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Seinfeld - S06E19


The guys play a game of basketball with "the Jimmy," a man who talks about himself in the third person. Jimmy sells odd shaped training shoes and George is an interested investor. Fresh from the gym, he attends a Yankees meeting about thefts, during which he sweats profusely. Jerry goes to the dental office and discovers they now carry Penthouse in the waiting room. Elaine gets tickets to a benefit for the AMCA (Able Mentally Challenged Adults) featuring Mel Torme, the "Velvet Fog." Elaine tries to meet a handsome guy at the gym, but instead talks with "the Jimmy," who makes the date for himself. On a follow-up visit to the dental office, Jerry feels the dentist and his hygienist may have lived out a fantasy during his time in the chair, the type of thing you might read in Penthouse. Kramer has a visit to the dentist complete with Novocain, later while wearing a pair of Jimmy's shoes, winds up getting a him a seat at the main table of the benefit.

Episode Title: The Jimmy
Airs: 1995-03-16 at
  • Howard Rosenberg

    This is just the kind of amusingly off-center comedy now missing from NBC's lineup, one of those rare, delightful meshings of concept, cast and execution, with producer Tom Cherones providing inspired direction. Nothing is forced. [31 May 1990, p.F9]

    Los Angeles Times Full Review
  • Ken Tucker

    The weakest aspect of Seinfeld is a wacky next-door neighbor played by Michael Richards. Richards is doing little more than an impersonation of Christopher Lloyd's Jim on Taxi, and he ought to cut it out.

    Entertainment Weekly Full Review
  • Jonathan Storm

    Funny. The characters, even the hip comic star, become likable very quickly. Despite yourself, you'll be laughing before the first commercial. [31 May 1990, p.C11]

    Philadelphia Inquirer Full Review
  • Ann Hodges

    It works. It's different. It's fun, offbeat and charming. [31 May 1990, p.5]

    Houston Chronicle Full Review
  • Tom Shales

    One weak link is fellow stand-up comic Michael Richards as Seinfeld's wacky neighbor. He isn't wacky or neighborly enough; it just doesn't work. But he's in the minority where "Seinfeld" is concerned. You may not convulsively guffaw, but you're bound to convincingly smile. Here's one that worked out just right.

    Washington Post Full Review
  • Ben Kubasik

    Seinfeld's gentle humor is easy to take. Unlike other current comedians, such as Andrew Dice Clay or Sam Kinison, Seinfeld isn't angry: He's more awed by the wonder of it all. [13 May 1990, p.13]

    Newsday Full Review
  • John Engstrom

    The writing - so thankfully different from the hammering rhythm of most sitcoms - comes from Seinfeld and Larry David ("Saturday Night Live"). [31 May 1990, p.C5]

    Seattle Post-Intelligencer Full Review
  • Rick Kogan

    There are some who might be jarred by the format, seamless as it is. And still others might be compelled to argue that with this format one gets neither a sitcom nor a comedy show, but insufficient portions of each...But there is an intriguing honesty to this method, and, in its fashion, it shows how life's tiny travail can work its way into comedy club laughs. [31 May 1990, p.C4]

    Chicago Tribune Full Review
  • Matt Roush

    Lacking much in the way of attitude, the show seems obsolete and irrelevant. What it boils down to is that Seinfeld, likable as he may be, is a mayonnaise clown in a world that requires a little horseradish. [31 May 1990, p.3D]

    USA Today Full Review