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The Simpsons - S13E12

Family . Comedy . Animation

Bart has a day that gets better and better, until it starts really sucking when a crazy dog that hates him for no known reason starts stalking him. Bart is chased by the dog and he escapes from the dog by climbing a fence into the yard of Buck McCoy, a former star of western films. Bart learns more about Buck's history and back at home when Bart mentions that Buck is about the greatest guy who ever lived, Homer gets jealous. Buck comes to the Simpson's home for dinner and Bart brings the western look to Springfield Elementary. Bart and Lisa get Buck to appear on "The Krusty the Clown Show", but Buck hasn't appeared on live television in years; so to calm his nerves, he starts drinking. A drunken Buck shoots up the Krusty the Clown set, and Krusty himself. As a result Bart has lost his new hero and Homer who should feel happy about it isn't. So he and Marge go to Buck's to try sobering him up. When Snake and his gang are robbing Springfield's National Bank, Homer suggests that Buck stop the robbery to help restore his son's faith in the old cowboy. A couple of twirls of Buck's lariat soon put an end to the robbery.

Episode Title: The Lastest Gun in the West
Airs: 2002-02-24 at 08:00 pm
  • Ken Tucker

    Groening has created a group of characters whose personalities and motives are more vivid and detailed than the vast majority of sitcoms featuring flesh-and-blood actors.

    Entertainment Weekly Full Review
  • Richard Zoglin

    [The show] has a good deal of savvy wit.... The Simpsons, however, is strangely off-putting much of the time. The drawings are grotesque without redeeming style or charm (characters have big beady eyes, beaklike noses and spiky hair), and the animation is crude even by TV's low-grade standards.

    Time Full Review
  • Howard Rosenberg

    Easily the the best, cleverest and nuttiest arrival of the 1989-90 season is The Simpsons...It's very small-scale, but perfectly conceived and executed. What we have here from creator Matt Groening is a rare confluence -- delightful writing, pictures and voices fitting like a Matisse. [12 Jan 1990, p.F1]

    Los Angeles Times Full Review
  • John Engstrom

    "The Simpsons" is both a challenge and a delight. It's also that rarest of TV fauna, a cartoon show with levels of mirth for every brain and pair of eyes in the family. [12 Jan 1990]

    Seattle Post-Intelligencer Full Review
  • Matt Roush

    A hilarious holiday package. [15 Dec 1989, p.3D]

    USA Today Full Review
  • John J. O'Connor

    There is, admittedly, a fine line between being hilariously perceptive and just plain, even objectionably, silly. While habitually teetering on that line, 'The Simpsons' has shown a remarkable ability to come down on the right side most of the time.

    The New York Times Full Review
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