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Seinfeld - S07E06


While on their way to the "soup place" Elaine finds an antique armoire she wants. George makes a mistake while trying to get his soup from the "Soup Nazi." Elaine isn't allowed to move her armoire into her building, so Kramer offers to watch it for her, out on the street. George and Elaine discuss how annoyed they are by Jerry's sweet-talking with his current girlfriend, especially their calling each other "Schmoopie." Elaine makes an ordering error in front of the "Soup Nazi," gets on his bad side and is banned for a year. In broad daylight and in Kramer's presence, two "tough" guys come along and take Elaine's armoire. Kramer relates the story of the armoire to the "Soup Nazi," who says he has an armoire in the basement that Kramer can have. Jerry's girlfriend makes a faux pas in the "soup place" and Jerry disavows any knowledge of her. George confronts Jerry and reminds him about their pact. George and Susan see Jerry and his girlfriend at the diner and they begin to compete against each other. Susan appreciates that George is finally showing his feelings in public. Kramer gives Elaine the armoire and tells her where he got it. Elaine goes to thank the "Soup Nazi" but gets even further on his bad side. Jerry discovers the armoire contains the "Soup Nazi"'s recipes and Elaine takes them for her final confrontation with the "Soup Nazi."

Episode Title: The Soup Nazi
Airs: 1995-11-02 at
  • Howard Rosenberg

    This is just the kind of amusingly off-center comedy now missing from NBC's lineup, one of those rare, delightful meshings of concept, cast and execution, with producer Tom Cherones providing inspired direction. Nothing is forced. [31 May 1990, p.F9]

    Los Angeles Times Full Review
  • Ken Tucker

    The weakest aspect of Seinfeld is a wacky next-door neighbor played by Michael Richards. Richards is doing little more than an impersonation of Christopher Lloyd's Jim on Taxi, and he ought to cut it out.

    Entertainment Weekly Full Review
  • Jonathan Storm

    Funny. The characters, even the hip comic star, become likable very quickly. Despite yourself, you'll be laughing before the first commercial. [31 May 1990, p.C11]

    Philadelphia Inquirer Full Review
  • Ann Hodges

    It works. It's different. It's fun, offbeat and charming. [31 May 1990, p.5]

    Houston Chronicle Full Review
  • Tom Shales

    One weak link is fellow stand-up comic Michael Richards as Seinfeld's wacky neighbor. He isn't wacky or neighborly enough; it just doesn't work. But he's in the minority where "Seinfeld" is concerned. You may not convulsively guffaw, but you're bound to convincingly smile. Here's one that worked out just right.

    Washington Post Full Review
  • Ben Kubasik

    Seinfeld's gentle humor is easy to take. Unlike other current comedians, such as Andrew Dice Clay or Sam Kinison, Seinfeld isn't angry: He's more awed by the wonder of it all. [13 May 1990, p.13]

    Newsday Full Review
  • John Engstrom

    The writing - so thankfully different from the hammering rhythm of most sitcoms - comes from Seinfeld and Larry David ("Saturday Night Live"). [31 May 1990, p.C5]

    Seattle Post-Intelligencer Full Review
  • Rick Kogan

    There are some who might be jarred by the format, seamless as it is. And still others might be compelled to argue that with this format one gets neither a sitcom nor a comedy show, but insufficient portions of each...But there is an intriguing honesty to this method, and, in its fashion, it shows how life's tiny travail can work its way into comedy club laughs. [31 May 1990, p.C4]

    Chicago Tribune Full Review
  • Matt Roush

    Lacking much in the way of attitude, the show seems obsolete and irrelevant. What it boils down to is that Seinfeld, likable as he may be, is a mayonnaise clown in a world that requires a little horseradish. [31 May 1990, p.3D]

    USA Today Full Review