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The Simpsons - S14E15

Family . Comedy . Animation

On St. Valentine's Day Marge is too tired in participating in the lovemaking that Homer was so looking forward to. Dejected, Homer leaves the house and stumbles across a billboard for some extension courses. When he is thrown out of the "Strip for Your Wife" class led by Dr. Hibbert, he stumbles into "Successmanship 101" class. He gets the book for the class and with it he decides to change the direction of his life. Homer goes into work with a new attitude, but when he presents his ideas for improvements to Mr. Burns, they are all rejected unread. Later when Homer overhears that Mr. Burns actually has a canary named as the plant's legal owner. With this information and some encouragement from his family Homer decides upon a plan. With Bart's help, Homer releases the bird, which leaves the plant with no owner. In rare sign of intelligence, Homer outwits Mr. Burns and is able to take over the vacancy left by the canary. His first act in his new job is to fire Mr. Burns. Now Homer is in charge of the power plant and besides learning about the "door shutting thing" he soon learns how difficult it is to be at the top. He misses out on quality time with his family. Mr. Burns returns for a visit and shows Homer the people he missed out on being with throughout his life, Mr. Burns then tries to kill Homer by drugging him and sealing him in a tomb. He isn't fast enough as Homer recovers and easily escapes. As a wrap up to his latest escapade Homer (and everyone) celebrate "HOMER'S 305th EVERYTHING IS BACK TO NORMAL BBQ."

Episode Title: C.E. D'oh!
Airs: 2003-03-16 at 08:00 pm
  • Ken Tucker

    Groening has created a group of characters whose personalities and motives are more vivid and detailed than the vast majority of sitcoms featuring flesh-and-blood actors.

    Entertainment Weekly Full Review
  • Richard Zoglin

    [The show] has a good deal of savvy wit.... The Simpsons, however, is strangely off-putting much of the time. The drawings are grotesque without redeeming style or charm (characters have big beady eyes, beaklike noses and spiky hair), and the animation is crude even by TV's low-grade standards.

    Time Full Review
  • Howard Rosenberg

    Easily the the best, cleverest and nuttiest arrival of the 1989-90 season is The Simpsons...It's very small-scale, but perfectly conceived and executed. What we have here from creator Matt Groening is a rare confluence -- delightful writing, pictures and voices fitting like a Matisse. [12 Jan 1990, p.F1]

    Los Angeles Times Full Review
  • John Engstrom

    "The Simpsons" is both a challenge and a delight. It's also that rarest of TV fauna, a cartoon show with levels of mirth for every brain and pair of eyes in the family. [12 Jan 1990]

    Seattle Post-Intelligencer Full Review
  • Matt Roush

    A hilarious holiday package. [15 Dec 1989, p.3D]

    USA Today Full Review
  • John J. O'Connor

    There is, admittedly, a fine line between being hilariously perceptive and just plain, even objectionably, silly. While habitually teetering on that line, 'The Simpsons' has shown a remarkable ability to come down on the right side most of the time.

    The New York Times Full Review
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