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Seinfeld - S08E19


George's girlfriend is big on using the phrase "yada yada"; Jerry says at least she is succinct. Jerry's dentist just became Jewish and he is already making jokes that make Jerry uncomfortable. Kramer and Mickey double date but they can't decide which of the women is right for them. Elaine is a character reference for a couple who is trying to adopt; a story she tells during the interview destroys all hope of adoption. George drops by Jerry's dental appointment. Mickey and Kramer continue to fight over who gets Karen or Julie. George determines that his girlfriend might be leaving out some significant details with her overuse of the phrase "yada yada." He gets her to fill in the details and discovers more than he wants to know. Jerry confesses to a priest about what he thinks about Tim's conversion. George drops by Jerry's confession. Kramer decides on the right woman and Mickey also decides to make his a commitment. Tim hears about Jerry's dental joke. After hearing Jerry's complaints about Tim, Kramer accuses Jerry of being an "anti-dentite." Elaine lobbies on behalf of Beth and Arnie and makes a sacrifice to try getting them a child. Meanwhile, Beth comes to Jerry for help when her marriage is falling apart. It does and she accompanies Jerry to Mickey's wedding where she reveals an unknown side of her personality.

Episode Title: The Yada Yada
Airs: 1997-04-24 at
  • Howard Rosenberg

    This is just the kind of amusingly off-center comedy now missing from NBC's lineup, one of those rare, delightful meshings of concept, cast and execution, with producer Tom Cherones providing inspired direction. Nothing is forced. [31 May 1990, p.F9]

    Los Angeles Times Full Review
  • Ken Tucker

    The weakest aspect of Seinfeld is a wacky next-door neighbor played by Michael Richards. Richards is doing little more than an impersonation of Christopher Lloyd's Jim on Taxi, and he ought to cut it out.

    Entertainment Weekly Full Review
  • Jonathan Storm

    Funny. The characters, even the hip comic star, become likable very quickly. Despite yourself, you'll be laughing before the first commercial. [31 May 1990, p.C11]

    Philadelphia Inquirer Full Review
  • Ann Hodges

    It works. It's different. It's fun, offbeat and charming. [31 May 1990, p.5]

    Houston Chronicle Full Review
  • Tom Shales

    One weak link is fellow stand-up comic Michael Richards as Seinfeld's wacky neighbor. He isn't wacky or neighborly enough; it just doesn't work. But he's in the minority where "Seinfeld" is concerned. You may not convulsively guffaw, but you're bound to convincingly smile. Here's one that worked out just right.

    Washington Post Full Review
  • Ben Kubasik

    Seinfeld's gentle humor is easy to take. Unlike other current comedians, such as Andrew Dice Clay or Sam Kinison, Seinfeld isn't angry: He's more awed by the wonder of it all. [13 May 1990, p.13]

    Newsday Full Review
  • John Engstrom

    The writing - so thankfully different from the hammering rhythm of most sitcoms - comes from Seinfeld and Larry David ("Saturday Night Live"). [31 May 1990, p.C5]

    Seattle Post-Intelligencer Full Review
  • Rick Kogan

    There are some who might be jarred by the format, seamless as it is. And still others might be compelled to argue that with this format one gets neither a sitcom nor a comedy show, but insufficient portions of each...But there is an intriguing honesty to this method, and, in its fashion, it shows how life's tiny travail can work its way into comedy club laughs. [31 May 1990, p.C4]

    Chicago Tribune Full Review
  • Matt Roush

    Lacking much in the way of attitude, the show seems obsolete and irrelevant. What it boils down to is that Seinfeld, likable as he may be, is a mayonnaise clown in a world that requires a little horseradish. [31 May 1990, p.3D]

    USA Today Full Review