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Seinfeld - S08E04


Elaine reluctantly lets George attend a party she is throwing at work. "Sweet fancy Moses" exclaims George when he sees Elaine dance at a party she's holding for her employees. She wonders why they've lost respect for her. Jerry gets 2 tickets to a premiere of a film. Kramer asks him to get an extra ticket for his friend Brody. Elaine thinks the loss of respect might be due to George's influence, so she makes him off limits to Anna, one of the women George talked to at the party. That "bad boy" image makes him all the more desirable. Jerry and Kramer attend the film with Brody, who begins to make a bootleg tape. Brody gets sick and has Kramer take him home, leaving Jerry to finish making the tape. Jerry worries about the implications when Brody likes him camera work and asks him to do another film. However, he complains about the quality of Kramer's work. Elaine finds out the truth about her dancing after she tapes herself. Elaine apologizes to Anna and George, which suddenly makes him undesirable. Brody won't meet Jerry's demands for equipment; George takes on the challenge, but gets arrested. Frank comes to bail him out and Elaine lets him know the truth about his son. Elaine's dance becomes a big hit on the streets of New York.

Episode Title: The Little Kicks
Airs: 1996-10-10 at
  • Howard Rosenberg

    This is just the kind of amusingly off-center comedy now missing from NBC's lineup, one of those rare, delightful meshings of concept, cast and execution, with producer Tom Cherones providing inspired direction. Nothing is forced. [31 May 1990, p.F9]

    Los Angeles Times Full Review
  • Ken Tucker

    The weakest aspect of Seinfeld is a wacky next-door neighbor played by Michael Richards. Richards is doing little more than an impersonation of Christopher Lloyd's Jim on Taxi, and he ought to cut it out.

    Entertainment Weekly Full Review
  • Jonathan Storm

    Funny. The characters, even the hip comic star, become likable very quickly. Despite yourself, you'll be laughing before the first commercial. [31 May 1990, p.C11]

    Philadelphia Inquirer Full Review
  • Ann Hodges

    It works. It's different. It's fun, offbeat and charming. [31 May 1990, p.5]

    Houston Chronicle Full Review
  • Tom Shales

    One weak link is fellow stand-up comic Michael Richards as Seinfeld's wacky neighbor. He isn't wacky or neighborly enough; it just doesn't work. But he's in the minority where "Seinfeld" is concerned. You may not convulsively guffaw, but you're bound to convincingly smile. Here's one that worked out just right.

    Washington Post Full Review
  • Ben Kubasik

    Seinfeld's gentle humor is easy to take. Unlike other current comedians, such as Andrew Dice Clay or Sam Kinison, Seinfeld isn't angry: He's more awed by the wonder of it all. [13 May 1990, p.13]

    Newsday Full Review
  • John Engstrom

    The writing - so thankfully different from the hammering rhythm of most sitcoms - comes from Seinfeld and Larry David ("Saturday Night Live"). [31 May 1990, p.C5]

    Seattle Post-Intelligencer Full Review
  • Rick Kogan

    There are some who might be jarred by the format, seamless as it is. And still others might be compelled to argue that with this format one gets neither a sitcom nor a comedy show, but insufficient portions of each...But there is an intriguing honesty to this method, and, in its fashion, it shows how life's tiny travail can work its way into comedy club laughs. [31 May 1990, p.C4]

    Chicago Tribune Full Review
  • Matt Roush

    Lacking much in the way of attitude, the show seems obsolete and irrelevant. What it boils down to is that Seinfeld, likable as he may be, is a mayonnaise clown in a world that requires a little horseradish. [31 May 1990, p.3D]

    USA Today Full Review