female detective working solo on a serial murder case with many potential suspects and victims.Returning to the Met's Murder Squad after a 12-year career break, Marcella is a detective in her late 30's who gave up her fast-tracked role to marry and devote her life to starting a family. With the abrupt end to her marriage to the love of her life Jason and isolated from her daughter at boarding school, Marcella returns to work whilst attempting to make sense of what's happened in her life. By coincidence a spate of recent killings have occurred which bear the hallmarks of unsolved murders committed over a decade ago. Marcella is immediately assigned to the case she first worked on in 2003. The killer was never detected and more bodies have been discovered with the same method of killing. Has the killer re-appeared or is a copycat murderer responsible for these recent deaths? How will Marcella cope returning to duties when her own temperament is so fragile and vulnerable? Will throwing herself into her work provide the answers she's seeking? Or lead her dangerously into territory she must evade at all cost?
|Episode Title:||Episode 3|
|Airs:||2016-04-18 at 21:00|
There’s an artfulness to Rosenfeldt’s killers, and that’s what makes his stories compelling, even if they’re ridiculously improbable. Seeing how Rosenfeldt can keep everything moving cohesively is almost as much fun as the story itself.The A.V. Club Full Review
Friel's winning performance keeps each scene feeling fresh. [1 Jul 2016]Entertainment Weekly Full Review
Marcella starts off well, but pretty soon its pace is impeded by a number of subplots and the abrupt introductions of characters whose role in the overall plot is either unclear or irrelevant. The series has a familiar enough cop-show structure, so if you like Friel’s performance, you’ll be carried pretty far along into the season.Yahoo TV Full Review
Marcella is portrayed as both an excellent detective and a basket case in a way that doesn’t add up (despite the past traumas that are introduced as explanations), and her blackouts feel like plot devices, there just to keep things mysterious. After the season finale, you may find yourself just as much in the dark as Marcella.The New York Times Full Review